BACH: Cantatas, BWV 34, 50 and 147 / Vater unser im Himmelre

$14.99
Label
Coro
Release Date
September 1, 2006
Format
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    Featuring ⌄
    • COMPOSER
      BACH, J.S.
    • PERFORMER
      147, 50, Cantatas 34
    Product Details ⌄
    • RELEASE DATE
      September 01, 2006
    • UPC
      828021603921
    • CATALOG NUMBER
      COR16039
    • LABEL
      Coro
    • NUMBER OF DISCS
      1
    • GENRE
      Instrumental
    Works ⌄

    1. Nun ist das Heil und die Kraft, BWV 50

      Composer: Johann Sebastian Bach

      Ensemble: The Sixteen Choir, Symphony of Harmony and Invention

      Conductor: Harry Christophers

    2. Vater unser im Himmelreich, alio modo, BWV 683

      Composer: Johann Sebastian Bach

      Performer: Paul Nicholson

    3. O ewiges Feuer, o Ursprung der Liebe (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Conductor: Harry Christophers

    4. Recitative: Herr, uunsre Herzen (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: Ian Partridge

      Conductor: Harry Christophers

    5. Aria: Wohl euch, ihr auserwahlten Seelen (Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: David James

      Conductor: Harry Christophers

    6. Recitative: Erwahlt sich Gott (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: Michael George

      Conductor: Harry Christophers

    7. Friede uber Israel (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Conductor: Harry Christophers

    8. Allein Gott in der Hoh sei Ehr, BWV 711

      Composer: Johann Sebastian Bach

      Performer: Paul Nicholson

    9. Herz und Mund und Tat und Leben (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Conductor: Harry Christophers

    10. Recitative: Gebendeiter Mund! (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: Ian Partridge

      Conductor: Harry Christophers

    11. Aria: Schame dic, o Seele, nicht (Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: David James

      Conductor: Harry Christophers

    12. Recitative: Verstockung kann Gewaltige verblenden (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: Michael George

      Conductor: Harry Christophers

    13. Aria: Bereite dir, Jesu, noch itzo die Bahn (Soprano)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: Gillian Fisher

      Conductor: Harry Christophers

    14. Chorale: Wohl mir, dass ich Jesum habe (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Conductor: Harry Christophers

    15. Aria: Hilf, Jesu, hilf (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: Ian Partridge

      Conductor: Harry Christophers

    16. Recitative: Der hochsten Allmacht Wunderhand (Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: David James

      Conductor: Harry Christophers

    17. Aria: Ich will von Jesu Wundern singen (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Performer: Michael George

      Conductor: Harry Christophers

    18. Chorale: Jesus bleibet meine Freude (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Symphony of Harmony and Invention

      Conductor: Harry Christophers


Bach was Leipzig’s Director Musices between 1723 and 1729, as well as being Cantor of St. Thomas’s School involving providing music for the four principal churches and also any other special sacred or secular occasion. During these years Bach supplied at least three complete annual cycles of Cantatas for the church year. The rich variety of his writing for solo voices and orchestra along with thrilling choral textures is well represented in these three cantatas.