For Italian composers of the 18th century, the stage was the primary focus. However, Giovanni Battista Viotti, an exceptional violinist and composer, sought instead a career at the Concert Spirituel in Paris, where his performances seduced and astonished the public. His compositions also established the new standard in violin concertos, laying the foundation for the French violin school. This premiere complete recording of Viotti's 29 concertos reveals the full range of his technical and expressive mastery, showing why he was an influence on Paganini, and was admired by Brahms.

The master of Italian Baroque music is indisputably Antonio Vivaldi. Throughout his life, he composed hundreds of works, and is remembered perhaps second only to J.S. Bach, ranking as one of the most popular composers of all time. His oeuvre crosses an extraordinarily wide range, from instrumental compositions of all types to sacred cantatas and operatic works, a vast number of which are presented in this comprehensive box set. Vivaldi composed a large part of his works while working at the Ospedale della Pieta in Venice, where he was employed as a composer, teacher and violinist. The aim of the foundation was to provide an education and home for orphaned children. Vivaldi remained in the post on and off for over 30 years, and was under obligation to compose a new cantata for every feast day. His reputation, however, grew thanks to his instrumental skills rather than his compositions at first; as a violinist, he was known for his extraordinary cadenzas and virtuosic playing style. He became better known as a composer when Dutch publisher Etienne Roger brought out L'estro armonico in 1711, a hugely popular collection of 12 violin concertos, included on this release in full. J.S. Bach was particularly enthused by the manuscript, and his transcriptions for organ have gained popularity on their own merit - his version is also to be found in this edition, a fascinating point of comparison, and a testament to Vivaldi's reputation in his lifetime. During the 1720s and '30s, Vivaldi began to travel widely, while still sending compositions to the Pieta in Venice when required: despite being unable to teach, he was clearly still a major asset, as he was asked to send two concertos a month by post, adding up to over 140 in his absence. His operatic works grew vastly in number, and he began working closely with soprano Anna Giro, who was rumoured to be his mistress. Vivaldi died in Vienna, and, incredibly for such a famous and wealthy man, was given a pauper's burial. His last few months in Vienna had been frustratingly lacking in work, as concert houses were closed to mourn the death of Charles VI; however, his last opera was eventually staged posthumously there in 1742. Vivaldi was a divisive figure during his lifetime, well known for being vain and conceited. His vanity, though, is certainly deserved; we are left with the overwhelming evidence. More than 50 operas (21 of which survive), 500 concertos and 90 sonatas are no mean feat for a man who by all accounts was also a superb teacher and virtuosic violinist. This release draws attention to the diversity of his oeuvre, starting with his instrumental music and moving on to feature his sacred cantatas and operas. It is the most comprehensive edition of Vivaldi's music yet, bringing together 66 CDs showcasing hundreds of different performers and ensembles, many of them performing on period instruments as they strive to recreate the sound of the composer's timbre through their research-led contemporaneous playing styles. Brilliant Classics is proud to offer a new release to add to it's growing collection of authoritative composer editions. This box set is excellent value for money, at only �65 for an astonishing 66 CDs' worth of music, interpreted by some of Baroque music's most celebrated artists today. An excellent gift idea for any lover of Baroque, it spans the length of Vivaldi's illustrious career, and celebrates the best of his innovative and beautiful music. Other information: A new, extended, improved and upgraded Vivaldi Edition on Brilliant Classics! A feast of Historically Informed Performances by leading soloists and ensembles, this new Edition offers the best of today's Vivaldi playing! 66 CDs brimming with vitality, passion, instrumental brilliance and Italian sunshine, as played by mostly Italian forces (yes, they do know the secret of their "red priest" Antonio Vivaldi..). The complete Opus number 1-12 are newly recorded by L'Arte del'Arco, led by the eminent Federico Guglielmo (with numerous record awards to his name), a new recording of the complete Oboe Concertos, Juditha triumphans by Modo Antiquo/Sardelli, the famous Gloria by the Virtuosi Saxoniae, and new recordings by Early Music specialists Stefano Bagliano, Paolo Pollastri, Lorenzo Cavasanti. Contains extensive notes on Vivaldi

