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COMPOSERCHARPENTIER LECLAIR RAMEAU
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ORCHESTRA / ENSEMBLETempesta Di Mare Philadelphia Baroque Orchestra
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PERFORMERRoberts, Stone
Comedie et tragedie, Vol. 2 / Tempesta di Mare
- Chandos
- March 25, 2016
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RELEASE DATEMarch 25, 2016
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UPC095115081020
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CATALOG NUMBERCHAN 0810
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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Ouverture
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Prologue: Sarabande
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Prologue: Air gracieux
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Prologue: Symphonie pour la descente de Venus
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Prologue: Gigue
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Prologue: Passepied
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Act I: Marche de bergers et de silvains
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Act I: Air des silvains
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Passacaille
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Act III: Loure
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Act IV: Air de demons I
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Act IV: Air de demons II
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Act IV: Air de demons III
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Air II
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Act V: Symphonie pour exprimer l'aboiement des monstres
Composer: Jean-Marie Leclair
Ensemble: Tempesta di Mare
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Ouverture
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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Les Tapissiers
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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Air pour les tapissiers II
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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Les Chirurgiens et apothicaires
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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Air des reverences
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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Entree des Mores
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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Ritournelle
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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Air des Mores I
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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Air des Mores II
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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La Fantaisie
Composer: Marc-Antoine Charpentier
Ensemble: Tempesta di Mare
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Ouverture
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Gigue
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Ballet figure: Gracieusement et un peu gai
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Descente d'Oriade et d'Argelie
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Air grave et majestueux
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Air vif II
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Gavotte en rondeau I
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Menuets
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Air majestueux sans lenteur
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Chaconne
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Air gracieux en rondeau
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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[Prelude]: Gai, sans se presser
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
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Mouvement vif de chaconne
Composer: Jean-Philippe Rameau
Ensemble: Tempesta di Mare
Featuring ⌄
Product Details ⌄
Works ⌄
The comédie-ballet was the brainchild of the French comedic actor, singer, dancer, and playwright Molière. After ten years of collaborating with Lully, a Suite from whose Le Bourgeois Gentilhomme features in Volume 1, he turned to Charpentier. The outcome was Le Malade imaginaire whose fourth performance would prove Molière’s last, as he died on stage.
Scylla et Glaucus is the only stage work by Jean-Marie Leclair, the foremost violinist of his generation and a composer whose late opera shows the clarity of his orchestration and places its focal point on the strings, as one would expect.
Les Fêtes de Polymnie is contemporary with Leclair’s opera but more forward looking in its approach, and famous for the ingenuity of Rameau’s colorful orchestration, particularly obvious in the overture.- Chandos
Review:
I particularly liked Tempesta di Mare's vigorous, spiky strings in Leclair's 'Air des silvains' and the 'Premier air de demons'…delightful music, delightfully played.
– Gramophone
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