Brilliant Classics
Koechlin: Complete Music for Saxophone / Brutti
$21.99
Only 1 left
Details
- Composer
- KOECHLIN, CHARLES
- Artist
- Brutti
- Format
- CD
- Label
- Brilliant Classics
- Released
- Jan 29, 2013
- Catalog #
- BRI9266
- UPC
- 5029365926621
About
As an old man Charles Koechlin wrote: "One of the most dreadful diseases of our day is the desire to be modern", but he was no starchy conservative. Far from it, in fact - Koechlin counted among his friends virtually all the leading French musicians of his day, old and young, adventurous and less so, and acknowledged and even assimilated all the trends. He was a big fan of the burgeoning Hollywood film industry - witness the many works or movements named after popular actresses - and became president of the Popular Music Federation in France.
He also wrote a fair bit for Adolphe Sax's recently-invented instrument, praising it in his academic writing as "a timbre that no other can replace". All such solo works in his corpus are brought together on this new bargain-priced triple CD from Brilliant Classics, one of a wave of recent releases featuring this most underrated of French composers' music.
In fact, although this set has much to recommend it musically, it is not quite the bargain it might have been. For one thing, there is a fair amount of 'recycling', from the piano and chamber orchestra versions of the two saxophone sonatinas to the Sept Pièces, originally intended for horn. More importantly, though, the array of recording dates and venues has thrown up some inconsistencies in sound quality. There is actually quite severe distortion towards the end of the Wind Septet, where the microphones just cannot cope with a combination of volume and high pitches. There is similar loss at the end of op.165bis, and a small amount in the flute during Epitaphe. Timpani's engineers, on their virtually simultaneous recording of the Septet (1C1193), show Brilliant how it should be done.
On the whole, however, considering that this release can be found on the internet, by the alert shopper, for around the same price as a single Naxos disc, these audio issues, once noted, may be worth disregarding for access to Koechlin's marvellous music, certainly until new recordings come along. After all, the aforementioned distortion only affects a few minutes' worth of music, and sound quality of the first two CDs is uniformly impressive. Capturing well both saxophone and piano is no simple task.
In any case, it is hard to imagine anyone not liking Koechlin's music, whether for saxophone or any other instruments: all of the late-period pieces heard here are immensely melodic and idiomatic, uncomplicated on the surface yet expressive of a considered intelligence that writes for listeners and performers as well as self. In this way he can be compared with Saint-Saëns, to whom he came to bear a physical likeness in later years - though with a much more impressive beard.
There are many highlights, such as the 24 Duos, which combine SATB instruments in various pairings. These should be required study for all saxophonists, yet they are far superior to mere didactics. Ditto the 15 Etudes, which are a collection of beautiful cameos rather than studies in the more academic sense. The 7 Pieces are even more strikingly memorable, like Koechlin's most popular Epitaphe: nostalgic, sometimes haunting works that are however "full of the visionary hope that leads to optimism, energy and joy as vital antidotes to the problems of everyday life", as annotator Robert Orledge aptly sums up the composer's music. It is worth noting that, unlike some, nowhere in any of these works does Koechlin make use of the platitudes and clichés of the jazz instrument.
As the CD cover implies, star of the show on these three discs is saxophonist David Brutti, who appears as soloist, as one half of the Duo Disecheis, a quarter of the Atem Saxophone Quartet and even in the ensemble of the Orchestra Città Aperta. His tonal colourings are lustrous and luxurious, his phrasing natural and gratifying. Running a close second is Filippo Farinelli, pianist or conductor on numerous tracks. The booklet notes are in English only, but informative and well written, supplemented by detailed biographies of all performers.
Of Koechlin - whose Alsace-originating name is pronounced as if spelt Kéclin (rhyming with French 'né' and nasal 'vin') - British critic Wilfrid Mellers wrote that he counts "among the very select number of contemporary composers who really matter". For 1942 this was a particularly prescient remark, and it is high time he was allowed to take his rightful place in the pantheon alongside Fauré, Debussy, Ravel and Saint-Saëns.
– Byzantion, MusicWeb International
He also wrote a fair bit for Adolphe Sax's recently-invented instrument, praising it in his academic writing as "a timbre that no other can replace". All such solo works in his corpus are brought together on this new bargain-priced triple CD from Brilliant Classics, one of a wave of recent releases featuring this most underrated of French composers' music.
In fact, although this set has much to recommend it musically, it is not quite the bargain it might have been. For one thing, there is a fair amount of 'recycling', from the piano and chamber orchestra versions of the two saxophone sonatinas to the Sept Pièces, originally intended for horn. More importantly, though, the array of recording dates and venues has thrown up some inconsistencies in sound quality. There is actually quite severe distortion towards the end of the Wind Septet, where the microphones just cannot cope with a combination of volume and high pitches. There is similar loss at the end of op.165bis, and a small amount in the flute during Epitaphe. Timpani's engineers, on their virtually simultaneous recording of the Septet (1C1193), show Brilliant how it should be done.