The renowned French painter Jean Ingres proclaimed Haydn's music to be the alpha and omega: 'Whoever studies music, let his daily bread be Haydn. The first, who created everything, discovered everything, taught everything to the rest!' Hailed as the father of both the symphony and the string quartet, Haydn was both pioneering and prolific. This box is an update of Brilliant Classics' acclaimed Haydn Edition, with an additional 10 CDs of content including classic performances of the Trumpet and Horn concertos (Philharmonia Orchestra) and the Cello Concertos (Jan Vogler). The set of Haydn's Masses is now complete, with renditions of the 'Nelson', 'Creation' and 'Little Organ' Masses and the Heilig- and Theresienmessen by New York's Trinity Church Choir and Rebel Baroque Orchestra. Also new in this edition is Haydn's final opera, L'anima del filosofo, performed by the Bavarian Radio Choir and Munich Radio Orchestra, along with world-famous sopranos Arleen Auger and Emma Kirkby in Haydn's Songs and Cantatas. The Buchberger String Quartet add to their already monumental catalogue of 'Papa' Haydn's quartets with readings of Op.50/4-6, Op.54 and Op.76/4-6, while Federico Guglielmo, Ginevra Petrucci et al. #contribute new recordings of the duos for violin/viola and 2 flutes. Finally, all 8 of Haydn's ingenious Nocturnes grace this updated box, as performed by the Wiener Concert-Verein. As before, the complete keyboard works (including all sonatas) feature here in vibrant performances on fortepianos, the keyboard instrument of Haydn's day. Reissue of the successful Haydn Edition, the only substantial Edition in the market. Extended version, now 160 CD's, with the addition and completion of the Masses, the String Quartets, the Notturni, and the opera L'Anima del Filosofo. Includes Award winning performances by Austro-Hungarian Haydn Orchestra/Adam Fischer, Buchberger Quartet, Emma Kirkby, Frieder Bernius, Bart van Oort, Haydn Trio Vienna, and many more. The greatest celebration of one of the greatest and not yet fully appreciated composers of all time: craftman and genius, creator of a musical world of wonder, surprise, wit and sentiment, forever to be explored and marveled at.

Johann Sebastian Bach's stature as a composer of extraordinary talent and widespread influence is so firmly established in Western culture that it is difficult to believe that only 150 years ago his works lay in veritable obscurity, unknown to all but a small group of scholars. It is largely thanks to ohn, who essentially effected a revival of the composer's music through his rediscovery and promulgation of the St Matthew Passion, besides other pieces, that his works are today regarded as pinnacles of music expression. That they are among the most performed and widely attended is in no doubt; in Holland alone, thousands of singers and musicians are involved in dozens of performances of the St Matthew Passion in Holy Week, with hundreds of thousands listening in churches and concert halls, or gathered around the radio, to what has been described as 'the Gospel according to Bach'. Bringing together all of his works, this dynamic 142-CD set offers a resounding impression of this great spirit of our Western culture, presenting dynamic performances - many period-based, many acclaimed by the international press - that are divided according to genre, thus making for a highly user-friendly compendium. The set draws on all periods of his career, tracing the development of a style that was much influenced by contemporary and past fashions but which was always adapted to Bach's own purpose, often far surpassing the models on which he drew. The German composer travelled a great deal from city to city, and the different circumstances of his various positions are reflected in the great range of works comprising his output: while his early years are dominated by much keyboard music, on account of the numerous organist posts he held during this period, later positions at various courts accorded him more personal and artistic freedom - in Cothen, for example, Prince Leopold's passion for music-making and his renowned resident orchestra resulted in a string of unforgettable works including the Brandenburg Concertos, the Solo Cello Suites and the Well-Tempered Clavier Part 1, beside many others. Bach was a master of all genres, whether sacred, secular, instrumental or vocal, and his oeuvre is a rich mixture of severe Baroque craftsmanship and expressive Romanticism. Thomas Zehetmair, Kristof Barati, the Gewandhausorchester Leipzig, Rene Jacobs, Peter Schreier and Lucia Popp are just a handful of the first-class performers and ensembles gracing this set. At the bargain price of �100, it is a collection not to be passed up. Other information: - 142 CDs representing the entirety of Johann Sebastian Bach's oeuvre in historically informed performances. This includes all 200 sacred cantatas recorded for Brilliant Classics on period instruments and sung by the Holland Boys Choir. - For reasons of completeness, pure musical enjoyment, scholarly research, attractive, spacesaving design and price, you cannot afford to be without Brilliant Classics' Complete Bach Edition. - Extensive liner notes, sungs texts and complete tracklisting with performers available for download, by clicking on 'Download booklet' below the cover.

