Agreat deal has been written about Michael Korstick’s interpretation of the Beethoven Sonatas. Extraordinary comments for the most part. Oehms Classics has released the complete edition in a luxurious presentation. 10 CDs in a fine cardboard package plus an extensive booklet including an essay by Attila Csampai and an interview with the artist conducted by Dr. Christoph Vratz. The recordings of this complete edition will not be issued on SACD; the individual editions retain their sonic luxury as is customary. - Oehms Classics

"...In the “Moonlight” Sonata Korstick’s approach also reminded me a bit of that taken by Solomon Cutner, the superb British pianist whose career was cut short by paralysis. Listen to the famed opening movement: Korstick gets exactly the same dead, almost ghostly rhythm that Solomon achieved back in the 1950s. I always liked that interpretation and always will. His performance of the “Waldstein” has almost the same driving energy as Gieseking’s famous 1939 recording, and I for one found his “Pathétique” the best I’ve heard since Schnabel. Most other pianists, in my estimation, get the opening of the first movement wrong by not emphasizing the dynamic contrasts as dramatically as they are written in the score, but Korstick does. And many of his slow movements are absolutely magical: Listen, for instance, to the Adagio of Sonata No. 3. Here, as in many others, the notes almost seem to float in space or on the surface of a pond, replicating (for me, anyway) an almost “altered state” within the composer’s psyche..." - Lynn René Bayley, Fanfare