This outstanding collection contains 6 discs and features some of the most memorable performances by The Royal Opera. The works included in this set include Verdi’s Aida, Otello, and Stiffelio, Strauss’s Salome, Gounod’s Romeo Et Juliette, and Mozart’s Mitridate, re di Ponto. These discs bring together incredible conductors Paul Daniel, Edward Downes, Charles Mackerras, and Georg Solti with world-class stage directors Elijah Moshinsky, Nicholas Joel, Peter Hall, and Graham Vick. These recordings, all taken between 1992 and 1994, are preserved here in Standard Definition and 4/3 picture format.

The protean and prolific Jeroen van Veen turns his attention to Erik Satie’s complete piano works for a 9-CD boxed set that ties in with the composer’s 150th birthday year. In a way, the collection is completer than complete. It includes all of Satie’s published and unpublished works for solo piano and piano duo, piano arrangements of theater scores as Le fils des étoiles, Darius Milhaud’s transcription of Cinéma (the Entr’acte from the ballet Relache), plus van Veen’s duet arrangement of the first and third Gymnopédies in Debussy’s versions (replete with added arpeggios, percussive effects, and such). Van Veen also restores Parade’s opening Choral from the orchestral version that Satie omitted from his four-hand edition.

As if that weren’t enough, the final disc is given over to Vexations, the little piece Satie asks you to play 840 times in succession. Van Veen goes through it 47 times in 79 minutes, enough to make the point without having to endure 840 repetitions. However, should you feel shortchanged, Brilliant Classics has released a companion 18-disc set containing van Veen’s “complete” 23-hour-and-52-minute Vexations performance, but that’s another story, and another review.

As a Satie interpreter, van Veen shares with Jean-Yves Thibaudet and Aldo Ciccolini a kind of classical reserve without which the music can sound silly on the surface. However, he lacks these pianists’ brashness and dry wit in such ironically upbeat fare as the eight little pieces for Le piège de Méduse or Sur un casque from Descriptions automatiques. In slower selections such as the Gymnopédies and the Gnossienness, van Veen often favors dangerously drawn-out tempos, while playing down the expressive variety in larger multi-movement collections like the Sports et divertissements and the Douze petits chorals.

Still, van Veen’s beautiful and texturally varied sonority, his long-lined sensibility, and his intense focus draw you in. Sample the Nocturnes’ sustained, almost otherworldly serenity, or the subtle spacing of notes throughout the Véritables préludes flaques, and you’ll hear how completely and masterfully van Veen conveys his intentions, abetted by superb, full-bodied sonics. Sandra van Veen joins her husband for the piano duo selections, which stem from an earlier Brilliant Classics release that received a 10/10 rating from yours truly. The pianists’ airtight synchronicity, wide palette of articulations, and dapper stylishness remain reference-worthy.

In sum, while one might question van Veen’s conceptions of certain works as minimalist prototypes, the man’s awesome control and seriousness of purpose cannot be ignored. His fascinating and riveting pianism is well worth Brilliant Classics’ attractive budget price.

– ClassicsToday (Jed Distler)

All of Ludwig van Beethoven’s works for violin and piano are gathered on this new album from Thomas Albertus Irnberger and Michael Korstick. Michael Korstick is a recognized internationally as a Beethoven specialist, and the duo have been hailed as “the current champions in the Beethoven Ring.” (W. Shaper, Radio Bremen. This four-disc collection includes detailed information on the compositional background, written by T. A. Irnberger.

Also available on DVD

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD
This incredible box set presents the best of Russian opera. Included in the set are Mussorgsky’s Boris Godunov, Tchaikovsky’s Eugene Onegin and Pique Dame, Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh, and Shostakovich’s Lady Macbeth of Mtsensk. Recorded in renowned opera houses such as Teatro Regio, Torino, and De Nederlandse Opera, these performances are not to be missed.