Mozart may have died heavy in debt, having encountered much fickleness on the part of the Viennese audiences and struggled to find suitable permanent employment for most of his career, but today his music is celebrated the world over; he is considered one of music history's greatest names, the vast majority of his works enjoying regular performances and being constantly reinterpreted by amateurs and top professionals alike. Stretching from his earliest years (Mozart started composing at the age of five) right through to his final days, this wonderful compendium traverses the full gamut of his output, covering the time spent in Salzburg working for his employer, the Archbishop Colloredo, the extensive travel he undertook during the 1760s and 1770s (which was in part to showcase his prodigious talents on the keyboard and violin, together with his talented sister Nannerl), and his later years in Vienna, to which he escaped in 1781 - against his father's wishes - to pursue a freelance career and where he married Constanze Weber the following year. What becomes evident from this set is that Mozart packed a phenomenal amount into his 35 years, a life that was often dominated by obsessive overwork, particularly towards the end. Moreover, there was not a genre akin to the period that he neglected nor did not achieve success in (in this collection the works are ordered as such, traversing orchestral music, chamber music, solo instrumental music, sacred music and vocal music), and in many cases he effected transformation, attaining new artistic levels - this is particularly evident in the piano concertos that begin the compendium, remarkable for their diversity of character, and the concluding mature operas, works that achieved new depths of characterisation. A more varied, colourful output you could not find, one that is enhanced in this release by the multitude of talented performers assembled. At the bargain price of �110, this 170-CD box set is not to be missed, affording hours of pleasurable listening that will satisfy both Mozart aficionado and novice. Other information: 170 CDs representing the entirety of Wolfgang Amadeus Mozart's oeuvre in historically informed performances. This includes all the concertos, chamber music, divertimenti, sonatas and of course the operas. For reasons of completeness, pure musical enjoyment, scholarly research, attractive, space-saving design and price, you cannot afford to be without Brilliant Classics' improved Complete Mozart Edition. Featuring numerous period-instrument and award-winning recordings. Extensive liner notes and sungs texts available for download, by clicking on 'Download booklet' below the cover.

