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COMPOSERKODALY, ZOLTAN
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PERFORMERSteckel, Weithaas, Rivinius
Julian Steckel Plays Kodaly
- CAvi-music
- August 23, 2019
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RELEASE DATEAugust 23, 2019
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UPC4260085532728
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CATALOG NUMBERAVI 8553272
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LABELCAvi-music
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NUMBER OF DISCS1
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GENRE
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I. Allegro con spirito
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Rondo
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Adagio - Molto allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Tempo di menuetto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Tempo di menuetto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro di molto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Andante grazioso (Thema con variazioni)
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Molto Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Adagio
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Theme and Variations: Allegretto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro vivace
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Andante sostenuto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Rondo: Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro con spirito
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Andantino cantabile
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Allegretto, allegro, allegro assai, andantino, allegretto, allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Adagio
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Theme and Variations: Andantino cantabile
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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Variations in G Major on La bergere Celimene, K 359
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro moderato
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Andantino sostenuto e cantabile
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Rondo: Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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6 Variations in G Minor on Helas, j'ai perdu mon amant, K. 360
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Andante con moto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Rondo: Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Largo - Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Andante
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Allegretto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Molto allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Andante
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Presto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Andante, ma un poco Adagio
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Fuga: Allegro moderato
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro moderato
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Andante
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Allegretto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Andantino cantabile
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
-
III. Andante con variazioni
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Andante
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Rondo: Allegretto grazioso
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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I. Allegro
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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II. Theme and Variations: Andante
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
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III. Tempo di Menuetto
Composer: Wolfgang Amadeus Mozart
Performer: Susanne Rabenschlag, Hatem Nadim
Featuring ⌄
Product Details ⌄
Works ⌄
“The piece is unlike no other of its kind,” Bela Bartok affirmed: “the world of ideas it contains is entirely new.” Timbre acquired an unusual, novel dimension by having the two lowest strings tuned one half-step down, to B and F#, respectively. Thus the three lower strings form a B minor chord, which Kodaly places in particular prominence at the onset of the sonata. Julian Steckel was first inspired to tackle this “everest of cello literature” for the first time at the age of fifteen. The technical challenge was certainly exciting in itself, but he was also fascinated by the music’s beauty, and by Kodaly’s special musical language- “even though at that time I didn’t yet know what was Hungarian about it, or what came from Debussy or other sources,” he remarks. Steckel proceeded to work on the sonata with several cellists including the venerable Hungarian-American legend Janos Starker. He studied the work’s historical background: “When you know where a certain music is coming from, it reinforces the sort of telepathic connection you feel with the audience, and you end up playing much more convincingly.” Janos Starker, for one, insisted that “all the beginnings, including those in the slow movements, are consonant. You should never play as if you were murmuring. In this music, none of the beautiful cantilenas ever emerge out of nothing. You must always remain entirely clear in your expression and in the way you produce the sound. The fact that the music is rhapsodic should not entice you to start playing freely all the time. Precise rhythm is of utter importance. Otherwise you would be fishing in troubled waters, and the music would become a sort of goulash soup…”
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