Sound Format: 2.0LPCM + 5.1(5.0) DTS
Subtitles: EN, FR, DE, IT, ES, NE
Running Time: 919 mins

When his ship is wrecked in a storm, Robinson Crusoe finds himself stranded on a desert island with no one to help him and no chance of rescue. Scared and alone, he tries to make a life for himself, building shelters, hunting food, taming animals, crafting boats and making clothes. But just as his life appears to be settled, he sees someone else's footprint on the beach and a different struggle for survival begins, this time against cannibals and pirates. Published in 1719, the novel was an immediate success and continue to fascinate new generations.

American Originals is the latest release from the Cincinnati Pops conducted by John Morris Russell and features iconic American songs interpreted by a diverse array of acclaimed musical collaborators including Rosanne Cash, Dom Flemons, Over the Rhine, Joe Henry, Aoife O'Donovan and the Comet Bluegrass All-Stars. The first-ever Cincinnati Pops album to be recorded live in concert, American Originals breathes new life into the first chapter of the Great American Songbook and the music of Stephen Foster. The 94th Cincinnati Pops album includes inspiring new renditions of My Old Kentucky Home, O Susannah, Camptown Races, Aura Lee, Slumber My Darling, Hard Times, and Beautiful Dreamer, among other classic tunes. According to The Cincinnati Enquirer, "The fresh arrangements and unique talents who performed them set each in a new light."

An extraordinary 4 DVD box set that brings together three of America's most lauded contemporary opera productions that collectively are a brilliant introduction to the astonishing diversity of 20th-century opera : John Adams' Dr. Atomic directed by librettist Peter Sellars, a riveting morality drama about the father of the atomic bomb, J. Robert Oppenheimer. Philip Glass', The Perfect American, like the book from which it is based, seeks to reveal an unvarnished Walt Disney, based on an imagined series of reflections and memories that might have occurred during the icon's dying months; and finally the 2001 cinematic film version of Trouble in Tahiti, Leonard Bernstein's satire on American suburban married life, with the characteristically jubilant conjoining of jazz and musical comedy; lyric art with popular entertainment. A marvelous collection of consummate direction, compelling designs, a collection of inspired musical performances by the Netherlands Philharmonic, Madrid's Orquesta de Teatro Real and City of London Sinfonia along with brilliant casting and stand-out performances - among them Gerald Finley's Oppenheimer and Christopher Purves' Walt Disney. Filmed in High Definition and recorded in true Surround Sound.

Designed to be the follow up to the best-selling 2012 'Ballets for Children' box set, Fairytale Ballets collects performances from the Paris Opera Ballet and Dutch National Ballet troupes of some of the most popular ballets in the repertory: Sleeping Beauty, Swan Lake, Cinderella and Copp�lia. With a handsomely bound box and individual slipcases for each ballet featuring a specially-commissioned cover illustration from the artist that designs the covers for the top-selling Terry Pratchett fantasy novels. Intended to specifically appeal to the 10-16 age group, but all fans of these immortal ballets will find much to be compelled by with this budget priced box set.

Outstanding singers, conductors and directors come together in five diverse but compelling operas by Benjamin Britten. The turbulent, inward fishing community of Peter Grimes is transposed to a merciless 1980s society in Richard Jones' production. An 'outstanding' Sarah Connolly (Guardian) stars in The Rape of Lucretia, navigating the difficult tale with superb poise. Billy Budd is grippingly staged aboard the claustrophobic MS Indomitable, with Jacques Imbrailo portraying the troubled sailor in the 2010 Glyndebourne Festival Opera production by Michael Grandage. More light-hearted is the Royal Opera House staging of Gloriana, penned by Britten to celebrate the Coronation of Queen Elizabeth II and featuring Susan Bullock as the monarch. Finally, Edward Gardner conducts the English National Opera in Deborah Warner's highly acclaimed production of Death in Venice, In which John Graham-Hall stars as the ageing Gustav von Aschenbach. These productions from some of the world's best opera houses offer five masterful performances that are an ideal way to experience Benjamin Britten's music. Filmed in High Definition and recorded in true Surround Sound.