An exact contemporary of Bach, George Frideric Handel was one of the most important composers of the Baroque era, carving out a career for himself which was equally as impressive as his fellow countryman's. Born in Halle, Germany, to parents who were initially opposed to his devotion to music, Handel soon moved from his hometown to the great operatic centre of Hamburg. The opportunity to meet people from around Europe led to a rapid development of his skills, and, influenced by the Italian style that was gathering pace around him, the composer took the opportunity to travel to Italy, staging La Resurrezione in Rome in 1708. Handel's reputation soon picked up, and in 1710 he became Kapellmeister to the Elector of Hannover, Prince George, who would soon become King George I of England. The connection with England had been established, and Handel moved there permanently in 1714, helping to found the Royal Academy of Music five years later. When the new Covent Garden Theatre was established in 1736, Handel celebrated the opening night with a performance of Alexander's Feast (included in full on this release). Following his operatic success, the composer turned to oratorios, starting with the biblical Saul and Israel in Egypt, and premiering Messiah in Dublin in 1742. The next year, despite suffering paralysis in his hand, he completed Samson and the Dettingen Te Deum, with Semele appearing in February 1744. Five years later came one of his most popular works, Music for the Royal Fireworks; up to 12,000 people attended the first performance, an indication of just how popular the composer was in his own lifetime. After staging a performance of Messiah to benefit the Foundling Hospital in 1749, Handel was made a governor, beginning a relationship with the institution that would last the rest of his life. Although he was most famous for his opera and oratorios, Handel composed a large amount of keyboard music; among the works featured on this compilation are the Suites de pieces pour le clavecin, the first volume of which appeared in 1720. His chamber music (mostly solo and trio sonatas) also makes up an important part of his oeuvre, with his best contributions to this genre contained in the Opus 2 collection (included in full on this release), which comprises sonatas for oboe, flute, recorder or violin and represents the perfect summation of the composer's wealth of invention and expressivity. Handel was also an expert orchestral writer, composing purely orchestral music alongside music for his dramatic works. The Water Music, justly some of his most celebrated music today, was the first in England to be scored for horns; and the Music for the Royal Fireworks was a massive project, with three horns and three trumpets combining forces to create the sound necessary to carry outdoors. Both these works and an array of other orchestral pieces are included on this substantial box set. A wealth of artists - both established and emerging - make up this Brilliant Classics release, once again representing astonishing value for money. Handel's orchestral music is performed by a variety of German chamber groups, including the Handel-Festspielorchester Halle, and the ensuing oboe and organ concertos are played by Baroque experts City of London Sinfonia. The trio sonatas feature L'ecole d'Orphee, which boasts players drawn from some of the leading British Baroque orchestras, including the Academy of Ancient Music. The consistently high quality of playing continues with Roberto Loreggian performing Handel's harpsichord music, and legendary soprano Arleen Auger singing his German arias. Sir David Willcocks conducts the Holland Boys' Choir in the Coronation Anthems, including the ever popular Zadok the Priest, and arguably Handel's most famous oratorio, Messiah, is performed by the Choir of King's College, Cambridge, conducted by Stephen Cleobury. An excellent gift idea, this release represents superb value for money and hours of listening pleasure. The most comprehensive Handel Edition on the market! Brilliant Classics continues it's famous Composer Edition series with one of the giants of the Baroque, George Frideric Handel, the celebrated German who settled in London. Having absorbed the German and Italian styles of his time he formed his own distinctive musical language, which, while following the current fashions and audience preferences, retained his own deep humanity and inner power. Handel embraced all musical genres of his time, and this Edition, while not "Complete", presents a substantial and representative oeuvre: 12 complete oratorios, cantatas, Odes, Anthems, Arias, Duets, the complete chamber music, the complete keyboard works, the complete organ concertos, oboe concertos, the complete Concerti Grossi, the Water Music and Fireworks Music: a musical feast of grandeur and intimacy, of joy and sorrow, of pomp and grace, of instrumental and vocal brilliance and of every emotion a human being is capable of. excellent performances by leading ensembles, soloists and choirs: Concerto Koln, Neues Bachisches Collegium Musicum, English Chamber Orchestra, King's College Choir and many others.

I see the future of Baroque orchestral music in the hands of modern ensembles - the fetish of the 'original instrument' has had it's day, but not the profoundly trained professional who guides an orchestra into the deeper dimensions of the composition. For it isn't the instrument that makes the music, but the head! (Reinhard Goebel "the icon of early music" - Suddeutsche Zeitung)

The centerpiece of the Bach collection is a 2015 recording of The Well-Tempered Clavier, the so- called old testament of piano music, a series of 48 preludes and fugues in all of the piano's possible keys. A look at that monumental collection's recorded history could serve as a compendium of piano performance styles through the last 120 years. Unsurprisingly, Biret conforms to none, and perhaps the best way to describe her interpretations is orchestral. As the historically informed Baroque practitioners prescribe, each prelude and fugue certainly has a distinct character, but those long lines emerge with the definition of strings, brass or winds, lush and strident by turn. Trills are mellow and exquisitely shaped, and a wealth of detail is present but never exaggerated. Biret's Bach is a cliff wall to be scaled, a peak to be reached and an aspiration to be achieved.

