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COMPOSERBRAHMS, JOHANNES
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PERFORMERBarry Douglas
Brahms: Works for Solo Piano, Vol. 6 / Douglas
- Chandos
- July 29, 2016
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RELEASE DATEJuly 29, 2016
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UPC095115190326
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CATALOG NUMBERCHAN 10903
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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Rákóczy March, Anh.III/10
Composer: Johannes Brahms
Performer: Barry Douglas
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6 Piano Pieces, Op. 118: No. 6. Intermezzo in E-Flat Minor
Composer: Johannes Brahms
Performer: Barry Douglas
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Canon in F Minor, Anh. III/2
Composer: Johannes Brahms
Performer: Barry Douglas
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Gigue in A Minor, WoO 4 posth.
Composer: Johannes Brahms
Performer: Barry Douglas
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Gigue in B Minor, WoO 4 posth.
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 5. Capriccio in C-Sharp Minor
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 7. Intermezzo in A Minor
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 8. Capriccio in C Major
Composer: Johannes Brahms
Performer: Barry Douglas
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Gluck - Iphigenie en Aulide, Act II: Gavotte
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 1. Study after Chopin (arr. of Etude No. 14 in F Minor, Op. 25, No. 2)
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 2. Rondo after C.M. von Weber (arr. of Piano Sonata No. 1, Op. 24)
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 3. Presto after J.S. Bach (arr. of Sonata in C Minor, BWV 1001: IV. Presto)
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 2 in D Minor
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 4 in F-Sharp Minor
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 6 in D-Flat Major
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 7 in F Major
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 8 in A Minor
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 9 in E Minor
Composer: Johannes Brahms
Performer: Barry Douglas
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No. 10 in E Major
Composer: Johannes Brahms
Performer: Barry Douglas
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5 Studies for the Piano, Anh. Ia/1: No. 5. Chaconne by J.S. Bach
Composer: Johannes Brahms
Performer: Barry Douglas
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REVIEW:
Douglas’s hefty, full-bodied sound, built from the bottom up, befits the mellow power of Brahms’s sound world. In the dark E flat minor Op 118 Intermezzo, most pianists focus attention on the right-hand melody and treat the rumbling left-hand lines as muted filigree. Douglas, however, does almost the exact opposite, and the effect is revelatory.
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