A BRITTEN COLLECTION
(7-DVD Box Set)

PETER GRIMES

Peter Grimes - John Graham Hall

Boy - Francesco Malvuccio
Ellen Orford - Susan Gritton
Captain Balstrode - Christopher Purves
Auntie - Felicity Palmer
First Niece - Ida Falk Winland
Second Niece - Simona Mihai
Bob Boles - Peter Hoare
Swallow - Daniel Okulitch
Mrs. Sedley - Catherine Wyn-Rogers
Rev. Horace Adams - Christopher Gillett
Ned Keene - George von Bergen

Milan La Scala Chorus and Orchestra
Robin Ticciati, conductor
Richard Jones, stage director

Recorded live at the Teatro alla Scala, June 2012

THE RAPE OF LUCRETIA

Lucretia - Sarah Connolly
Tarquinius - Christopher Maltman
Bianca - Catherine Wyn-Rogers
Lucia - Mary Nelson
Junius - Leigh Melrose
Collatinus - Clive Bayley
Female Chorus - Orla Boylan
Male Chorus - John Mark Ainsley

English National Opera Orchestra
Paul Daniel, conductor

David McVicar, stage director

Recorded live at the Aldeburgh Festival, The Maltings, Snape, 2001

BILLY BUDD

Captain Vere - John Mark Ainsley
Billy Budd - Jacques Imbrailo
Claggart - Phillip Ens
Mr. Redburn - Iain Paterson
Mr. Flint - Matthew Rose
Lieutenant Ratcliffe - Darren Jeffery
Red Whiskers - Alasdair Elliott
Donald - John Moore
Dansker - Jeremy White
Novice - Ben Johnson
Squeak - Colin Judson
Bosun - Richard Mosley-Evans

Glyndebourne Chorus
London Philharmonic Orchestra
Mark Elder, conductor
Michael Grandage, stage director

Recorded live at the Glyndebourne Opera House, 8 and 11 June 2010

GLORIANA

Queen Elizabeth I - Susan Bullock
Earl of Essex - Toby Spence
Countess of Essex - Patricia Bardon
Lord Mountjoy - Mark Stone
Lady Rich - Kate Royal
Sir Robert Cecil - Jeremy Carpenter
Sir Walter Raleigh - Clive Bayley
Ballad Singer - Brindley Sherratt

Royal Opera Chorus
Royal Opera House Orchestra
Paul Daniel, conductor
Richard Jones, stage director

Recorded live at the Royal Opera House, June 2013

DEATH IN VENICE

Gustav von Aschenbach - John Graham Hall
Traveller / Elderly Fop / Gondolier / Barber / Hotel Manger / Player / Dionysus - Andrew Shore
Apollo - Tim Mead
Tadzio - Sam Zaldivar
The Polish Mother - Laura Caldow
Two Daughters - Mia Angelina Mather / Xhuliana Shehu
The Governess - Joyce Henderson
Jaschiu - Marcio Teixeira

English National Opera Chorus and Orchestra
Edward Gardner, conductor
Deborah Warner, stage director

Recorded live at the London Coliseum, June 2013

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Bonus:
- Cast gallery (all)
- Introduction to the opera (Billy Budd, Gloriana)
- Introduction to the designs (Billy Budd)
- Interviews with the cast and crew (Peter Grimes)
- Comments from the director (The Rape of Lucretia)
- Britten’s Aldeburgh (Gloriana)

