This album is divided into three parts, the Annunciation, the Nativity and the Feast. The program begins and ends with two songs of oral tradition played on bagpipes and with Ciaramelli, instruments which have become synonymous with Christmas. All of the pieces from this album came from books and ancient manuscripts.

This outstanding new live recording brings together groundbreaking works by Arnold Schoenberg and Dmitri Shostakovich, two of the twentieth century’s most monumental composers. Arnold Schoenberg’s Kol Nidre is set to the Jewish prayer which is said on the eve of Yom Kippur, the Day of Atonement. The work premiered in Los Angeles in 1938, four years after Schoenberg fled Europe, and one month before the anti-Jewish Kristallnacht took place across Nazi-occupied Germany. Philip Huscher described the work as a “stark, strong modernist statement.” Shostakovich’s Suite on Versees of Michelangelo Buona explores themes just as weighty, including love, morality, death, and the resilience of the human spirit, all shown through the poetry of Renaissance great, Michelangelo. The work was originally conceived to honor Michelangelo’s 500th birthday. The Chicago Tribune commented on these performances, “Such was his textual penetration that [Abdrazakov] was able to extract the full emotional weight of the words and music, abetted by Muti’s finely detailed exposition of the spare orchestral fabric.”

On this remarkable recording, Out of the Shadows: Rediscovered American Art Songs, a century’s worth of treasures emerge from the shadows of both memory and history. The discovery of these songs began years ago, when soprano Lisa Delan was a student at the San Francisco Conservatory of Music. Her teachers, some of whom were contemporaries of the composers, recognized the artistic value of several of these works. Knowing that Ms. Delan would imbue them with special interpretive qualities, they presented her with copies of some of the music now on this disc. She decided to go further, to discover additional Americana—a kind of musical excavation that would bring to light and to life a body of art songs that deserved to be better known. Mined from extensive research, the gems on this CD are priceless additions to the art song genre. They form a compelling body of literature that, until now, has been underrepresented or completely unrepresented on recordings. These songs honor the universality of the human experience—love, loss, faith, joy, sadness, nostalgia—in uniquely American settings. The spirit, pragmatism and romanticism of a country born in revolution and maturing in reason and hopefulness is evident in these works. It’s all here, in 31 songs by ten composers. The tonal palette of each of these composers reveals a singular style, in hues rich, varied and distinctively American.

This is the seventh disc in the Bach Collegium Japan and Masaaki Suzuki’s series of secular cantatas by J. S. Bach. The best known of these cantatas is featured on this installment, the ever popular “Peasant Cantata.” The piece was written in broad dialect, and set to music which was based around folk songs, making it accessible to the greater population rather than the educated elite. The soprano cantata BWV 209 was composed as a musical farewell to one of Bach’s pupils upon his departure from Leipzig. Finally, Amore traitor for bass solo follows the story of a lover who accuses Amor of betrayal and deception. The closing aria is distinct, utilizing both the voice and the harpsichord in virtuosic passages.

Born in Siena, Azzolino Della Ciaia was an italian organist, harpsichordist, composer and organ builder. He worked as an expert organ builder and most notably worked on the organ of Santo Stefano dei Cavalieri, a large 5-manual and more than 60 stop organ. Mara Fanelli and Olimpio Medori bring Ciaia's works to life with their rich musicianship.

In order to take a respite and, in his own worlds, “to recuperate,” from his own compositions, Max Reger frequently engaged in “piece work,” in which he would arrange works by other composers. This release includes Reger’s original work 5 Orchestral Songs, as well as Reger’s arrangements of songs for voice and orchestra from Edvard Grieg, Johannes Brahms, Hugo Wolf, and Franz Schubert. Conductor Gregor Buhl has made his mark as an opera conductor. He also frequently performs on the concert stage with the Radio Symphony Orchestras of Berlin, Hamburg, and Leizip, and the Helsinki Philharmonic.

London Early Opera continue their new series of Handel's works with the second volume of pieces composed in Italy. Both volumes of Handel in Italy explore the young composer's Italian years through his cantatas, sacred pieces, operatic works and instrumental compositions. Featuring performances from internationally acclaimed soloists, the sopranos Sophie Bevan and Mary Bevan with their uncle, baritone Benjamin Bevan, conducted and conceived by Bridget Cunningham.

