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COMPOSERCOUPERIN, ARMAND-LOUIS
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PERFORMERSophie Yates
A.L. Couperin: Pieces de Clavecin / Sophie Yates
- Chandos
- May 1, 2005
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RELEASE DATEMay 01, 2005
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UPC095115071823
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CATALOG NUMBERCHAN 0718
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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I. La Victoire
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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II. Allemande
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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III. Courante La de Croissy
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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IV. Les Cacqueteuses
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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V. La Gregoire
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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VI. L'Intrepide: Rondeau
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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VII. Menuet I and II
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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VIII. L'Arlequine ou La Adam: Rondeau
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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IX. La Blanchet
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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X. La de Boisgelou
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XI. La Foucquet
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XII. La Semillante ou La Joly
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XIII. La Turpin
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XIV. Gavotte I and II
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XV. Menuet I and II
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XVI. La du Breuil
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XVII. La Cheron
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XVIII. L'Affligee
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XIX. L'Enjouee
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XX. Les Tendres Sentiments
Composer: Armand-Louis Couperin
Performer: Sophie Yates
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XXI. Rondeau gracieux
Composer: Armand-Louis Couperin
Performer: Sophie Yates
Featuring ⌄
Product Details ⌄
Works ⌄
Armand-Louis Couperin was the nephew of François Couperin, and part of a family which was the dominant musical dynasty in France for around two hundred and fifty years. The music of the younger Couperin is difficult to categorize, since he was writing at a time between the decorative aesthetic of the high baroque and the beginning of the true classical style. Sophie Yates relishes the music of this period, for to her, contained in the rococo period are the elements of the baroque, classical and even romantic styles in embryo, making, she says, 'a rich and unpredictable mixture of delights.'
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