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COMPOSERJohn Thomas, Charles Gounod, Gioacchino Rossini, Vincenzo Bellini, Luigi Venzago, Giuseppe Verdi
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ORCHESTRA / ENSEMBLEDuo Praxedis
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PERFORMERDuo Praxedis
John Thomas: Complete Duos for Harp & Piano, Vol. 3 / Duo Praxedis
- Toccata
- November 3, 2023
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RELEASE DATENovember 03, 2023
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UPC5060113445780
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CATALOG NUMBERTOCC0578
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LABELToccata
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NUMBER OF DISCS1
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GENRE
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Faust, Act IV: Glory and Love to the Men of Old (Soldiers' Chorus) (arr. J. Thomas for harp and piano)
Composer: Charles Gounod
Ensemble: Duo Praxedis
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Duet on Subjects from Gounod's Faust
Composer: John Thomas, Julius Benedict
Ensemble: Duo Praxedis
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No. 1. Il trovatore: Miserere - Tu vedrai che amore in terra
Composer: John Thomas
Ensemble: Duo Praxedis
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No. 2. Il trovatore: Il balen - Di tale amor
Composer: John Thomas
Ensemble: Duo Praxedis
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No. 3. Il trovatore: Or co' dadi - Squilli, echeggi la tromba - Sì, la stanchezza m'opprime
Composer: John Thomas
Ensemble: Duo Praxedis
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No. 4. Il trovatore: D'amor sull'ali rosee - Di quella pira
Composer: John Thomas
Ensemble: Duo Praxedis
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No. 5. Rigoletto: Un dì, se ben rammentom (Quartet)
Composer: John Thomas
Ensemble: Duo Praxedis
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No. 6. Les vêpres siciliennes: La Siciliennee (Boléro)
Composer: John Thomas
Ensemble: Duo Praxedis
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Mose in Egitto (Moses in Egypt), Act IV: Dal tuo stellato soglio (arr. J. Thomas for harp and piano)
Composer: Gioachino Rossini
Ensemble: Duo Praxedis
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Le désir
Composer: John Thomas
Ensemble: Duo Praxedis
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Coronation March
Composer: John Thomas
Ensemble: Duo Praxedis
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La gassier valse (arr. J. Thomas for harp and piano)
Composer: Luigi Venzago
Ensemble: Duo Praxedis
Featuring ⌄
Product Details ⌄
Works ⌄
Harpist to Queen Victoria, the Welsh composer John Thomas (1826–1913) also wrote prolifically for his own instrument, both for solo harp and for duos of two harps or harp and piano – a combination where the different sounds of the two instruments enhance the clarity of the texture. Thomas’ original works use the elegant Romantic style of his own day, but he also left a generous legacy of transcriptions, especially of operatic favourites. Although some of his music was intended for the Victorian drawing room, other pieces require a virtuoso technique – and all of it has a thoroughly engaging melodic appeal.
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