Following an album dedicated to the forgotten Renaissance master Vicente Lusitano (Gramophone Editor’s Choice, Der Preis der deutschen Schallplattenkritik Quarterly Critic’s Choice), The Marian Consort makes an enthralling leap forward to the present day. True to its core mission of expanding the vocal repertoire, A Winged Woman showcases the ensemble’s commissions from a crop of the UK’s finest composers – including seven world premiere recordings – with music by Dani Howard, James MacMillan, Electra Perivolaris, Howard Skempton, Chloe Knibbs and others. The works challenge traditions and tropes in imaginative and refreshing ways, bringing together a rich array of musical styles and textual approaches. As Perivolaris’s titular work makes clear, this album puts centre stage the compelling work of some of today’s most exciting women composers.

Following its digital debut on Linn presenting a triptych of works by Josquin des Prez, Vicente Lusitano and Roderick Williams, The Marian Consort now focuses its attention on the central figure of this trio, Vicente 'the Portuguese’. In his own time an important music theorist, Lusitano’s reputation and music have both been neglected in ours. As so often with musical figures of the Renaissance, many of the details of his life remain unknown. We can, however, be reasonably confident that he was the first published composer of African heritage. Referred to as ‘pardo’ in one eighteenth-century source, his only surviving printed book of compositions, the Liber primus epigramatum, was issued in Rome in 1551. True to its pioneer spirit as ‘brilliant discoverers, and exponents, of rare repertoire’ (The Observer), The Marian Consort has recorded a carefully chosen program of these striking, impressive and unjustly forgotten works.

Una poesia muta: Art in early Cinquecento Venice is the result of a collaboration between SWR radio, Staatsgalerie Stuttgart and The Marian Consort. Specially curated by the Stuttgart museum, Germany's first ever exhibition devoted to Vittore Carpaccio and his contemporaries has inspired The Marian Consort to devise an album to accompany this artistic journey. Being one of the most prominent painters of the Early Renaissance in Venice, Carpaccio is likely to have been acquainted with the music and the composers recorded here, since all have strong links to the city at that time. If some of them are well-known today - Josquin, Jean Mouton, Adrian Willaert - others deserve wider recognition. The Marian Consort and it's director Rory McCleery have assembled a typically fascinating programme, matched with superb singing.