The organ music of Joan (or Juan) Cabanilles (1644–1712) is virtuosic and colourfully Baroque, and touched with a distinctively Spanish intensity. Cabanilles is claimed as...

The organ music of Joan (or Juan) Cabanilles (1644–1712) is virtuosic and colourfully Baroque, and touched with a distinctively Spanish intensity. Cabanilles is claimed as the most prolific of all composers for the organ, and publication of his works, begun in 1927, has not caught up with his output. But the surviving manuscripts can be seriously corrupt, requiring extensive editing and sometimes even detailed recomposition. This recording – Volume Three of an ongoing series – therefore uses a number of new editions to present the music as never heard before, as close as possible to what the composer might have intended. It was made using the historic (1732) organ in the Basilica of Sant Jaume in Vila-real, Valencia. Timothy Roberts was for twenty years principal keyboard of the Gabrieli Consort and Players; he also became director of His Majestys Sagbutts & Cornetts. In recent years he has also been active as a recording engineer and sound editor, composer and music-typesetter.