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COMPOSERBEETHOVEN BRAHMS CHOPIN
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PERFORMERIvan Moravec
Ivan Moravec - Live In Brussels
- Supraphon
- August 28, 2009
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RELEASE DATEAugust 28, 2009
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UPC099925400422
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CATALOG NUMBERSU4004-2
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LABELSupraphon
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NUMBER OF DISCS1
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GENRE
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I. Allegro
Composer: Ludwig van Beethoven
Performer: Ivan Moravec
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II. Andante
Composer: Ludwig van Beethoven
Performer: Ivan Moravec
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III. Scherzo: Allegro vivace
Composer: Ludwig van Beethoven
Performer: Ivan Moravec
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IV. Rondo: Allegro ma non troppo
Composer: Ludwig van Beethoven
Performer: Ivan Moravec
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6 Piano Pieces, Op. 118: No. 1. Intermezzo in A Minor
Composer: Johannes Brahms
Performer: Ivan Moravec
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8 Piano Pieces, Op. 76: No. 2. Capriccio in B Minor
Composer: Johannes Brahms
Performer: Ivan Moravec
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6 Piano Pieces, Op. 118: No. 2. Intermezzo in A Major
Composer: Johannes Brahms
Performer: Ivan Moravec
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2 Rhapsodies, Op. 79: No. 2 in G Minor
Composer: Johannes Brahms
Performer: Ivan Moravec
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Nocturne No. 9 in B Major, Op. 32, No. 1
Composer: Frédéric Chopin
Performer: Ivan Moravec
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Nocturne No. 7 in C-Sharp Minor, Op. 27, No. 1
Composer: Frédéric Chopin
Performer: Ivan Moravec
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Mazurka No. 13 in A Minor, Op. 17, No. 4
Composer: Frédéric Chopin
Performer: Ivan Moravec
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Mazurka No. 32 in C-Sharp Minor, Op. 50, No. 3
Composer: Frédéric Chopin
Performer: Ivan Moravec
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Scherzo No. 1 in B Minor, Op. 20
Composer: Frédéric Chopin
Performer: Ivan Moravec
Featuring ⌄
Product Details ⌄
Works ⌄
Over two evenings in 1983 (February 4th and November 7th) in the concert hall of Conservatoire Royal de Bruxelles, the world-famous pianist Ivan Moravec spellbound the audience with his majestic performance. This master of the piano’s precision marries cultivated tone and widely differentiated articulation, augmented by deep musical élan. Each tone has absolute logic within the order of the composition he interprets, be it Beethoven’s expansive Sonata in D major, “Pastoral”, or the seemingly smaller pieces by Brahms and Chopin. And it is precisely in the latter that Ivan Moravec excels as a master of tiny area, which he wondrously chases in stylistic terms and renders ebulliently. The live recording breathes in the airy atmosphere of the concert hall, one that can hardly be evoked in studio albums. The recording clearly shows that the world of Beethoven’s, Chopin’s and Brahms’s piano works is close to the essence of Moravec’s being.
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