REVIEW:Within the first few seconds of the first track--the Sonata No. 1 in G major--most listeners will find themselves in surprisingly familiar territory--surprising because this...

REVIEW:

Within the first few seconds of the first track--the Sonata No. 1 in G major--most listeners will find themselves in surprisingly familiar territory--surprising because this little-known 18th-century composer seems to have written a popular tune long attributed to Pergolesi, a misattribution given additional false credibility by its use in Stravinsky's Pulcinella. In fact Stravinsky used selections from several of Domenico Gallo's trio sonatas in his famous ballet music, thinking them to be works of Pergolesi because they were published under his name in late-19th century English editions.

Ultimately--other than the fact that it's always nice to set the record straight--the author of these expertly written and very appealing works for violins, cello, and harpsichord is not so important as what they offer to listeners and to performers. (For the record, even Gallo's authorship isn't absolutely certain for all 12 sonatas.)

As realized by these four excellent players and their well-matched period instruments, we can count on a steadfastly upbeat, uplifting hour and 10 minutes of first rate chamber music notable for its lovely, lively melodies and skillfully varied textures and harmonic settings. Gallo shows much of his best stuff in his slow movements--and so do the performers, who demonstrate their facility in bringing out the music's emotional core. Good examples are the slow movements of No. 2 in B-flat, No. 3 in C minor, and the very Bach-like No. 6 in D major for which, unfortunately, you'll have to do a little searching because each work is served by only one track number. Throughout, the playing is stylish and full of personality, buoyed by unfaltering technical confidence and assured ensemble interaction. The sound is intimate, warm, and resonant. It's not Bach; it's not even Pergolesi. But it's well worth a place in your CD collection, especially as this set contains pieces you won't find anywhere else. Perhaps Parnassi musici and/or other musicians will be motivated to explore and record the many other works by Gallo that remain unpublished and unperformed.

-- David Vernier, ClassicsToday.com