Gothic Voices, the world-famous early music ensemble, makes its Linn debut with a recording celebrating the biblical matriarch Mary. Pieces from contemporary composers Joanne Metcalf and Andrew Smith sit alongside setting of Marian texts from the 13th and 14th centuries. Notably, there is a rare setting of English biblical text which precedes the first publication of an English language bible by 150 years. Mary in her various guises – caring mother, virgin lover, guiding light – are explored through settings of ancient ritualistic texts showing her mythical and human aspects, whilst contemporary settings relate the themes to the modern day. The contemporary works are cleverly constructed around a modal core so that they fit perfectly with the structure and sound of the early music compositions. With over thirty years experience Gothic Voices’ complete understanding of every aspect of early music performance is exceptional. Throughout its career Gothic Voices has been world-renowned for the excellence, refinement and spirituality of its performances of medieval music and has appeared throughout Europe and in the Americas. Originally founded in 1980 by the scholar and musician Christopher Page, Gothic Voices has gone on to release over twenty recordings, three of which won the coveted Gramophone Early Music Award. With imaginative programs using voices in varying combinations to produce authoritative performances of great beauty, Gothic Voices has won the appreciation of audiences all over the world. Gothic Voices’ wonderfully evocative sound world resulted in over a million sales of its debut featuring the music of Hildegard of Bingen.

Soprano Janet Perry hails from Minneapolis, Minnesota. She began her career with lessons on piano and violin at a young age. In her adulthood she has found resounding success, having recorded several major works under Karajan’s baton, including Mozart’s C Minor Mass, Beethoven’s 9th symphony, and Bruckner’s Te Deum. Perry writes of the works chosen, “...classical music has truly made me who I am today. It has been a constant companion since my earliest childhood... The songs of Mozart Debussy, Faure, Duparc, and Strauss have been in my repertoire for a long time, we are old friends who enjoy music-and the silence between the notes, together.” Perry is accompanied by pianist Jean Lemaire, who specializes in accompaniment and chamber music. He frequently performs throughout Europe, the USA, Japan, and South America.

Anda-Louise Bogza is a leadering operatic soprano who performs in renowned opera houses across Europe. She has performed in starring roles such as Aida and Tosca, and here presents a programme of songs from composers Glinka, Chopin, Dvorak, Tchaikovsky, and Rachmaninoff. Especially notable on this release is the inclusion of the songs by Chopin, which have been rarely recorded. Talented pianists Marcel Javorcek and Galina Aleshkevich accompany Bogza for these works.

Peter Scott Lewis is based in San Francisco, and his deeply expressive music is much in demand across the world. Performed here by renowned artists, The Four Cycles collects his complete vocal music to date. Where the Heart Is Pure depicts the natural world around the Skagit River in Washington State where the poet Robert Sund, a close friend of the composer, made his home. Themes of light and love are embraced by the rich sonorities of a vocal quartet, while the Three Songs From Ish River examine the history of the Pacific Northwest.

The five composers featured on this new release, Olczak, Dziadek, Luczkowski, Dixa, and Czerniewicz, are all contemporary composers whose paths crossed in the city of Gdansk. Whether their connection was by choice or by chance, all of these composers link in some way to the city. The Chamber Orchestra of the Academy of Music in Gdansk, directed by Andrzej Kacprzak, rightfully perform these works. The ensemble’s youthful freshness combined with the conductor’s experience creates a powerful combination. Professor Krzysztof Langman founded the Academic Chamber Orchestra in 1999. The ensemble was created to enable the academic youth to perform with the most prominent concertmasters of famous Polish chamber ensembles.

BABEL fragments concerns itself with enigmatic, evocative musical shards that gesture toward a broken world beyond the destruction. It's concerned with the apparent impossibility of true communication, with the frailty of language, with the frantic search for personal connection as a bulwark against disintegration. "Fracture is the musical equivalent of a box of chocolates, with none of the chocolates being the real sweet, milky pieces. No sir, this is the dark, hard stuff, and if you prefer your candy undiluted and strong that way, Anti-Social Music has a Whitman's Sampler for you." - Pico, Something Else

The universe of Stefano Bulfon appears to find its poetic necessity in offering a harmony of contrasts which only music can exemplify as an oxymoron. It is this kind of interworld, which has ceased to draw dramatic boundaries between lyric subjectivity and the dull setting of man. The Divertimento Ensemble, founded in 1977 brings Bulfon's works to life with their internationally-renowned soloists. The ensemble is strong dedicated to music education as well as the promotion of young people's creativity.