Picture format: NTSC 16:9 anamorphic
Sound format: DTS 5.1 (all) / + LPCM 2.0 (The Rape of Lucretia, Billy Budd, Gloriana) / + Dolby Digital 2.0 (Peter Grimes, Death in Venice)
Region code: 0 (worldwide)
Audio Language: English
Menu Language: English
Subtitles: English, French, German (all) + Japanese (Peter Grimes, The Rape of Lucretia, Gloriana) + Korean (Death in Venice) / + Spanish (Billy Budd)
Running time: 13 hrs 10 mins (opera) + 27 mins (bonus)
No. of DVDs: 7 (DVD 9)

Also available on Blu-ray

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Anton Bruckner expanded the concept of the symphonic form in ways that have never been witnessed before or since. Daniel Barenboim and the Staatskapelle Berlin follow the harmonic development of Bruckner’s Symphonies Nos. 4-9, revealing the breathtaking musical panorama of these exceptional masterpieces. According to Der Tagesspiegel, this unforgettable Bruckner cycle sets new standards and guarantees the Staatskapelle Berlin and their principal conductor “a place in the Bruckner pantheon.”

Anton Bruckner
THE MATURE SYMPHONIES
(6-DVD Box Set)

Symphony No. 4 in E-Flat Major, WAB 104, “Romantic” (1881 version, ed. R. Haas)
Symphony No. 5 in B-Flat Major, WAB 105 (1878 version, ed. L. Nowak)
Symphony No. 6 in A Major, WAB 106 (ed. L. Nowak)
Symphony No. 7 in E Major, WAB 107 (1885 version, ed. L. Nowak)
Symphony No. 8 in C Minor, WAB 108 (ed. R. Haas from 1887 and 1890 versions)
Symphony No. 9 in D Minor, WAB 109

Berlin Staatskapelle
Daniel Barenboim, conductor

Recorded live at the Berlin Philharmonie, 20–27 June 2010

Picture format: NTSC 16:9
Sound format: PCM Stereo / Dolby Digital 5.1 / DTS 5.1
Region code: 0 (worldwide)
Running time: 7 hrs 8 mins
No. of DVDs: 6 (DVD 9)

This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD players.

Also available on standard DVD

The hr-Sinfonieorchester has for decades been numbered among the world's leading Mahler orchestras. Between 2008 and 2013 it gave its most recent Mahler cycle as part of the Rheingau Music Festival under principal conductor Paavo Järvi. The recordings were made in the unique space of the Basilica of Eberbach Monastery, in the magnificent ambiance of the Friedrich von Thiersch Hall at the Wiesbaden Kurhaus and in the outstanding acoustics of the Great Hall of the Alte Oper in Frankfurt. In all of these venues Mahler's symphonies left a particularly fascinating impression.

Gustav Mahler
THE COMPLETE SYMPHONIES

Symphony No. 1 in D Major, “Titan”
Symphony No. 2 in C Minor, “Resurrection”
Symphony No. 3 in D Minor
Symphony No. 4 in G Major
Symphony No. 5 in C-Sharp Minor
Symphony No. 6 in A Minor, “Tragic”
Symphony No. 7 in E Minor
Symphony No. 8 in E-Flat Major, “Symphony of a Thousand”
Symphony No. 9 in D Major
Symphony No. 10 in F-Sharp Minor: I. Adagio

Camilla Tilling, soprano
Genia Kühmeier, soprano
Erin Wall, soprano
Ailish Tynan, soprano
Anna Lucia Richter, soprano
Lilli Paasikivi, mezzo-soprano
Waltraud Meier, mezzo-soprano
Alice Coote, mezzo-soprano
Charlotte Hellekant, mezzo-soprano
Nikolai Schukoff, tenor
Michael Nagy, baritone
Ain Anger, bass

Bavarian Radio Chorus
North German Radio Chorus
Limburger Cathedral Boys Choir
Leipzig MDR Radio Choir
Czech Philharmonic Choir, Brno
Europa Chor Akademie
Frankfurt Radio Symphony Orchestra
Paavo Järvi, conductor

Recorded at Rheingau Musik Festival, 2003–2013

Bonus:
- Introductions to the Symphonies by Paavo Järvi
- Paavo’s Mahler: The Project

