Cedille
Blues Dialogues: Music by Black Composers / Barton Pine, Hagle
$19.99
Only 1 left
Details
- Composer
- VARIOUS
- Artist
- Pine, Hagle
- Format
- CD
- Label
- Cedille
- Released
- Oct 19, 2018
- Catalog #
- CDR 182
- UPC
- 735131918220
About
Violinist Rachel Barton Pine, “an exciting, boundary-defying performer” (Washington Post) known for her “bravura technique and soulful musicianship” (New York Times), headlines a groundbreaking album of blues-influenced classical works for violin and violin and piano by 20th and 21st century composers of African descent.
World-premiere recordings include Noel Da Costa’s ‘A Set of Dance Tunes for Solo Violin,’ based on American fiddle tunes; Daniel Bernhard Roumain’s ‘Filter,’ which conjures the sounds of electronic dance music and psychedelic guitar; Errollyn Wallen’s ‘Woogie Boogie,’ a humorous and inventive reimaging of the boogie woogie blues dance; and Billy Childs’s ‘Incident,’ a single-movement violin sonata / tone poem written as a response to a fatal shooting by police. Another premiere is Wendall Logan’s violin and piano arrangement of Duke Ellington’s 1935 composition, ‘In a Sentimental Mood.’ The album’s title track, Dolores White’s improvisational ‘Blues Dialogues,’ draws on classical, jazz, and country music, as well as African-American vocalizations and a blues harmonic language. David N. Baker’s gospel-tinged ‘Blues (Deliver My Soul)’ evokes the ecstatic energy of a Black church service. Charles S. Brown’s ‘A Song Without Words’ was inspired by bottleneck guitar player and gospel blues master Blind Willie Johnson. Each movement of William Grant Still’s ‘Suite for Violin and Piano’ evokes the work of a different African-American visual artist. Clarence Cameron White’s ‘Levee Dance, Op. 26, No. 2,’ a favorite of violin virtuoso Jascha Heifetz, surrounds a traditional African-American spiritual with a playful, syncopated dance. Coleridge-Taylor Perkinson’s ‘Blue/s Forms’ and ‘Louisiana Blues Strut’ befit a composer with a legacy of achievements in the classical, jazz, modern dance, and pop music worlds.
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REVIEWS:
What a fascinating, beautiful disc… The disc’s title is valid: these really are ‘dialogues’ in the most creative and stimulating sense…Need it be said that Pine plays everything here gloriously… Listen to how unaffectedly she outlines the melody of Still’s central slow movement. In passages of virtuoso display, she’s as sure-footed and as agile as an acrobat.
– Gramophone
This is a superb CD, clearly one of Barton Pine’s real masterpieces. Highly recommended to any other classical violinist who wants to tackle these works, and listeners who enjoy jazz and blues-influenced classical music.
– The Art Music Lounge
This is an amazing disc. Barton Pine and partner Matthew Hagle are to be commended for such a thoughtful, gracious, and inspiring program, recorded in Cedille’s typical robust and clear sound.
– Audiophile Audition
World-premiere recordings include Noel Da Costa’s ‘A Set of Dance Tunes for Solo Violin,’ based on American fiddle tunes; Daniel Bernhard Roumain’s ‘Filter,’ which conjures the sounds of electronic dance music and psychedelic guitar; Errollyn Wallen’s ‘Woogie Boogie,’ a humorous and inventive reimaging of the boogie woogie blues dance; and Billy Childs’s ‘Incident,’ a single-movement violin sonata / tone poem written as a response to a fatal shooting by police. Another premiere is Wendall Logan’s violin and piano arrangement of Duke Ellington’s 1935 composition, ‘In a Sentimental Mood.’ The album’s title track, Dolores White’s improvisational ‘Blues Dialogues,’ draws on classical, jazz, and country music, as well as African-American vocalizations and a blues harmonic language. David N. Baker’s gospel-tinged ‘Blues (Deliver My Soul)’ evokes the ecstatic energy of a Black church service. Charles S. Brown’s ‘A Song Without Words’ was inspired by bottleneck guitar player and gospel blues master Blind Willie Johnson. Each movement of William Grant Still’s ‘Suite for Violin and Piano’ evokes the work of a different African-American visual artist. Clarence Cameron White’s ‘Levee Dance, Op. 26, No. 2,’ a favorite of violin virtuoso Jascha Heifetz, surrounds a traditional African-American spiritual with a playful, syncopated dance. Coleridge-Taylor Perkinson’s ‘Blue/s Forms’ and ‘Louisiana Blues Strut’ befit a composer with a legacy of achievements in the classical, jazz, modern dance, and pop music worlds.
-----
REVIEWS:
What a fascinating, beautiful disc… The disc’s title is valid: these really are ‘dialogues’ in the most creative and stimulating sense…Need it be said that Pine plays everything here gloriously… Listen to how unaffectedly she outlines the melody of Still’s central slow movement. In passages of virtuoso display, she’s as sure-footed and as agile as an acrobat.
– Gramophone
This is a superb CD, clearly one of Barton Pine’s real masterpieces. Highly recommended to any other classical violinist who wants to tackle these works, and listeners who enjoy jazz and blues-influenced classical music.
– The Art Music Lounge
This is an amazing disc. Barton Pine and partner Matthew Hagle are to be commended for such a thoughtful, gracious, and inspiring program, recorded in Cedille’s typical robust and clear sound.
