Dowland: Lachrimae

$13.99
Label
Brilliant Classics
Release Date
November 1, 2019
Format
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    Featuring ⌄
    • COMPOSER
      DOWLAND, JOHN
    • PERFORMER
      Opera Prima Consort, Contadin
    Product Details ⌄
    • RELEASE DATE
      November 01, 2019
    • UPC
      5028421956992
    • CATALOG NUMBER
      BRI95699
    • LABEL
      Brilliant Classics
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. I. Lachrimae Antiquae

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    2. II. Lachrimae Antiquae Nouae

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    3. III. Lachrimae Gementes

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    4. IV. Lachrimae Tristes

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    5. V. Lachrimae Coactae

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    6. VI. Lachrimae Amantis

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    7. VII. Lachrimae Verae

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    8. VIII. Semper Dowland semper dolens

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    9. XII. Sir Henry Umptons Funerall

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    10. XV. M. John Langtons Pavan

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    11. XXI. The King of Denmarks Galiard

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    12. XIX. The Earle of Essex Galiard

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    13. XI. Sir John Souch his Galiard

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    14. XX. M. Henry Noel his Galiard

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    15. X. M. Giles Hobies Galiard

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    16. IX. M. Nicholas Gryffith his Galiard

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    17. XVII. M. Thomas Collier his Galiard with 2 Trebles

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    18. XVIII. Captaine Digorie Piper his Galiard

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    19. XVI. M. Buctons Galiard

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    20. XIV. Mistresse Nichols Almand

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin

    21. XIII. M. George Whitehead his Almand

      Composer: John Dowland

      Ensemble: Opera Prima Ensemble

      Conductor: Cristiano Contadin


The seven Lachrimae Pavan of 1604 are widely held to mark not only the high point of Dowland’s work but the entire genre of viol consort music. Dowland takes a lamenting pavan that he had written some years earlier and develops its theme into a cycle which takes the listener through different states of tearfulness, from loneliness to despair through hope to love and finally joy – the ‘true tears’ of the final pavan. In its contrapuntal mastery and its ingenuity in the treatment of a single theme, the Lachrimae cycle stands alongside The Art of Fugue composed by J.S. Bach a century and a half later. Most recordings of the Lachrimae use the standard instrumentation of a consort of viols, ranging from treble to bass and accompanied by a lute. For his second recording of the cycle, however, the Italian violist Cristiano Contadin has boldly created a broken consort performance which mixes the recorder and also early violin and viola in with the uniquely grainy timbre of the viols. Such an instrumentation exploits the long association of the recorder with music of lamentation, and makes a historical connection with, for example, the cantatas of Bach. Contadin explains with a booklet essay that his aim in performance is to recover the ‘passionate’ nature of this music as Dowland envisaged it in his own written preface to the score, and indeed there is nothing dry or constricted about the performance he directs from the treble viol. Now, with three generations of period performance research and practice under their belts, musicians are beginning to play this music with the kind of freedom and spontaneity and emotion they would accord (in other ways) to Brahms, and this new recording deserves comparison with the most distinguished accounts from the recent past.