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COMPOSERBEETHOVEN, LUDWIG VAN
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PERFORMERCappella Aquileia, Bosch
Beethoven: Orchestral Works / Busch, Cappella Aquileia
- CPO
- August 6, 2021
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RELEASE DATEAugust 06, 2021
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UPC761203530229
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CATALOG NUMBER555302-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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Overtüre
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
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Vernommen habt ihr die gewaltgen Töne
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Lied: Die Trommel gerühret (Soprano)
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Raffaela Lintl
Conductor: Marcus Bosch
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So freue dich, denn kurz ist alle Freude
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Entr'acte No. 1: Andante
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
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Die List des Herzog Alba, den aus Spanien
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Entr'acte No. 2: Larghetto
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
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Freudvoll und leidvoll – Das ist das Los des Lebens und der Liebe
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Lied: Freudvoll und leidvoll (Soprano)
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Raffaela Lintl
Conductor: Marcus Bosch
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Und Egmont tritt herein! - Entr'acte No. 5: Alegretto
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Umgarnt vom Netz des schlauen Jägers
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Entr'acte No. 6: Poco sostenuto
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
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O Clärchen! Treues Herz!
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Entr'acte No. 7: Larghetto
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
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Melodram: Susser Schlaf, du kommst wie reines Glück
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Ja, führt sie nur zusammen!
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Die Siegessymphonie rasch einfallend
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Performer: Frederic Böhle
Conductor: Marcus Bosch
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Overture to Collin's Coriolan, Op. 62, "Coriolan Overture"
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
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Die Weihe des Hauses Overture, Op. 124
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
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Overture in C Major, Op. 115, "Zur Namensfeier" (Name Day Celebration)
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
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Part I: Schlacht (The Battle)
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
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Part II: Sieges-Symphonie (Victory Symphony)
Composer: Ludwig van Beethoven
Ensemble: Cappella Aquileia
Conductor: Marcus Bosch
Featuring ⌄
Product Details ⌄
Works ⌄
The compositions on this album, broadly considered, are connected with Beethoven’s efforts on behalf of the theater, and they also attest to his desire to compose for the larger public without having to lower his standards. The center here is formed by his music for Goethe’s Egmont. The Dutch Count Egmont failed in his resistance against the tyrannous rule of the Duke of Alba and was executed. The decisive factor in Beethoven’s choice of this subject must have been that Goethe himself assigned a dramaturgically important role to music above all at the end of his play, and in his composition Beethoven followed these pretextual givens to the letter. When Egmont, in prison prior to his execution, sees the vision of his beloved Klärchen as the personification of liberty, then Egmont’s words and the musically designed vision join together in a melodrama. The album also includes three overtures and Wellington’s Victory, in which Beethoven combines the older tradition of the “battaglia,” the musical depiction of a battle, with victory pathos. Its effect lies not so much in the masterful treatment of the musical material itself as in the development of a spatial dimension for a realistic battle scene and in the big sound overpowering the listener, in short: in its theatrical character. During Beethoven’s lifetime it was his most successful composition.
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