Inside Eroica / Flex Ensemble

Regular price $19.99
Label
CAvi-music
Release Date
January 1, 2021
Format
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    Featuring
    • COMPOSER
      BEETHOVEN WILLIAMSON
    • ORCHESTRA / ENSEMBLE
      Flex Ensemble
    • PERFORMER
      FLEX ENSEMBLE
    Product Details
    • RELEASE DATE
      January 01, 2021
    • UPC
      4260085530250
    • CATALOG NUMBER
      AVI 8553025
    • LABEL
      CAvi-music
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Allegro in B Minor, Op. 8

      Composer: Robert Schumann

      Performer: Tim Horton

    2. I. Allegro giusto

      Composer: Franz Schubert

      Performer: Tim Horton

    3. II. Andante

      Composer: Franz Schubert

      Performer: Tim Horton

    4. III. Allegro vivace

      Composer: Franz Schubert

      Performer: Tim Horton

    5. No. 1. Sehr langsam

      Composer: Arnold Schoenberg

      Performer: Tim Horton

    6. No. 2. Sehr rasch

      Composer: Arnold Schoenberg

      Performer: Tim Horton

    7. No. 3. Langsam

      Composer: Arnold Schoenberg

      Performer: Tim Horton

    8. No. 4. Schwungvoll

      Composer: Arnold Schoenberg

      Performer: Tim Horton

    9. No. 5. Walzer

      Composer: Arnold Schoenberg

      Performer: Tim Horton

    10. No. 2. Oiseaux tristes

      Composer: Maurice Ravel

      Performer: Tim Horton

    11. No. 3. Une barque sur l'ocean

      Composer: Maurice Ravel

      Performer: Tim Horton

    12. No. 4. Alborada del gracioso

      Composer: Maurice Ravel

      Performer: Tim Horton

    13. No. 5. La vallee des cloches

      Composer: Maurice Ravel

      Performer: Tim Horton


The present release is the second album on Avi with the Dutch/French/German group Flex Ensemble. The release features a new arrangement of Beethoven’s Third Symphony, “Eroica,” for piano quartet, completed by the composer’s pupil and friend Ferdinand Ries. Additionally, Canadian/German composer Gordon Williamson wrote two pieces reflecting the Eroica. Both embrace the Beethoven arrangement, and are receiving here their world premiere recording. “When we first found out about an arrangement for piano quartet of Beethoven’s Third Symphony, we were of course very curious! It seemed exciting and perhaps a bit crazy to play an entire symphony with just the four of us, but in fact, in the days before recordings, it was very common to hear and play transcriptions. It was a way to get to know the latest symphonic works, even if you lived nowhere near a big town or city. But even though the idea of transcribing symphonies wasn’t new, for us it offered a totally different and fresh perspective on a very familiar piece of music.” (Martha Bijlsma)