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COMPOSERDEBUSSY, CLAUDE
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PERFORMERWindsor, Ballista
Debussy: Melodies / Windsor, Ballista
- Brilliant Classics
- December 7, 2018
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RELEASE DATEDecember 07, 2018
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UPC5028421957418
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CATALOG NUMBERBRI95741
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LABELBrilliant Classics
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NUMBER OF DISCS2
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GENRE
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Nuit d'étoiles
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Triolet a Philis, "Zephir"
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Pierrot
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Clair de lune
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Apparition
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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5 Poèmes de Charles Baudelaire: No. 3. Le jet d'eau
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Mandoline
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 1. En sourdine
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 2. Fantoches
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 3. Clair de lune
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Fleur des blés
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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3 Mélodies: No. 2. Le son du cor
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Romance
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 1. De reve
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 4. De soir
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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3 Mélodies: No. 3. L'échelonnement des haies
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 1. La flûte de Pan
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 2. La chevelure
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 3. Le tombeau des naïades
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 1. Nuit sans fin
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 2. Pourquoi?
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 1. C'est l'extase
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 2. Il pleure dans mon cœur
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 3. L'ombre des arbres
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 4. Chevaux de bois
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 5. Green
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 6. Spleen
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Fêtes galantes, Book 2: No. 3. Colloque sentimental
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Le promenoir des deux amants: No. 3. Je tremble en voyant ton visage
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 1. Soupir
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 2. Placet futile
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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No. 3. Éventail
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
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Noël des enfants qui n'ont plus de maisons
Composer: Claude Debussy
Performer: Lorna Windsor, Antonio Ballista
Featuring ⌄
Product Details ⌄
Works ⌄
Debussy wrote songs throughout his career, beginning at the age of 18 with Nuit d’étoiles, with which this collection also begins. Most of his vocal output was inspired by the singers he encountered as a young man in the fashionable salons of fin-de-siecle Paris, and in particular the soprano Blanche Vasnier: from that time, Debussy’s songs resembled an amorous diary of dreams and desires of infinite sweetness, entrusted to a voice capable of the utmost seduction. The epilogue to his love story with Vasnier is heard in Apparition, after which Lorna Windsor moves to the years of Debussy in Rome, and in particular his sumptuous settings of Baudelaire. There follow the much more elusive settings of Verlaine and Rimbaud, dating from his ‘impressionist’ and even ‘post-impressionist’ late years, and often inspired by his encounter with the soprano Mary Garden, the first Mélisande. Lorna Windsor has established a reputation as a specialist in contemporary music: her catalogue on Brilliant Classics includes the songs with piano by John Cage (8850) and a more recent, wide-ranging album of solo-vocal music by Feldman, Kagel, Kurtág and others. She also has considerable experience in French repertoire, having studied with the doyen of French baritones, Gérard Souzay, and given performances in France of Offenbach and Satie, as well as recording the songs of Satie. A further point of interest to the album concerns the piano used by Antonio Ballista: a 1923 Pleyel. Ballista himself was born just 13 years after the piano was made, and for more than half a century he formed half of one of the best-known and most recorded piano duos of their time, in partnership with fellow Italian Bruno Canino. Though he has accompanied many eminent singers such as Cathy Berberian, Anna Caterina Antonacci and Kim Criswell, his work with singers has been very rarely represented on record, making this album a collector’s item in Ballista’s distinguished career as well as a ravishingly idiomatic record of French song.
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