With this exemplary set, Brilliant Classics has formed a vivid picture of the composer Dietrich Buxtehude across the most important sectors of his output, drawing on a rich back catalogue crowned with new recordings. More than half of the set is devoted to the ambitious, monumental recording cycle of the complete keyboard music on 10 CDs undertaken by organist-harpsichordist and label stalwart Simone Stella in 2010-11. This pride of place for the solo keyboard is natural considering Buxtehude's own prodigious gifts as a performer on the instruments - and it is this repertoire, through it's ease of dissemination, that exerted his compositional influence most widely on the generations to come, which included the great J.S. Bach and G.F. Handel, born almost 50 years later. But his works in vocal idioms were equally ground-breaking. For this, Brilliant have licensed important sets from 1996 and 2000 of cantatas for small and larger forces originally issued on the Dacapo label, of Buxtehude's native Denmark, featuring the great Emma Kirkby and Danish bass Johan Reuter, as well as a 2002 Canadian recording of cantatas for one, two and three soloists from Naxos. Brilliant Classics supplement these treasures with a vocal gem in their own catalogue: Buxtehude's great cycle of seven cantatas, Membra Jesu nostri, in a 2021 recording by Groningen's Luthers Bach Ensemble. Finally, the chamber music is offered in a new release from Amsterdam-based ensemble Fantasticus, recorded in 2023 and comprising the Trio Sonatas Opp. 1 & 2, with an addendum of sonatas in manuscript, on 3 CDs. Other information: - Recordings date from 1996-2023 - 32-page booklet in English contains extensive liner notes by Simone Stella (keyboard music), Tymen Jan Bronda (Membra Jesu nostri), Jon Baxendale (chamber music), Kerala Snyder (vocal music) and Kevin Mallon (sacred cantatas) - Dietrich Buxtehude (c. 1637-1707) was a Danish-German composer and organist. He is recognized for bridging Renaissance and Baroque musical traditions, influencing composers such as J.S. Bach and George Frideric Handel. - Born in either Helsingborg, Sweden, or Helsingor, Denmark (the exact location remains uncertain), Buxtehude spent much of his career in Lubeck, Germany, where he served as organist at the Marienkirche (St. Mary's Church) from 1668 until his death. - As a composer, Buxtehude is recognized for his organ works, including preludes, fugues, and chorale variations. His music blends intricate counterpoint with an expressive, almost improvisational character, making him one of the most significant figures in early Baroque music. His Abendmusiken concerts, held in Lubeck, became famous throughout Europe, attracting musicians from far and wide, including a young Johann Sebastian Bach, who famously walked over 250 miles to study with him. - Buxtehude composed a wide variety of vocal and instrumental works, including cantatas, sonatas, and oratorios. His sacred music, marked by it's spiritual depth and complex textures, remains a significant part of the Baroque choral repertoire. - This comprehensive collection contains the complete organ music, harpsichord music, chamber music, and a variety of choral works, among which the famous and moving "Membra Jesu Nostri". - Excellent performances by keyboard player Simone Stella, Peter-Jan Belder and his ensemble, the Luthers Bach Ensemble.

The most complete set ever issued of the non-operatic music by the composer best known for verismo masterpieces such as L'arlesiana and Adriana Lecouvreur. Born in Palmi (in the Calabrian province of Italy) in 1866, at the tender age of seven Cilea was sent to Naples to study law. He found the idea of becoming a musician far more attractive, however, having been entranced by a performance of Bellini's Norma at the age of four. Against his parents' wishes he enrolled at the city's conservatoire in Naples to study piano, harmony and counterpoint. There he proceeded to excel, and he soon came to the notice of the influential publishers Sonzogno. The scores by which we know Cilea were written within a relatively short period of 15 years either side of the turn of the last century. The failure of his last opera Gloria in 1907 (despite the presence of Toscanini on the podium) hit Cilea's confidence badly. He effectively retired from writing for the stage, but he continued to compose in other genres, resulting in most of the music featured here. The orchestral suites, chamber music and songs share with his better-known operas a cultivated gift for melody, but the Suite for Violin and the Piccola Suite for Orchestra (CD1) reveal Cilea's careful attention to counterpoint and scoring as well as an approach to tonal harmony that reflects his awareness of innovation, especially among French composers of the period. The Cello Sonata and Piano Trio on CD2 predate his operatic career, being written in the late 1880s in a more Brahmsian vein. He composed the piano works on CD3-4 through the course of his career, but around 1900 he began to alternate more conventional pieces (aimed at middleclass Italian audiences steeped in opera) with more novel experiments in timbre, such as Au village Op.34, which features a witty interplay of echoes and interwoven voices. Many of the piano pieces are also essentially neoclassical in spirit, like the concertante suites on CD1, whereas the songs on CD6 belong to the salon, while embodying Cilea's lifelong love of the human voice: 'The true instrument of expression of the passions is the divine human voice, with which no instrument can ever rival'. All the recordings in this set were made in Italy by native musicians, steeped in Cilea's idiom, within the last 10 years, and received critical praise when first issued. - A new issue in the attractive and innovative series "Italian Romantics", featuring Italian composers from the turn of the 19/20th century in instrumental music. - Francesco Cilea (1866-1950) is best known for his operas, particularly "Adriana Lecouvreur." However, his contributions to instrumental music are equally valuable. Though less renowned than his operatic output, Cilea's instrumental works exhibit a melodic richness and emotional depth characteristic of the Romantic era. The orchestral works show his mastery of lyrical themes and dramatic expression. His works are imbued with a sense of Italianate warmth and passion, reflecting the composer's deep connection to his native land. - This collection presents orchestral and concertante works, a cello sonata and piano trio, and the complete piano music. - Artists include I Virtuosi della Scala (Filippo Arlia, conductor), Enrico Bronzi and Pier Paolo Vincenzi.

