Limited 180gm vinyl LP pressing. "Mississippi Goddam" staked out Nina Simone's support of the Civil Rights movement when this album debuted in 1964, helping make it probably the most personal album that Simone issued during her stay on Philips during the decade. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve's Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes, pressed on 180-gram vinyl and packaged by Stoughton Printing Co. In high-quality gatefold sleeves with tip-on jackets. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.

Limited vinyl LP pressing. Stan Getz's incomparable career includes such landmarks as the bossa nova blockbuster Getz/Gilberto, and stellar collaborations with Dizzy Gillespie, Oscar Peterson, Charlie Byrd, and Lionel Hampton. The saxophonist's superlative 1967 quartet recording Sweet Rain can be overlooked but Getz afficionados recognize it's quality. Standing in the shadow of the unprecedented mainstream success of Getz's bossa period that came before, the Creed Taylor produced Sweet Rain is as perfect a straight-ahead date as the leader ever made, with a remarkable young band including pianist Chick Corea, bassist Ron Carter, and drummer Grady Tate providing crackling energy that clearly inspired Getz to new heights of expression, writes sfjazz. Org.

Double vinyl LP pressing. When I Look in Your Eyes is the fifth studio album by Canadian singer Diana Krall, released on June 8, 1999, by Verve Records. It was nominated for a Grammy Award for Album of the Year, the first time in 25 years that a jazz album was nominated in that category, and won two awards for Best Jazz Vocal and Best Engineered Album, Non-Classical at the 42nd Grammy Awards. The album also won the Juno Award for Best Vocal Jazz Album in 2000. If artistry is about growth, then count Krall as one of jazz's consummate artists. When I Look In Your Eyes is yet another step ahead for the vocalist/pianist. This gorgeous Verve release breaks away from the standard piano trio setting of her two previous releases; several of the album's cuts feature the graceful orchestrations of maestro Johnny Mandel. When I Look In Your Eyes features Krall on piano and vocals with long-time trio mate Russell Malone on guitar. Ben Wolfe and John Clayton share bass duties and Jeff Hamilton and Lewis Nash alternate on drums. The album was produced by Grammy-winner and Verve Music Group Chairman Tommy LiPuma, with some tracks being co-produced by LiPuma and Mandel. It was recorded by Al Schmitt.

Andrew Lloyd Webber's STARLIGHT EXPRESS opens summer 2024 in the purpose-built Starlight Auditorium at Troubadour Wembley Park Theatre, with performances from June 8. To celebrate, the original cast recording of STARLIGHT EXPRESS will be released on a special collector's Zoetrope LP. Each side has been masterfully designed by zoetrope specialist Drew Tetz and will animate with the rotation of the vinyl when exposed to the right light conditions or captured on your phone.

Limited 180gm vinyl LP pressing. In contrast to her classic Songbook albums for Verve, this 1961 date captures the essence of Ella Fitzgerald as most people got to see her live - with a swinging quartet. The program is made up mostly of repertoire from the Swing and early Bebop periods with Ella mixing soulful ballads and hard-driving swingers. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Limited 180gm vinyl LP pressing. Charlie Haden - "The Golden Number (Verve By Request Series)" / In this collection of bass-led duets, Charlie Haden enlists Don Cherry (trumpet/flute), Archie Shepp (tenor), Hampton Hawes (piano) and a trumpet playing Ornette Coleman on the four tracks. Hawes' playing on the Ornette-penned "Turnaround" is the clear straight-ahead highlight of this generally exploratory album. Verve By Request Series features 180-gram vinyl pressed at Third Man in Detroit.

Stan Getz and Bill Evans are about as close as musicians can get in terms of artistry, musical philosophy and technique. These sessions, recorded in 1963 with drummer Elvin Jones and bassists Ron Carter (Side A) and Richard Davis (Side B), perfectly blend their strong individual styles and collaborative sensibilities, with both artists at the peak of their creative powers. Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180g vinyl in deluxe gatefold packaging.

Limited 180gm vinyl LP pressing. Soulville is quintessential Ben Webster: intimate, tender, endlessly expressive. Webster was internationally recognized as one of jazz's elder statesman when he recorded this album in 1957, but the youthful fire that had marked his playing with the Duke Ellington Orchestra two decades earlier was undiminished. Soulville is easily the best of his albums for Verve, with Webster's breathy tones given a fitting accompaniment by Oscar Peterson and his group, then including bassist Ray Brown, guitarist Herb Ellis, and understated drummer Stan Levy. Leading this stellar combo through a program consisting mostly of vintage pop tunes, the great tenor saxophonist is at his peak. Versions of "Lover Come Back To Me" and "Makin' Whoopee" sound excellent, but bluesy originals such as "Last Date" and the title track are truly outstanding. A quality set from start to finish. Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings.

Limited 180gm vinyl LP pressing. A singular album from the jazz guitarist - more well-known for his later period funk records - Fisher grooves here with a stripped-down jazz sound and group featuring organ and a second guitarist in Phil Westmoreland. Soul and style prevail, especially on the title track and a transcendent 12-minute take on "The Shadow Of Your Smile".

