Brilliant Classics
Adelaide - Beethoven And The Guitar / Izhar Elias
$13.99
Details
- Composer
- VARIOUS COMPOSERS
- Artist
- Elias, Cordas Jr., Valova, Iliev
- Format
- CD
- Label
- Brilliant Classics
- Released
- Oct 29, 2013
- Catalog #
- BRI94631
- UPC
- 5028421946313
About
The guitar is not the first instrument one associates with the towering figure of Beethoven, but he did know and appreciate the instrument, and even wrote some chamber music pieces for it.
This imaginative recital of chamber music by Beethoven takes its inspiration from the Romantic poem of the album title which describes the kind of unattainable love to which Beethoven was throughout his adult life susceptible, and from which he appears himself to have drawn creative energy. His own setting of Adelaide (the text of which appears in the booklet in both Matthisson's original and in English translation) was arranged by the 19th-century guitarist-composer Nicholas Coste; it introduces not only the playful Op.8 Serenade, perhaps the most obvious contender among Beethoven's music for a transcription of the piano part to the piano, but movements from two of his string quartets and even the funeral march from his Piano Sonata Op.26, transcribed for guitar solo or duo and played here on instruments of the period by a young and dynamic ensemble of European musicians, led by Izhar Elias, who have already released acclaimed recordings on Brilliant Classics, including guitar music in memory of Debussy (9246), spectacular transcriptions of Rossini arias (93902) and a sparkling survey of 17th-century music from the Spanish territories (94352). Elias himself plays a selection of guitars on this recording, by Guadagnini and Stauffer père et fils, including a rare terz model, which is smaller than the regular model and tuned a minor third higher to produce a more brilliant and penetrating sound in company with other instruments.
Other information:
- New recording made in April 2013.
- This original and appealing programme presents works of Beethoven in chamber music arrangements with guitar, written by contemporaries, a practice that was quite common in the period, playing its role in the popularisation of the music.
Eminent guitarist Izhar Elias plays on several period instruments, including a rare "terz" instrument, smaller in size and tuned a minor third higher in order to achieve a more brilliant sound. He is joined by violin, viola and another guitar, according to the setting of the arrangements.
- Unique album concept.
- Extensive booklet notes written by the artist.
This imaginative recital of chamber music by Beethoven takes its inspiration from the Romantic poem of the album title which describes the kind of unattainable love to which Beethoven was throughout his adult life susceptible, and from which he appears himself to have drawn creative energy. His own setting of Adelaide (the text of which appears in the booklet in both Matthisson's original and in English translation) was arranged by the 19th-century guitarist-composer Nicholas Coste; it introduces not only the playful Op.8 Serenade, perhaps the most obvious contender among Beethoven's music for a transcription of the piano part to the piano, but movements from two of his string quartets and even the funeral march from his Piano Sonata Op.26, transcribed for guitar solo or duo and played here on instruments of the period by a young and dynamic ensemble of European musicians, led by Izhar Elias, who have already released acclaimed recordings on Brilliant Classics, including guitar music in memory of Debussy (9246), spectacular transcriptions of Rossini arias (93902) and a sparkling survey of 17th-century music from the Spanish territories (94352). Elias himself plays a selection of guitars on this recording, by Guadagnini and Stauffer père et fils, including a rare terz model, which is smaller than the regular model and tuned a minor third higher to produce a more brilliant and penetrating sound in company with other instruments.
Other information:
- New recording made in April 2013.
- This original and appealing programme presents works of Beethoven in chamber music arrangements with guitar, written by contemporaries, a practice that was quite common in the period, playing its role in the popularisation of the music.
Eminent guitarist Izhar Elias plays on several period instruments, including a rare "terz" instrument, smaller in size and tuned a minor third higher in order to achieve a more brilliant sound. He is joined by violin, viola and another guitar, according to the setting of the arrangements.
- Unique album concept.
- Extensive booklet notes written by the artist.