On the whole, however, considering that this release can be found on the internet, by the alert shopper, for around the same price as a single Naxos disc, these audio issues, once noted, may be worth disregarding for access to Koechlin's marvellous music, certainly until new recordings come along. After all, the aforementioned distortion only affects a few minutes' worth of music, and sound quality of the first two CDs is uniformly impressive. Capturing well both saxophone and piano is no simple task.
In any case, it is hard to imagine anyone not liking Koechlin's music, whether for saxophone or any other instruments: all of the late-period pieces heard here are immensely melodic and idiomatic, uncomplicated on the surface yet expressive of a considered intelligence that writes for listeners and performers as well as self. In this way he can be compared with Saint-Saëns, to whom he came to bear a physical likeness in later years - though with a much more impressive beard.
There are many highlights, such as the 24 Duos, which combine SATB instruments in various pairings. These should be required study for all saxophonists, yet they are far superior to mere didactics. Ditto the 15 Etudes, which are a collection of beautiful cameos rather than studies in the more academic sense. The 7 Pieces are even more strikingly memorable, like Koechlin's most popular Epitaphe: nostalgic, sometimes haunting works that are however "full of the visionary hope that leads to optimism, energy and joy as vital antidotes to the problems of everyday life", as annotator Robert Orledge aptly sums up the composer's music. It is worth noting that, unlike some, nowhere in any of these works does Koechlin make use of the platitudes and clichés of the jazz instrument.
As the CD cover implies, star of the show on these three discs is saxophonist David Brutti, who appears as soloist, as one half of the Duo Disecheis, a quarter of the Atem Saxophone Quartet and even in the ensemble of the Orchestra Città Aperta. His tonal colourings are lustrous and luxurious, his phrasing natural and gratifying. Running a close second is Filippo Farinelli, pianist or conductor on numerous tracks. The booklet notes are in English only, but informative and well written, supplemented by detailed biographies of all performers.
Of Koechlin - whose Alsace-originating name is pronounced as if spelt Kéclin (rhyming with French 'né' and nasal 'vin') - British critic Wilfrid Mellers wrote that he counts "among the very select number of contemporary composers who really matter". For 1942 this was a particularly prescient remark, and it is high time he was allowed to take his rightful place in the pantheon alongside Fauré, Debussy, Ravel and Saint-Saëns.
– Byzantion, MusicWeb International
Tracklist 76 tracks
- Disc 1
-
1 I. Andante quasi adagio 02:33
- Track
- 1
- Title
- I. Andante quasi adagio
- Duration
- 02:33
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
2 II. Andante con moto 02:04
- Track
- 2
- Title
- II. Andante con moto
- Duration
- 02:04
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
3 III. Andante con moto 02:43
- Track
- 3
- Title
- III. Andante con moto
- Duration
- 02:43
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
4 IV. Andante con moto 01:48
- Track
- 4
- Title
- IV. Andante con moto
- Duration
- 01:48
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
5 V. Allegro moderato 01:47
- Track
- 5
- Title
- V. Allegro moderato
- Duration
- 01:47
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
6 I. Andante 04:08
- Track
- 6
- Title
- I. Andante
- Duration
- 04:08
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
7 II. Andante con moto 01:10
- Track
- 7
- Title
- II. Andante con moto
- Duration
- 01:10
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
8 III. Presque adagio 02:40
- Track
- 8
- Title
- III. Presque adagio
- Duration
- 02:40
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
9 IV. Finale: Allegro bien rythme, mais pas trop vite 02:14
- Track
- 9
- Title
- IV. Finale: Allegro bien rythme, mais pas trop vite
- Duration
- 02:14
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
10 12 Monodies, Op. 213: No. 9. — 01:54
- Track
- 10
- Title
- 12 Monodies, Op. 213: No. 9. —
- Duration
- 01:54
- Composer
- Charles Koechlin
- Performer
- David Brutti
-
11 11 Monodies, Op. 216: No. 10. Le Repos de Tityre 03:28
- Track
- 11
- Title
- 11 Monodies, Op. 216: No. 10. Le Repos de Tityre
- Duration
- 03:28
- Composer
- Charles Koechlin
- Performer
- David Brutti
-
12 No. 1 in G Minor 01:16
- Track
- 12
- Title
- No. 1 in G Minor
- Duration
- 01:16
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
13 No. 2 in E-Flat Major 00:58
- Track
- 13
- Title
- No. 2 in E-Flat Major