Picture format: 1080i High Definition
Sound format: PCM Stereo / DTS-HD Master Audio 5.1
Region code: 0 (worldwide)
Audio Language (bonus): English
Subtitles: German, English, French, Spanish, Chinese, Korean, Japanese (Symphonies Nos. 2, 3, 4, 8) / German, Korean, Japanese (bonus)
Booklet notes: English, German, French
Running time: 12 hrs 35 mins (concert) + 96 mins (bonus)
No. of Discs: 5 (BD 50)

2015 GRAMMY Award Winner: Best Chamber Music/Small Ensemble Performance

American new-music sextet eighth blackbird, which won Grammy Awards for each of its last three Cedille Records albums, continues to connect with genre-spanning, cutting-edge composers on FILAMENT, a CD of world-premiere recordings of works by Bryce Dessner, Nico Muhly, and Son Lux, plus a Philip Glass classic.

The ensemble’s album, FILAMENT, was produced by Dessner, a Brooklyn-based composer, guitarist, and member of the Grammy-nominated, Billboard-charting indie rock band The National. The 16-page CD booklet features original artwork, photography, and design by New York-based artist and architect Karl Jensen.

Premieres include Dessner’s Murder Ballades and Muhly’s Doublespeak, both written for eighth blackbird, and Son Lux’s To Love and This is my Line, a remix created from the album’s other tracks.

Dessner, on guitar, and Muhly, on organ, join eighth blackbird for a live-in-concert recording of Glass’s mesmerizing Two Pages at the Museum of Contemporary Art Chicago.

The album’s title, FILAMENT, is a metaphor for the fiber of friendship, collaboration, and mutual influence connecting the composers and performers on the album.

REVIEWS:

Eighth blackbird has proven themselves quite the new music ensemble, selecting their works carefully, and bringing to the public music that is challenging and memorable. This release is no exception. It’s called “Filament” because it attempts to link friends and collaborators, and to a lesser extent, their influence on one another. I might also title it “A Tribute to Minimalism”, because without the influence of this much-misaligned genre, this music would not exist. This is a glorious album in glorious sound, marred only by the short playing time. Conceptions this good deserve more—maybe a sequel? – Audiophile Edition (Steven Ritter)

An invisible “filament” connects the experimental, Chicago-based sextet Eighth Blackbird with their composer friends Bryce Dessner, Nico Muhly, Philip Glass and Ryan Lott, known by his stage name Son Lux. Dessner’s Murder Ballades reflect the violent, pulsating energy of their title. Muhly’s Doublespeak is a retro blast of fast-slow minimalism in homage to Philip Glass. Glass’s Two Pages takes a single line to zany extremes, and Lux’s short To Love and This Is My Line pull all together with electronic remixes from the rest of the album. Neatly done, with wit.

-- The Guardian (Fiona Maddocks)

The Beethoven pupil Ferdinand Ries always holds surprises in store for listeners. Whether considering his symphonic music, chamber works, or vocal oeuvre (a broad selection available on CPO), his vibrant powers of invention, formal mastery and genial talent when it came to multiple paving of his own unique paths for the musical language of his times never fails to enthuse. The concert overture probably took shape in response to specific demands arising from the development of the concert as a public event. Ries’ rousing works of this genre are now rendered audible for vinyl fans!

- Richard Strauss' Sonata for Violin and Piano in E flat major op. 18 is a work with a Janus face, illustrating the past and the present and pointing ahead to the future. - It mirrors the composer's musical roots, such as in the second movement which contains references to Beethoven's 'Pathetique' and Schubert's Der Erlk�nig, whilst the first and final movements are influenced by Schumann, on the one hand, and express Strauss' current enthusiasm for Wagner's Tristan, on the other. - By contrast, the hidden allusions to his own tone poem Don Juan show the way the composer wanted to go in the near future.