Leopold Stokowski's eminence as one of the truly great conductors of the 20th century in a career spanning six decades is exemplified in this second 6-CD set featuring live BBC performances of many of the works he performed in concert during his final years. While the best-selling Volume 1 contained titles that had previously been issued, the present Volume includes eight new BBC broadcasts not officially released before, as well as 3 CDs from the BBC Legends series but here newly remastered by Paul Baily to reflect how Stokowski wanted his recordings to sound.

No, Georges Bizet was not only the composer of Carmen, the French opera most frequently performed around the world. In a career spanning less than twenty years, he produced works in every genre: orchestral music, piano pieces, cantatas, operas, songs and more besides. He showed an early mastery of orchestration, and was soon able to give free rein to his taste for orientalism and folklore. This portrait offers a chance to discover works that were never performed during his lifetime, indeed some which had to wait until 2024 for their premiere. Of particular note is the 'ode-symphony' Vasco de Gama, which illustrates the Romantic taste for vast historical epics, and Le Retour de Virginie, a cantata for the Prix de Rome presented by the composer to his teacher in 1855. Piano music and melodies remind us that Bizet was also a sought-after salon composer, whose talent posterity has consecrated in songs like La Coccinelle and Les Adieux de l'h�tesse arabe.

On Trio Op. 97 'Archduke' - These musicians have been playing together for a while now, since they met at the Pablo Casals Prades Festival in 2009. In the 'Archduke' Trio there is well-padded playing, lush, warm-toned and full of delicacy: some of the interplay between the strings in the first movement is delightfully light and playful, particularly in the pizzicato passage. The opening of the scherzo has a similar dry delicacy and humour. The worming chromatic passage slithers inexorably into the joyful piano outburst. The opening of the Andante cantabile is a study in note placing, with the slightest touches of rubato and emphases: the two-note string lead into their first melody is itself a small joy. The movement floats along, light, airy and sublime. The finale is earthy, dramatic and elegant. Tim Homfray, The Strad

Instrumental concertos 1938-1940 After numerous large-scale symphonic productions Karl B�hm and the S�chsische Staatskapelle opened up a new genre in the fall of 1938 a new genre. From now on, more and more renowned instrumental instrumental soloists were brought to Dresden for recordings - an illustrious mix of world stars, some of whom who were guests in symphony concerts of the S�chsische Staatskapelle on several occasions, such as the pianists Wilhelm Backhaus, Edwin Fischer and Walter Gieseking, from newcomers such as the young violinist Wolfgang Schneiderhan and many more

Etsuko Hirose is an extraordinary sensitive and very brilliant young musician. She is an outstanding pianist. Her virtuosity is really exceptional. - Martha Argerich First complete release of the early DENON recordings of Etsuko Hirose from 2003-2007. Produced for the domestic market, now available worldwide.

