Nikolaus Harnoncourt was praised for his chamber music, evolving from the Piano access to "Aida" in 1997 in Zurich. Against both nothing is to say, in principle, only a guarantee for an exciting, rousing opera recording is not self-evident. I must say that I really enjoy the recording until the score in his hand and made music excellent and brilliant the many carefully worked out details that almost meticulous compliance with the dynamic demands of Verdi and transparency in the spotless ensembles especially in the of the Vienna Philharmonic could appreciate orchestral passages (with over four lasting several months, recording sessions, I expect that as well). - Thomas Tillmann, http://www. Omm. De