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COMPOSERJohann Sebastian Bach, Wolfgang Amadeus Mozart, Franz Schubert, Robert Schumann
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PERFORMERWilhelm Kempff
The Complete Polydor Recordings (1927-1936) / Kempff
- APR
- March 4, 2022
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RELEASE DATEMarch 04, 2022
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UPC5024709156382
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CATALOG NUMBERAPR5638
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LABELAPR
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NUMBER OF DISCS1
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GENRE
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I. Allemande
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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II. Courante
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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III. Sarabande
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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IV. Gavotte
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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V. Bourrée
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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VI. Loure
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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VII. Gigue
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Prelude No. 3 in C-Sharp Major, BWV 848
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Fugue No. 3 in C-Sharp Major, BWV 848
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Prelude No. 5 in D Major, BWV 850
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Fugue No. 5 in D Major, BWV 850
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Prelude No. 5 in D Major, BWV 850
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Fugue No. 5 in D Major, BWV 850
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Concerto in the Italian Style in F Major, BWV 971, "Italian Concerto": I. [Allegro]
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Keyboard Concerto in F Minor, BWV 1056: II. Largo (arr. W. Kempff for piano)
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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6 Schübler Chorales, BWV 645-650: Wachet auf, ruft uns die Stimme, BWV 645 (arr. W. Kempff for piano)
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. W. Kempff for piano)
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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Wir danken dir, Gott, wir danken dir, BWV 29: Sinfonia (arr. W. Kempff for piano)
Composer: Johann Sebastian Bach
Performer: Wilhelm Kempff
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I. Theme and Variations: Andante grazioso
Composer: Wolfgang Amadeus Mozart
Performer: Wilhelm Kempff
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II. Menuetto
Composer: Wolfgang Amadeus Mozart
Performer: Wilhelm Kempff
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III. Alla turca: Allegretto
Composer: Wolfgang Amadeus Mozart
Performer: Wilhelm Kempff
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Ständchen, D. 889, "Hark, hark, the lark" (Horch, horch! die Lerch) (arr. F. Liszt)
Composer: Franz Schubert
Performer: Wilhelm Kempff
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No. 3 in F Minor: Allegro moderato
Composer: Franz Schubert
Performer: Wilhelm Kempff
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No. 4 in C-Sharp Minor: Moderato
Composer: Franz Schubert
Performer: Wilhelm Kempff
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4 Impromptus, Op. 142, D. 935: No. 3 in B-Flat Major
Composer: Franz Schubert
Performer: Wilhelm Kempff
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Fantasiestücke, Op. 12: No. 2. Aufschwung
Composer: Robert Schumann
Performer: Wilhelm Kempff
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Kinderszenen (Scenes of Childhood), Op. 15: No. 7. Träumerei (Dreaming)
Composer: Robert Schumann
Performer: Wilhelm Kempff
Featuring ⌄
Product Details ⌄
Works ⌄
Wilhelm Walter Friedrich Kempff was a German pianist and composer. Although his repertoire included Bach, Mozart, Chopin, Schumann, Liszt and Brahms, Kempff was particularly well known for his interpretations of the music of Ludwig van Beethoven and Franz Schubert, recording the complete sonatas of both composers. Wilhelm Kempff’s 78-rpm recordings were very much focused on Beethoven, as can be heard on seven previously issued APR discs, but this release presents everything by other composers he set down from the start of electrical recording until the war. Notable among the titles are four of his own Bach transcriptions and, revealing the pianist in an unexpected light, his own virtuosic elaboration of the Schubert/Liszt ‘Hark, Hark! The Lark’ transcription.
REVIEW:
There's something special about these recordings, something quite miraculous. In spite of the relatively primitive technology involved in these early electrical recordings, I had no trouble at all forgetting sonic imperfections, and zeroing in on a great master channeling great composers. The French Suite no. 5 of Bach, recorded in 1935, is the highlight of the disc; it's a masterful interpretation. I was in awe of this from the first time I heard it, since I had the strong feeling that Kempff was communicating his own awe.
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