A monumental collection of German-Baroque keyboard literature, presented complete for the first time on record, and coupled with dance suites by an unfamiliar name of the late German Baroque. The modern-day reputation of Christian Petzold (1677-1733) is almost wholly based on a single, modest minuet. Known to generations of young pianists as 'the Minuet in G', it was included by Bach in one of the notebooks of pieces he gave to his wife, Anna Magdalena, for her instruction. In turn this led to the minuet itself being mistakenly attributed to Bach himself. Yet much more of Petzold's output has survived, and only now is it coming to light. Having recorded complete sets of many unsung heroes of the German Baroque, Fernando de Luca now turns to the collection of no fewer than 25 'Concertos' for solo harpsichord by Petzold. Published in 1729 as 'Receuil des XXV', the collection first appeared in Dresden, where Petzold was organist to the royal court. The form of these concertos is Italianate, and their heavily ornate soundworld is recognisable from the better-known example of Vivaldi and Corelli. There are dance movements here and there - including minuets - but the predominant genres are determined by tempo: Allegro, Larghetto, Presto and so on. They make such an immediately attractive effect that it is surprising they are not better known, and this release will attract the attention of all adventurous listeners to Baroque rarities. Fernando de Luca pairs the 25 concertos of Petzold with a collection of three 'Parthias' - partitas by another name - from an even more obscure figure, Isfrid Kayser. Known as 'Concors digitorum discordia', this collection was published in Augsburg in 1746 and conforms to the conventions of a Baroque suite with it's graceful sequences of dances, prefaced by a grand overture and concluding with a dashing Presto movement. As so often, Fernando de Luca demonstrates his abilities to revive this music with lucid phrasing, lively registration and an unfailing sense of Baroque style. Scholarly background on both composers is provided in the booklet with an essay by Francesca Scotti. Christian Petzold (1677-1733) was a German organist and composer, holding court positions in Dresden. From 1703, he was organist at the Sophienkirche in Dresden and from 1709 also chamber composer at the Saxon court there. Extensive concert tours took him to Paris in 1714 and Venice in 1716.

What would it mean to 'compose like a woman'? The present collection answers the question, in a literal sense, while undoing the premise on which the question was asked in the first place. In social and historical terms, it means enjoying privileges of upbringing, education, and/or wealth that were historically denied to the vast majority of women. It means, on the part of the women represented here, a single-minded determination in pursuit of their vocation, helping them to overcome prejudice and sexism in a cultural, social and political milieu that has consistently denied women the opportunity to find and express their own voice in music. Only with movements of emancipation in the last century, and much more rapidly in the last 50 years, has this situation begun to be addressed and corrected. What composing like a woman does not mean - as the music in this collection makes clear - is a definable set of qualities or characteristics to the music itself which would distinguish the work of female composers from the music composed by men.

This remarkable set gathers many individual recordings of music by women composers, which Brilliant Classics has quietly yet actively championed in their catalogue for decades, uniting it with exciting new outings, so that a comprehensive historical picture of the highly varied struggles and successes of women composers through the ages to our present time are chronicled and celebrated.

Other information:

- Recordings date from 1994-2024

- Booklet in English contains liner notes by Peter Quantrill

- The revival of interest in female classical composers reflects a growing recognition of their overlooked contributions to music history.

For centuries, women composers were marginalized, their works overshadowed by their male counterparts. However, recent efforts by musicians, scholars, and institutions have brought these composers into the spotlight, highlighting the richness and diversity of their compositions.

- This renewed focus stems from a broader movement toward inclusivity in the arts, challenging traditional narratives that have historically excluded women. The rise of feminist musicology has also played a key role, offering fresh perspectives on these composers' lives and works.

- This comprehensive box set offers a wide spectrum of works by female composers, from the Medieval mystic Hildegard Von Bingen (1098-1179), through the Renaissance Isabella Leonarda (baptized 1620-1704), Francesca Caccini (1587-1640) und Barbara Strozzi (baptized 1619-1677), traversing the Baroque and Classical eras, and arriving in the contemporary field, with composers such as Galina Ustvolskaya (1919-2006) and Grazyna Bacewicz (1909-1969).

- A long due homage to the art and voice of female composers, spanning nearly a thousand years!

MOZART SONATAS is the moving final collaboration between Pianist Christina Petrowska Quilico and violinist Jacques Israelievitch. Battling late stage cancer, Israelievitch rallied his strength to finish this complete recording of Mozart's piano and violin sonatas just months before passing away. The album shows how Mozart's compositional style developed; his early sonatas favor the piano, but the violin gradually grows in importance as we reach the later sonatas. This ambitious five-volume collection includes noted violin-piano sonatas like the Palatine Sonatas and the Auernhammer Set. These masterful performances are a proud final entry in Israelievitch's recorded catalog and stand as a powerful testament to the human spirit.

This CD collection presents a broad range of Hansjorg Angerer's many recordings and also serves to showcase an extraordinary artistic personality in his entire versatility. The Art of Hansjorg Angerer allows you to experience the art of horn playing - encompassing in an extremely fascinating way the natural horn, the double horn in F/B flat and the horn in F as well as the historical Parforce horn, highlighting the special musical interpretations of this artist.

