Campagnoli: 41 Caprices for Viola, Op.22, arranged for Viola & Piano by Carl Albert Tottmann

$16.99
Label
Brilliant Classics
Release Date
November 18, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Bartolomeo Campagnoli
    • PERFORMER
      Marco Misciagna, Marco Ciannella
    Product Details ⌄
    • RELEASE DATE
      November 18, 2022
    • UPC
      5028421965512
    • CATALOG NUMBER
      BRI96551
    • LABEL
      Brilliant Classics
    • NUMBER OF DISCS
      2
    • GENRE
      Classical
    Works ⌄

    1. No. 1. Largo - Allegro

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    2. No. 2. Andante con moto - Piu moto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    3. No. 3. Allegro moderato

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    4. No. 4. Andante maestoso

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    5. No. 5. Allegro moderato

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    6. No. 6. Adagio

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    7. No. 7. Tempo giusto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    8. No. 8. Largo

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    9. No. 9. Allegro

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    10. No. 10. Adagio amoroso

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    11. No. 11. Allegro

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    12. No. 12. Allegro assai

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    13. No. 13. Allegro

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    14. No. 14. Preludium - Adagio

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    15. No. 15. Allegro moderato

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    16. No. 16. Tempo a piacere

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    17. No. 17. Andantino con variazioni

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    18. No. 18. Presto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    19. No. 19. Tempo a piacere

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    20. No. 20. Tempo a piacere

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    21. No. 21. Alla polacca e trio

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    22. No. 22. Allegro vivace

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    23. No. 23. Andante sostenuto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    24. No. 24. Adagio grandioso - Allegro - Adagio - Allegro

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    25. No. 25. Andantino con variazioni

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    26. No. 26. Adagio

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    27. No. 27. Allegro non troppo

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    28. No. 28. Allegretto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    29. No. 29. Allegro assai

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    30. No. 30. Andante con moto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    31. No. 31. Presto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    32. No. 32. Larghetto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    33. No. 33. Allegro

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    34. No. 34. Andantino - Presto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    35. No. 35. Allegretto scherzando

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    36. No. 36. Moderato assai

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    37. No. 37. Vivace

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    38. No. 38. Allegro assai

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    39. No. 39. Larghetto

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    40. No. 40. Vivace assai

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella

    41. No. 41. Allegro maestoso

      Composer: Bartolomeo Campagnoli

      Performer: Marco Misciagna, Marco Ciannella


The considerable fame that Bartolomeo Campagnoli (1751–1827) achieved during his own lifetime was largely due to his contribution to violin studies. The 41 Caprices he wrote for viola and the 7 Divertimenti for solo violin are still in use today. Campagnoli’s career as a concert performer began in Rome in 1775, continuing in a long tour of the courts of the capital cities of Europe. In 1797 he was made concert director and first violin at the Gewandhaus in Leipzig, a post that he held until 1818, although he also maintained his contacts with the most advanced and influential cultural centers of Europe. He thus enjoyed a florid exchange with some of the most famous teachers and Nevertheless, there is an unmistakably composers of the time, in particular with Cherubini and Kreutzer. The idea that ‘true expression depends on the sound, intonation, movement, taste and aplomb of the measure’ was a constant tenet with Campagnoli, as was his insistence on the need to understand clearly the character of each piece in order to appreciate to the full the composer’s intentions. All this required respect for the exact point in which embellishments have to be added (without exceeding), because: ‘nothing is more beautiful and moving than what is simple’.