Derrière La Porte

$13.99
Label
Brilliant Classics
Release Date
July 5, 2019
Format
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    Featuring ⌄
    • COMPOSER
      SARDELLI, FEDERICO MARIA
    • PERFORMER
      Bruni, Scarpa, Parravicini, Hoffmann, Talamini
    Product Details ⌄
    • RELEASE DATE
      July 05, 2019
    • UPC
      5028421959993
    • CATALOG NUMBER
      BRI95999
    • LABEL
      Brilliant Classics
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. I. Allegro

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    2. II. Larghetto

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    3. III. Allegro molto

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    4. I. Largo

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Bettina Hoffmann, Paola Talamini

    5. II. Allegro

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Bettina Hoffmann, Paola Talamini

    6. III. Andante

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Bettina Hoffmann, Paola Talamini

    7. IV. Allegro molto

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Bettina Hoffmann, Paola Talamini

    8. I. Allegro ma d'un mezzo tempo

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Bettina Hoffmann, Paola Talamini

    9. II. Adagio

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Bettina Hoffmann, Paola Talamini

    10. III. Allegro e spiritoso

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Bettina Hoffmann, Paola Talamini

    11. I. Andante

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    12. II. Allegro

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    13. III. Andante

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    14. IV. Allegro

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    15. I. Andante

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    16. II. Allegro

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    17. III. Largo e cantabile

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    18. IV. Allegro

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    19. I. Allegro

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    20. II. Largo

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini

    21. III. Allegro

      Composer: Federico Maria Sardelli

      Performer: Stefano Bruni, Giovanni Battista Scarpa, Lorenzo Parravicini, Paola Talamini


The 'living Baroque' idiom of Federico Maria Sardelli has been extensively documented on Brilliant Classics, with albums of concertos (BC94749), cantatas (BC95068) and harpsichord music (BC95488) that have advanced the reputation of this modern composer and scholar and won international attention, with 5-star reviews in Diapason and elsewhere. Now Sardelli turns his imagination to the genre of the trio sonata that exemplified chamber music-making in the Baroque era. The collection of six presented here divides into two sub-genres, of the church sonatas (Nos. 2, 4, 5) and chamber sonata (Nos. 1, 3, 6) which would have been heard in a domestic, albeit aristocratically appointed, context. Sardelli makes passing and subtle allusions to poignant melancholy (in the Larghetto of the First Sonata), to an infernal rhythmic impulse (the second movement of the Fifth), to more profound meditations on mortality (such as the Adagio without bass of the Third), and even to declarations of love (the opening of the Sixth) - though the subject of Sardelli's affection is surely Vivaldi himself. According to the composer, this is not Baroque pastiche. Rather, as a noted scholar of Vivaldi, he seeks to recreate such music in his own image with music of the present which 'regains it's own original language and adheres to it's own original criteria, expressing vibrant new ideas that are in keeping with it's identity.' It would be quite possible to think that the trio sonatas here had been written with a goose quill in 17th-century Venice, but they are by no means dry exercises in imitation. Rather they are full of an authentically Venetian vibrancy and color from any age, sparkling with a variety of knowing brilliance that belongs to the temperamental character of the city. The performances here are given by musicians who have long worked with Sardelli in his Modo Antiquo ensemble which has made highly praised recordings of 'real' Vivaldi as well as Sardelli.