It was more than just breathing together in the music that made this relationship so extraordinary: Seiji Ozawa earned the respect and affection of the orchestra from the very first time he met the Berliner Philharmoniker in 1966. The young Japanese conductor knew exactly what he wanted on the podium and knew the scores down to the smallest detail. Nevertheless, the always polite and approachable conductor never imposed his views on the orchestra. The result was a partnership on an equal footing, which was not only rewarding on a personal level, but above all enabled music-making in which there was always room for freedom and spontaneity. Our edition is a tribute to this special friendship with Seiji Ozawa, who the Berliner Philharmoniker made an honorary member in 2016.

Brilliant Classics have celebrated the 150th Anniversary of Reger’s birth last year by expanding their Reger Collection of a decade ago from 11 to 18 CDs. Added to the original set, which presented Reger’s best known works – the glorious orchestral Böcklin Suite, the Mozart, Beethoven and Hiller Variations, the mighty piano and violin concertos, the beautiful clarinet quintet (not in the least inferior to Brahms’ masterpiece), the complete Chorale Fantasias for organ (Reger, an organist himself, wrote extensively and superbly for his instrument) and a fine selection of choral music – is a new set of chamber music including the Piano Trio, Flute-Violin-Viola Serenades, Clarinet–Piano Sonatas and other works, and Reger’s compositions for solo viola and for solo cello. The transparency of the chamber music genre particularly highlights the composer’s absolute mastery of counterpoint. Also new is an expanded keyboard section, with more works for the organ – so associated with Reger – including the Sonatas and Fantasy–Fugues, and a new solo piano CD recorded in 2023 by Eden Walker featuring Dreams by the Fireside and the Bach Variations and Fugue.

The German Romantic classics - Beethoven, Brahms, and Mahler - had been central to Bruno Walter's middle years, but his life-long devotion to Mozart grew in his “post-retirement” days, beginning in 1958.

From 1958 to 1961, he recorded 55 works in the reverberant acoustic of Hollywood's American Legion Auditorium. Only the chorale finale of Beethoven's Ninth proved unsatisfactory, so Walter made one more trip to New York, this time with an East Coast version of the Columbia Symphony and the Westminster Symphonic Choir.

This box set of stereo recordings - with remasterings previously released in Bruno Walter - The Complete Columbia Album Collection - brings together some of the most treasured symphonic works of Mozart and Haydn, including two of Mozart's violin concertos played by the great French virtuoso Zino Francescatti.

For the first time, this cycle is now being released as a limited vinyl edition on 17 LPs. The edition brings together Berliner Philharmoniker recordings from the last ten years. It includes the nine completed symphonies and the Adagio of the Tenth, whose performance under the direction of Claudio Abbado on the 100th anniversary of Mahler's death is one of the highlights. In addition to chief conductor Kirill Petrenko and his predecessor Sir Simon Rattle, the edition features other outstanding Mahler interpreters closely associated with the orchestra: Gustavo Dudamel, Bernard Haitink, Daniel Harding, Andris Nelsons and Yannick N�zet-S�guin.

Joseph Haydn: Complete Symphonies Vols 32 - 35 With this box set of four CDs, you now have the final missing piece of the jigsaw of the complete recordings of all of Haydn's symphonies, as performed by the Heidelberg Symphony Orchestra. "Heidelberg Haydn is a paragon of dynamism, freshness, wildness, humour, and a richness of surprise. I am delighted that the journey continues, and that the cycle is completed. My musical encounters with the Heidelberg Symphony Orchestra have always been journeys to happiness. Idealism, the love of music, and technical perfection combine here with the will to create something very special, and it all fits perfectly into the symphonic world of Joseph Haydn. Full of anticipation, I look forward to the future!" Johannes Klumpp

The pieces chosen and performed by the refined violinist Liliana Bernardi for this third CD, created with the auspices and support of the Associazione Nazionale Italia-Austria of Rome, admirably highlight the contribution given in the seventeenth/eighteenth centuries by Italian musicians to compositions for solo violin, according to the new aesthetic canons based on the sounds of nature and the movements of sentiments. (Vittorio Tedeschi - President of the Associazione Nazionale Italia-Austria)