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COMPOSERJANACEK MARTINU
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ORCHESTRA / ENSEMBLEDoric String Quartet
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PERFORMERDORIC STRING QUARTET
Janacek: String Quartet Nos. 1 & 2; Martinu: String Quartet No. 3 / Doric String Quartet
- Chandos
- March 31, 2015
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RELEASE DATEMarch 31, 2015
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UPC095115184820
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CATALOG NUMBERCHAN 10848
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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I. Adagio - Con moto
Composer: Leoš Janáček
Ensemble: Doric String Quartet
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II. Con moto
Composer: Leoš Janáček
Ensemble: Doric String Quartet
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III. Con moto - Vivo - Andante
Composer: Leoš Janáček
Ensemble: Doric String Quartet
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IV. Con moto (Adagio) - Più mosso
Composer: Leoš Janáček
Ensemble: Doric String Quartet
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I. Andante - Con moto - Allegro
Composer: Leoš Janáček
Ensemble: Doric String Quartet
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II. Adagio - Vivace
Composer: Leoš Janáček
Ensemble: Doric String Quartet
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III. Moderato - Adagio - Allegro
Composer: Leoš Janáček
Ensemble: Doric String Quartet
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IV. Allegro - Andante - Adagio
Composer: Leoš Janáček
Ensemble: Doric String Quartet
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I. Allegro
Composer: Bohuslav Martinů
Ensemble: Doric String Quartet
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II. Andante
Composer: Bohuslav Martinů
Ensemble: Doric String Quartet
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III. Vivo
Composer: Bohuslav Martinů
Ensemble: Doric String Quartet
Featuring ⌄
Product Details ⌄
Works ⌄
This new recording by the Doric String Quartet pays homage to the Czech chamber music of the 1920s, featuring string quartets by Janácek and Martinu. Exclusive on Chandos, The Doric String Quartet is now established as one of the finest young ensembles in the world.
The chamber music output of Janácek is relatively small but often programmatic. As acknowledged by the composer, the two string quartets are a vehicle for his deepest feelings. The mounting tension of String Quartet No. 1, which culminates in a less anguished last movement, emphasises the heightened feelings of love, passion, and remorse with which he was concerned at the time of its writing. As he summed it up, the work depicts the ‘miserable woman, suffering, beaten, beaten to death’ from Tolstoy’s Kreutzer Sonata. Titled Intimate Letters, the Second Quartet – the last work Janácek completed – fulfils an autobiographical function, being a no less ardent and personal composition.
The Third String Quartet by Martinc reflects the influences of his teacher Roussel as well as the night-life ragtime and jazz world of Paris in which it was written, in 1929. By far the shortest of his seven mature quartets, it yet gives a greater degree of independence to each of the four instruments, allowing for some striking harmonic clashes and colourful scoring.
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