Voices of Summer Sale
Celebrate the season with the Voices of Summer Sale at ArkivMusic! Discover over 600 vocal favorites—from soaring choral masterpieces and intimate vocal ensembles to unforgettable opera performances—all 25%–30% off for a limited time.
Discover music from Shostakovich, Schumman, Monteverdi and more; as well as stellar performances from Jamie Barton, Bach Collegium Japan, Voces8 and many more!
Shop the sale now before it ends at 9:00am ET, Tuesday, August 11th, 2026.
653 products
Alarm Will Sound Presents Modernists
REVIEWS:
The 23 members of Alarm Will Sound perform the provocative pieces playfully, inviting all sides of the modernism debate to lighten up and listen. Each work composed for the ensemble is easily digestible, running under seven minutes. Wolfgang Rihm’s Will Sound delivers in trickily spaced bursts, mostly centered around a sinewy saxophone line. The ensemble’s percussionists are in particularly fine form, rattling and skipping through unintuitive and complex rhythms.
– NPR
The comic portrait of screaming human faces on the album's cover poses a rhetorical question: Do we honestly still need to act scared by this modernist stuff? Over the course of their set, the Alarm Will Sound players and conductor Alan Pierson respond to this prompt by delivering pure modern-classical fun. The six pieces they’ve chosen speak different structural languages, though each one shares a desire to bring across a sense of wildness that is exuberant at heart.
– Pitchfork
Dalmatica: Chants of the Adriatic / Livljanic, Dialogos
Heroldt: Matthauspassion - Clinio: Passio secundum Joannem / Ensemble Triagonale
Unfortunately, the works of Johann Heinrich Rolle are somewhat obscure, and rarely recorded. This new release is the premiere recording of Rolle’s St. Matthew Passion. Composed in 1748, the orchestration is set to text of Martin Luther’s Gospel of St. Matthew translation. The work is performed here by Ensemble Triagonale.
Leifs: Complete Songs
Known for his outstanding orchestral works, Jon Leifs draws inspiration from the naturally occurring phenomena of his native Iceland. This disc contains all thirty-two of the composer’s solo songs. Tenor Finnur Bjarnason is joined by pianist Orn Magnusson for this album.
Jewish Music & Poetry Project: Surviving – Women's Words
Hasse: Complete Solo Cantatas, Vol. 1
Movimentos: Widmungen
Thomas: Of Being is a Bird
Voces de Sefarad / Basso, Mesirca
Carolus IV. - Rex et Imperator
Western Wind / Parrott, Tavener Choir & Players

Andrew Parrott and his Taverner Choir & Players turn to music of their namesake alongside works by his contemporaneous King Henry VIII, an exceptionally musical monarch, and two composers of the previous generation, William Cornysh and Hugh Ashton. With Taverner’s Western Wind mass as its corner-stone, this recording takes its lead from the unashamedly secular character of that work and ventures beyond the chapel door to explore the parallel world of courtly vernacular song and instrumental music.
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REVIEW:
Andrew Parrott’s past recordings of Taverner count among his finest achievements, and time has not dulled his affinity for the music of his ensemble’s namesake. For this recital, he turns his attention to the secular music of Taverner’s contemporaries, interspersed among the movements of the Renaissance composer's Western Wynde Mass.
From a discographic standpoint, the instrumental numbers are very valuable, and dispatched with real flair. Finally, the sound recording successively juggles a wide range of distributions, from harpsichord to choir, with no apparent discontinuity.
– Gramophone
Cantus coagulatus
Carneval Oriental / Pera Ensemble, L'arte del mondo
The Lieder of Franz Liszt
Musica e Poesia / Rosa Feola

I Heard You Singing / Ben Johnson, James Baillieu
Presenting the major singers of today and the stars of tomorrow, the Rosenblatt Recitals are London's only world-class season of opera recitals.
Aaron Helgeson: Poems of Sheer Nothingness
Orlando di Lasso: Magnificat
Here, the polyphonic segments of the selected Magnificat compositions are based not on monophonic models but on pre-existent compositions. Accordingly, here we have to do with parody works in which a procedure widespread in Masses is applied to the Magnificat. Forty of Lasso’s 101 Magnificat compositions are to be assigned to this type. These imitation Magnificats in no way involve a simple re-textualization of pre-existent works. At the beginning Lasso mostly rather precisely draws on his particular model, but then he quickly departs from it. In the Magnificat on Rore’s Da le belle contrade the beginning corresponds to the original, but soon thereafter it departs from it the textual passage in Deo salutari« is completely freely set. This procedure thus is somewhat similar to collage technique: the possibilities range from the use of whole passages to the re-layering of blocks, paraphrasing, quotations of individual voices, free continuation, and so on. The result may safely be termed a new creation on the basis of a pre-existent work. The sound developed by the Singphoniker may be described as cathedral and no less directly immediate. The great fullness of sound displayed by this six-man vocal ensemble never fails to amaze the listener« (FonoForum 2/13).
Shostakovich: The 2 Violin Sonatas & Rare Chamber Works
Operetten Gala
Shostakovich & Liszt / Dmitri Hvorostovsky
REVIEW:
Hvorostovsky offers searching readings of Shostakovich's rugged, jagged songs which are full of resignation and bittersweet regret, of loss and separation. There are few things finer than Hvorostovsky in full flight and Liszt’s Petrarch Sonnets allow him the chance to open up the Italianate warmth in his baritone, with impassioned accounts, especially of Sonnet 47.
– Gramophone
Bridges
Best of German Baroque: J.S. Bach
Holiday Harmonies - Songs of Christmas / Essential Voices USA
Judith Clurman conducts her acclaimed chorus, Essential Voices USA, in Holiday Harmonies: Sounds of Christmas, the ensemble’s third recording for Sono Luminus. This holiday disc includes premiere recordings of new vibrant arrangements of seasonal favorites and new works that were written for the disc by some of America’s finest composers. Mezzo Soprano Jamie Barton, Soprano Maureen McKay, Pianist Tedd Firth, and Harpist Stacey Shames are featured performers. Traditional repertoire includes: “Angels We Have Heard on High” (arr. David Chase), “O Holy Night” (arr. Ryan Nowlin), “Silent Night” (arr. Tedd Firth and Judith Clurman), “The Virgin’s Slumber Song” (Max Reger), and “We Wish You a Merry Christmas” (adaptation Judith Clurman). New works include: “Whispered and Revealed” (Nico Muhly), “Love Came Down” (Jennifer Higdon) and “Merry Christmas Wishing Well” (Gene and Lorraine Gilroy, arr. Michael Gilbertson).
