Haydn: Seven Last Words

Regular price $18.99
Label
Azica Records
Release Date
March 31, 2015
Format
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    Featuring
    • COMPOSER
      HAYDN, FRANZ JOSEPH
    • ORCHESTRA / ENSEMBLE
      Attacca Quartet
    • PERFORMER
      ATTACCA QUARTET
    Product Details
    • RELEASE DATE
      March 31, 2015
    • UPC
      787867129920
    • CATALOG NUMBER
      ACD-71299
    • LABEL
      Azica Records
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Introduction

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet

    2. Sonata I. Largo

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet

    3. Sonata II. Grave e cantabile

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet

    4. Sonata III. Grave

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet

    5. Sonata IV. Largo

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet

    6. Introduction II

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet

    7. Sonata V. Adagio

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet

    8. Sonata VI. Lento

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet

    9. Sonata VII. Largo

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet

    10. Il terremoto

      Composer: Franz Joseph Haydn

      Ensemble: Attacca Quartet


In 2013, the Attacca Quartet completed a recording project of the complete works for string quartet by John Adams for Azica Records. The review in the New York Times praised this vivacious, compelling set, describing the quartet's playing as exuberant, funky and... exactingly nuanced. The Boston Globe also praised the release, stating: Few [recent recordings] are as consequential as 'Fellow Traveler'... superb performances. The album was the recipient of the 2013 Nat'l Federation of Music Clubs Centennial Chamber Music Award. The hope for our version of Haydn's Seven Last Words (a new arrangement by the Attacca Quartet's cellist Andree Yee) is that it sounds organic enough that even one who has heard the piece performed often will not consciously register anything has been done at all. It is further hoped this version retains the spirit and intimacy of a home version for string quartet, while seamlessly incorporating enough depth to deem it worthy of the concert hall.