American Classics - Riley: Cantos Desiertos / Hawley, McFadden

Regular price $13.99
Label
Naxos
Release Date
June 1, 2003
Format
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    Featuring
    • COMPOSER
      RILEY
    • PERFORMER
      Jeffrey, Alexandra, Mcfadden, Hawley
    Product Details
    Works
    1. Barbara Allen

      Composer: Robert Beaser

    2. The House Carpenter

      Composer: Robert Beaser

    3. He's Gone Away

      Composer: Robert Beaser

    4. Cindy

      Composer: Robert Beaser

    5. Snow Dreams

      Composer: Joan Tower

    6. Cancion Desierto

      Composer: Terry Riley

    7. Quijote

      Composer: Terry Riley

    8. Llanto

      Composer: Terry Riley

    9. Tango Ladeado

      Composer: Terry Riley

    10. Francesco en Paraiso

      Composer: Terry Riley

    11. I. Nocturne

      Composer: Lowell Liebermann

    12. II. Allegro

      Composer: Lowell Liebermann

    13. Pavane

      Composer: Peter Schickele

    14. Cantilena

      Composer: Peter Schickele

    15. Refrain

      Composer: Peter Schickele



Alexandra Hawley and Jeffrey McFadden offer a wonderfully eclectic program for flute and guitar. If you haven't heard this combination of instruments before, on the evidence presented here you'll very likely agree that it's a most musically rewarding pairing. The flute's smooth timbre ideally complements the guitar's non-legato and softly percussive tone quality--aspects put to good use in Robert Beaser's Mountain Songs, where McFadden's rustic, folksy picking and strumming is tempered by Hawley's serenely floating melodies. Joan Tower's quasi-impressionistic Snow Dreams initially conjures up idyllic, pastoral images before the composer's spiky harmonic style slightly sharpens the music's edges. Likewise, Lowell Liebermann's Sonata for Flute opens with a blissfully ruminative Nocturne, an atmosphere that dissipates immediately with the start of the nervously dancing Allegro finale.


Based on Mexican folk tunes, Terry Riley's Cantos Desiertos features delightfully stirring dances rendered with the aid of percussion. Finally, Peter Schickele's Windows offers a neo-Renaissance Pavane and a songful Cantilena before charging into an all-out strum-fest for the closing Refrain. Hawley and McFadden play beautifully, sounding convincingly at home in all of the varying styles and modes presented by this unusual mix of composers. Naxos' engineering gives listeners a realistic sense of the recording venue. This is one of those discs you just put in your player and totally enjoy.
--Victor Carr Jr, ClassicsToday.com