After his 1920s opera The Birds, Walter Braunfels shot into stardom and enjoyed a highly successful career. Braunfels’ versatile catalog of compositions includes a great deal of choral works, orchestral works, operas, Lieder, chamber music, and piano works. He was frequently praised as a cosmopolitan representative of new music, and the most highly regarded conductors of the era frequently performed his music. Branfels himself regarded his compositional style as traditional late-Romanticism, and saw himself a successor to Wagner, Bruckner, and Berlioz. These beautiful orchestral songs are sung by some of the most respected voices of our time, including Valentina Farcas and Michael Volle.

English composer George Butterworth (1885-1916) did not write a great deal of music. In fact, during the war he destroyed some of his works for fear he wouldn’t return from battle and wouldn’t be able to revise them. He is most known for his orchestral setting “A Shropshire Lad” which is the ‘orchestral epilogue’ to the original vocal settings of A. E. Housman’s poems. Also especially notable on this release is an “Orchestral Fantasia.” Butterworth began this composition before the war broke out, and a three and a half minute section was preserved. The conductor of this release, Kriss Russman, has picked up where Butterworth left off, adding around five minutes of music where he develops Butterworth’s original ideas and adds additional material.

Italian composer, gambist, singer, and priest Claudio Monteverdi is regarded as a revolutionary composer, as his compositional style ended the Renaissance and heralded in the ornate virtuosity of the baroque era. While a great deal of his works were sacred, he also wrote a great deal of secular music as well. This album is unique in that the tracks selected are secular works which have been converted into sacred compositions. Il Pegaso has gained critical acclaim for their interpretations of Middle-Ages and Renaissance music. They perform the works on this album on period instruments.

This new release is the third installment of the Stradella Project, this time exploring the composer's oratorio output. Stradella's oratorio Edith is featured here. The oratorio is named for Edith of Wilton, an English nun of noble birth born during the 10th century. Legend says that she refused to take the throne, choosing monastic life instead. Argentine soprano Veronica Cangemi performs in the title role.

Joanna Freszel, this project’s initiator and manager, set out with this album to present the potential and creativity of young Polish composers. In addition to work by Polish composers, this album is supplemented with texts either written by Polish poets such as Mariusz Jagiello and Maja Baczynska or a literary canon. Each of these compositions was written for various vocal or instrumental sets, from piano to sextet, to six vocalists. Of this project, Freszel writes, “I particularly wanted to break a stereotypical thinking about contemporary music as hermetic and overwhelmed by incomprehensible elements. I wished to show that music can be dreamlike, intriguing, nostalgic, and also witty.”

The Myrthen Ensemble has been praised for their “irresistible combination of arresting programing and vocal flair assembled around pianist Joseph Middleton.” (BBC Music Magazine) Consisting of Mary Bevan, Clara Mouritz, Allan Clayton, Marcus Farnsworth, and Joseph Middleton, the recently formed ensemble specializes in art-songs and Lieder. All of the tracks on this new release focus around the moon. Composers include Brahms, Barber, Duparc, Faure, and more.

Classical Music

Danish composer John Frandsen (b. 1956) is well known for his interpretation of texts. This new release collects some of his most evocative solo song cycles with a myriad of poems set to this music. Four of Scandinavia’s most promising young vocalists are featured on this album, including Lise Davidsen and the composer’s own son, Morten Grove Frandsen.

This new release is the debut album of Thimios Atzakas, Greek oud composer and virtuoso. The selection of his own arrangements and compositions that he has chosen for this release displays his range of style, which is influenced by European jazz, Oriental traditions, and contemporary classical music. He is joined by an ensemble of six other musicians from around the world, including Avgerini Gatsi, James Wylie, Nikos Paraoulakis, Elektra Miliadou, Kostas Anastasiadis, and Dimitris Zacharakis.

This new release is the conclusion of a project exploring ways of transforming and developing the piano concerto. Pianist Kate Halsall developed these works centered around two pianos with varied electro-acoustical and chamber accompaniment. The pieces incorporate rock and jazz instruments, extended techniques, film, and pitched silences. The composers featured here are all part of the English new-music scene, and are developing reputations for innovation.

This unusual but beautiful song cycle was created by drawing a collection of arias by J.S. Bach and framing them within the movements of his B minor orchestral suite. Two arias are taken from the Matthew Passion, two are from Eastertide cantatas, and the majestic Agnus Dei is taken from his most outstanding choral work, the B minor mass. It is believed that Bach’s incredible writing for alto voice was inspired by his wife, Anna, who was herself an accomplished alto singer. Catherine King performs these works alongside the Norwegian Baroque Orchestra. Catherine has been described as “bell-voiced… with firm clear tone, elegant phrasing and agile, precise coloratura’. (Gramophone)