– Audiophile Audition
Tracklist 24 tracks
-
1 Blues 04:11
- Track
- 1
- Title
- Blues
- Duration
- 04:11
- Composer
- David N. Baker
- Performer
- Rachel Barton Pine, Matthew Hagle
-
2 I. Plain Blues: quarter note = 88-96 01:21
- Track
- 2
- Title
- I. Plain Blues: quarter note = 88-96
- Duration
- 01:21
- Composer
- Coleridge-Taylor Perkinson
- Performer
- Rachel Barton Pine
-
3 II. Just Blues: Very free 02:59
- Track
- 3
- Title
- II. Just Blues: Very free
- Duration
- 02:59
- Composer
- Coleridge-Taylor Perkinson
- Performer
- Rachel Barton Pine
-
4 III. Jettin' Blues: Fast 02:30
- Track
- 4
- Title
- III. Jettin' Blues: Fast
- Duration
- 02:30
- Composer
- Coleridge-Taylor Perkinson
- Performer
- Rachel Barton Pine
-
5 Louisiana Blues Strut (A Cakewalk) 02:32
- Track
- 5
- Title
- Louisiana Blues Strut (A Cakewalk)
- Duration
- 02:32
- Composer
- Coleridge-Taylor Perkinson
- Performer
- Rachel Barton Pine
-
6 I. Suggested by Richmond Barthe, "African Dancer" 04:31
- Track
- 6
- Title
- I. Suggested by Richmond Barthe, "African Dancer"
- Duration
- 04:31
- Composer
- William Grant Still
- Performer
- Rachel Barton Pine, Matthew Hagle
-
7 II. Suggested by Sargent Johnson, "Mother and Child" 06:08
- Track
- 7
- Title
- II. Suggested by Sargent Johnson, "Mother and Child"
- Duration
- 06:08
- Composer
- William Grant Still
- Performer
- Rachel Barton Pine, Matthew Hagle
-
8 III. Suggested by Augusta Savage, "Gamin" 02:06
- Track
- 8
- Title
- III. Suggested by Augusta Savage, "Gamin"
- Duration
- 02:06
- Composer
- William Grant Still
- Performer
- Rachel Barton Pine, Matthew Hagle
-
9 I. Walk Around Brudder Bones 03:54
- Track
- 9
- Title
- I. Walk Around Brudder Bones
- Duration
- 03:54
- Composer
- Noel DaCosta
- Performer
- Rachel Barton Pine
-
10 II. Neumedia 02:56
- Track
- 10
- Title
- II. Neumedia
- Duration
- 02:56
- Composer
- Noel DaCosta
- Performer
- Rachel Barton Pine
-
11 III. Little Diamond / Bird on the Wing Jigs 01:58
- Track
- 11
- Title
- III. Little Diamond / Bird on the Wing Jigs
- Duration
- 01:58
- Composer
- Noel DaCosta
- Performer
- Rachel Barton Pine
-
12 IV. New Orleans Clog 00:58
- Track
- 12
- Title
- IV. New Orleans Clog
- Duration
- 00:58
- Composer
- Noel DaCosta
- Performer
- Rachel Barton Pine
-
13 V. New Orleans Clog Blues 03:17
- Track
- 13
- Title
- V. New Orleans Clog Blues
- Duration
- 03:17
- Composer
- Noel DaCosta
- Performer
- Rachel Barton Pine
-
14 Levee Dance 03:51
- Track
- 14
- Title
- Levee Dance
- Duration
- 03:51
- Composer
- Clarence Cameron White
- Performer
- Rachel Barton Pine, Matthew Hagle
-
15 In a Sentimental Mood (arr. W. Logan for violin and piano) 03:25
- Track
- 15
- Title
- In a Sentimental Mood (arr. W. Logan for violin and piano)
- Duration
- 03:25
- Composer
- Duke Ellington
- Performer
- Rachel Barton Pine, Matthew Hagle
-
16 I. Blues Feeling 03:24
- Track
- 16
- Title
- I. Blues Feeling
- Duration
- 03:24
- Composer
- Dolores White
- Performer
- Rachel Barton Pine
-
17 II. Expressive 02:45
- Track
- 17
- Title
- II. Expressive
- Duration
- 02:45
- Composer
- Dolores White
- Performer
- Rachel Barton Pine
-
18 III. Fast and Funky 01:13
- Track
- 18
- Title
- III. Fast and Funky
- Duration
- 01:13
- Composer
- Dolores White
- Performer
- Rachel Barton Pine
-
19 IV. Moderately Fast 02:49
- Track
- 19
- Title
- IV. Moderately Fast
- Duration
- 02:49
- Composer
- Dolores White
- Performer
- Rachel Barton Pine
-
20 Woogie Boogie 02:26
- Track
- 20
- Title
- Woogie Boogie
- Duration
- 02:26
- Composer
- Errollyn Wallen
- Performer
- Rachel Barton Pine, Matthew Hagle
-
21 Incident on Larpenteur Avenue 07:44
- Track
- 21
- Title
- Incident on Larpenteur Avenue
- Duration
- 07:44
- Composer
- Billy Childs
- Performer
- Rachel Barton Pine, Matthew Hagle
-
22 Filter 04:35
- Track
- 22
- Title
- Filter
- Duration
- 04:35
- Composer
- Daniel Bernard Roumain
- Performer
- Rachel Barton Pine
-
23 A Song Without Words 03:10
- Track
- 23
- Title
- A Song Without Words
- Duration
- 03:10
- Composer
- Charles Brown
- Performer
- Rachel Barton Pine, Matthew Hagle
-
24 Lenox Avenue: The Blues (Arr. for violin and piano) 03:55
- Track
- 24
- Title
- Lenox Avenue: The Blues (Arr. for violin and piano)
- Duration
- 03:55
- Composer
- William Grant Still
- Performer
- Rachel Barton Pine, Matthew Hagle