Tracklist 13 tracks
-
1 Adelaide, Op. 46 (arr. N. Coste for viola and guitar) 06:30
- Track
- 1
- Title
- Adelaide, Op. 46 (arr. N. Coste for viola and guitar)
- Duration
- 06:30
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias, Ivan Iliev
-
2 String Quartet No. 9 in C Major, Op. 59, No. 3, "Rasumovsky": II. Andante con moto quasi allegretto (arr. V. Schuster for 2 guitars) 07:51
- Track
- 2
- Title
- String Quartet No. 9 in C Major, Op. 59, No. 3, "Rasumovsky": II. Andante con moto quasi allegretto (arr. V. Schuster for 2 guitars)
- Duration
- 07:51
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias, Fernando Cordas
-
3 Potpourri (after Beethoven) (version for violin and guitar) 10:42
- Track
- 3
- Title
- Potpourri (after Beethoven) (version for violin and guitar)
- Duration
- 10:42
- Composer
- Anton Diabelli
- Performer
- Izhar Elias, Zefira Valova
-
4 Piano Sonata No. 12 in A-Flat Major, Op. 26, "Sonate mit dem Trauermarsch": III. Marcia funebre sulla morte d'un eroe (arr. S. Volker for guitar) 05:30
- Track
- 4
- Title
- Piano Sonata No. 12 in A-Flat Major, Op. 26, "Sonate mit dem Trauermarsch": III. Marcia funebre sulla morte d'un eroe (arr. S. Volker for guitar)
- Duration
- 05:30
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias
-
5 Andante varie et Rondeau, Op. 155: I. Andante con variazioni (after Beethoven's Piano Sonata No. 12 in A-Flat Major, Op. 26) 07:39
- Track
- 5
- Title
- Andante varie et Rondeau, Op. 155: I. Andante con variazioni (after Beethoven's Piano Sonata No. 12 in A-Flat Major, Op. 26)
- Duration
- 07:39
- Composer
- Ferdinando Carulli
- Performer
- Izhar Elias, Fernando Cordas
-
6 Variations on a Quartet by Beethoven for 2 Guitars, Op. 4 09:12
- Track
- 6
- Title
- Variations on a Quartet by Beethoven for 2 Guitars, Op. 4
- Duration
- 09:12
- Composer
- Vincenz Schuster
- Performer
- Izhar Elias, Fernando Cordas
-
7 I. Marcia: Allegro - II. Adagio 08:29
- Track
- 7
- Title
- I. Marcia: Allegro - II. Adagio
- Duration
- 08:29
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias, Zefira Valova, Ivan Iliev
-
8 III. Menuetto: Allegretto 02:37
- Track
- 8
- Title
- III. Menuetto: Allegretto
- Duration
- 02:37
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias, Zefira Valova, Ivan Iliev
-
9 IV. Adagio - Scherzo: Allegro molto 04:50
- Track
- 9
- Title
- IV. Adagio - Scherzo: Allegro molto
- Duration
- 04:50
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias, Zefira Valova, Ivan Iliev
-
10 V. Allegretto alla Polacca 03:33
- Track
- 10
- Title
- V. Allegretto alla Polacca
- Duration
- 03:33
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias, Zefira Valova, Ivan Iliev
-
11 VI. Thema con variazioni: Andante quasi allegretto 08:24
- Track
- 11
- Title
- VI. Thema con variazioni: Andante quasi allegretto
- Duration
- 08:24
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias, Zefira Valova, Ivan Iliev
-
12 VII. Marcia: Allegro 01:17
- Track
- 12
- Title
- VII. Marcia: Allegro
- Duration
- 01:17
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias, Zefira Valova, Ivan Iliev
-
13 Andante in F Major, WoO 57, "Andante favori" (F. Carulli for guitar) 02:00
- Track
- 13
- Title
- Andante in F Major, WoO 57, "Andante favori" (F. Carulli for guitar)
- Duration
- 02:00
- Composer
- Ludwig van Beethoven
- Performer
- Izhar Elias