1966's Look To The Rainbow is one of the jewels of Astrud Gilberto's catalog and of the bossa nova canon. Teaming with arranger Gil Evans and producer Creed Taylor, the orchestral backing perfectly complements Astrud's whispery, understated voice, especially on the title track and the sweet ballad, "I Will Wait For You." Verve By Request Series features 180g vinyl pressed at Third Man in Detroit

This 1960 album's inventive Richard Weiss arrangements combine with Carter's uniquely masterful - and modern - vocals for fresh takes on standards. Highlights include a lively run through "What A Little Moonlight Can Do", inspired scatting on "On The Alamo" and a beautifully tender take on "There's No You". The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Ramsey Lewis Trio The In Crowd (Verve By Request Series) One of the first soul jazz icons of the mid-'60s, Ramsey Lewis recorded The In Crowd over three days during a 1965 club date at the Bohemian Caverns in Washington, D.C. Highlights from this lively collection include the bluesy "Since I Fell For You," the groove on "Tennessee Waltz," and the infectious title track, a cover of Dobie Gray's Top 40 hit. Verve By Request Series features transfers from the analog tapes remastered on 180g vinyl pressed at Third Man in Detroit. 180grAm Vinyl - Transferred from Analog Tapes - Ramsey Lewis - piano / Eldee Young - bass, cello / Red Holt - drums

TODAY AND TOMORROW (VERVE BY REQUEST SERIES)

Limited red colored vinyl LP pressing of this classic holiday album from the iconic jazz vocalist.

Vinyl LP pressing. This 1957 release, the third in a series of albums expanding on Bird's 10-inch Clef releases from the early 1950's, 'Now's The Time' boasts some of Parker's purest recordings and strongest playing, featuring two different quartets. His lyrical and fluid improvisations on cuts like 'The Song Is You' and 'Laird Baird' are on full display, prime examples of his unmatched genius. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.

Vinyl LP pressing. Roach's solid group featuring Ray Bryant, Julian Priester, and Stanley and Tommy Turrentine are joined by the great Abbey Lincoln on vocals for two tracks, "Never Leave Me" and Cole Porter's "I Concentrate On You." A fantastic and often overlooked album, this is the first US reissue since the album's release in 1960. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Vinyl LP pressing. On his sole album as a leader, bassist Melvin Jackson - a veteran of the Eddie Harris band (this album includes two Harris originals) - plays with a bow, plucks and plugs his upright bass into a Maestro G-2 filter box, a Boomerang, an Echoplex, and an Ampeg amp. The result is soulful, psychedelic, and of course, funky - at once one of the grooviest and most avant-garde albums you'll ever hear. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Vinyl LP pressing. Pianist Junior Mance, a veteran of albums and dates with Dinah Washington and Cannonball Adderley, was offered his own recording date by Norman Granz during a session with Dizzy Gillespie. The result is this 1959 debut album, a bluesy and swinging date with Gillespie's drummer Lex Humphries and bassist Ray Brown. Highlights include the original "Jubilation" and Cole Porter's "Love For Sale." The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Vinyl LP pressing. This 1970 album sees master saxophonist Stan Getz cover hits of the day, with Beatles producer George Martin at the controls. Getz tries his hand at songs by Paul Simon, Bacharach-David, a heartfelt take on Joni Mitchell's "Both Sides Now" and Graham's Nash title track. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Vinyl LP pressing. Space Is The Place - highlighted by the rousing 21-minute title track - is both an essential album and a great onramp for new listeners to travel the spaceways of Sun Ra's other-worldly blend of avant-garde jazz, experimental rock, and Afrofuturism. The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Limited 180gm vinyl LP pressing. 1968's Love Cry mixes Albert Ayler's free jazz with a catchy combination of nursery rhythms and brass band marches, resulting in a peak example of experimental jazz of the period. This was Ayler's last recording with his brother, Donald, who keeps the pace fiery along with the rhythm section of Alan Silva (bass), Milford Graves (drums), and Call Cobbs (harpsichord). The Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

Wayne Shorter -"Footprints Live (Verve By Request Series)" / This live album (released on vinyl for the first time) is made up of 3 European dates in 2001 and introduced Shorter's "Footprint Quartet" - pianist Danilo Perez, bassist John Patitucci and drummer Brian Blade. All are in top form, especially on challenging reimaginations of the title track and "Masquelero," both from his time with the 1960's Miles Davis Quintet. Verve By Request Series features transfers from the analog tapes remastered on 180-gram vinyl.

Double 180gm vinyl LP pressing. Originally released in 1996 (and available for the first time on vinyl), The New Standard features songs by Stevie Wonder, Prince, Sade, Nirvana and more getting creative, inspired and swinging jazz takes from Herbie and a world class band; Michael Brecker (sax), John Scofield (guitar), Dave Holland (bass), Jack DeJohnette (drums) and Don Alias (percussion). Verve By Request Series features transfers from the analog tapes remastered.

Oscar Peterson Trio - "Very Tall (Verve Acoustic Sound Series)" / Very Tall, released in 1961, features the first partnership between Oscar Peterson and vibraphonist Milt Jackson. The quartet set (which also includes bassist Ray Brown and drummer Ed Thigpen) swings as hard as one might expect. Highlights include "On Green Dolphin Street," 'John Brown's Body' (a jam on 'Battle Hymn of the Republic') and 'Reunion Blues.' Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Vinyl LP pressing. As critic Nat Hentoff makes clear, Coleman Hawkins and Ben Webster were larger than life. Formidable, even forbidding presences, they revealed a depth of feeling in their playing that spoke of their vast life experiences, as great writers or painters speak through their work. Recorded in 1957.