- Duration
- 00:58
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
14 No. 3 in F Minor: Andante sostenuto 02:04
- Track
- 14
- Title
- No. 3 in F Minor: Andante sostenuto
- Duration
- 02:04
- Composer
- Charles Koechlin
- Performer
- Davide Bartelucci, Massimo Valentini
-
15 No. 4 in A-Flat Major: Allant 00:45
- Track
- 15
- Title
- No. 4 in A-Flat Major: Allant
- Duration
- 00:45
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
16 No. 5 in F-Sharp Minor: Andantino 01:44
- Track
- 16
- Title
- No. 5 in F-Sharp Minor: Andantino
- Duration
- 01:44
- Composer
- Charles Koechlin
- Performer
- Davide Bartelucci, Massimo Valentini
-
17 No. 6 in A Major: Allegro moderato 00:39
- Track
- 17
- Title
- No. 6 in A Major: Allegro moderato
- Duration
- 00:39
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
18 No. 7 in A Minor 01:12
- Track
- 18
- Title
- No. 7 in A Minor
- Duration
- 01:12
- Composer
- Charles Koechlin
- Performer
- David Brutti, Francesco Ciocca
-
19 No. 8 in E Major: Allegretto 00:50
- Track
- 19
- Title
- No. 8 in E Major: Allegretto
- Duration
- 00:50
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
20 No. 9 in E-Flat Minor: Andantino presque adagio 02:11
- Track
- 20
- Title
- No. 9 in E-Flat Minor: Andantino presque adagio
- Duration
- 02:11
- Composer
- Charles Koechlin
- Performer
- Massimo Valentini
-
21 No. 10 in D Major: Allegro moderato 01:32
- Track
- 21
- Title
- No. 10 in D Major: Allegro moderato
- Duration
- 01:32
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
22 No. 11 in F Major: Tranquillo 01:23
- Track
- 22
- Title
- No. 11 in F Major: Tranquillo
- Duration
- 01:23
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
23 No. 12 in D Minor: Andante con moto 01:28
- Track
- 23
- Title
- No. 12 in D Minor: Andante con moto
- Duration
- 01:28
- Composer
- Charles Koechlin
- Performer
- David Brutti, Francesco Ciocca
-
24 No. 13 in G Major: Allegretto con moto 00:56
- Track
- 24
- Title
- No. 13 in G Major: Allegretto con moto
- Duration
- 00:56
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
25 No. 14 in G-Flat Major: Allegretto 01:05
- Track
- 25
- Title
- No. 14 in G-Flat Major: Allegretto
- Duration
- 01:05
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
26 No. 15 in B Major: Andante con moto 02:06
- Track
- 26
- Title
- No. 15 in B Major: Andante con moto
- Duration
- 02:06
- Composer
- Charles Koechlin
- Performer
- Davide Bartelucci, Massimo Valentini
-
27 No. 16 in B-Flat Major: Allegretto con moto 01:17
- Track
- 27
- Title
- No. 16 in B-Flat Major: Allegretto con moto
- Duration
- 01:17
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
28 No. 17 in B Minor: Andante espressivo 02:30
- Track
- 28
- Title
- No. 17 in B Minor: Andante espressivo
- Duration
- 02:30
- Composer
- Charles Koechlin
- Performer
- David Brutti, Francesco Ciocca
-
29 No. 18 in A flat minor: Presque adagio 01:43
- Track
- 29
- Title
- No. 18 in A flat minor: Presque adagio
- Duration
- 01:43
- Composer
- Charles Koechlin
- Performer
- David Brutti, Francesco Ciocca
-
30 No. 19 in C Minor: Moderato tranquillo 02:05
- Track
- 30
- Title
- No. 19 in C Minor: Moderato tranquillo
- Duration
- 02:05
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
31 No. 20 in E Minor: Moderato 02:23
- Track
- 31
- Title
- No. 20 in E Minor: Moderato
- Duration
- 02:23
- Composer
- Charles Koechlin
- Performer
- David Brutti, Francesco Ciocca
-
32 No. 21 in B-Flat Minor: Andante 01:43
- Track
- 32
- Title
- No. 21 in B-Flat Minor: Andante
- Duration
- 01:43
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
33 No. 22 in D-Flat Major: Dolce 01:08
- Track
- 33
- Title
- No. 22 in D-Flat Major: Dolce
- Duration
- 01:08
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
-
34 No. 23 in D-Flat Minor: Andante molto tranquillo 03:00
- Track
- 34
- Title
- No. 23 in D-Flat Minor: Andante molto tranquillo
- Duration
- 03:00
- Composer
- Charles Koechlin
- Performer
- Davide Bartelucci, Massimo Valentini
-
35 No. 24 in C Major: Allegretto moderato 01:24
- Track
- 35
- Title
- No. 24 in C Major: Allegretto moderato
- Duration
- 01:24
- Composer
- Charles Koechlin
- Performer
- David Brutti, Davide Bartelucci
- Disc 2
-
1 No. 1. Pour les traits rapides 01:30
- Track
- 1
- Title
- No. 1. Pour les traits rapides
- Duration
- 01:30
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
2 No. 2. Pour les sons lies et le charme de la sonorite 03:59
- Track
- 2
- Title
- No. 2. Pour les sons lies et le charme de la sonorite
- Duration
- 03:59
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
3 No. 3. Pour les arpeges 02:00
- Track
- 3
- Title
- No. 3. Pour les arpeges
- Duration
- 02:00
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
4 No. 4. Pour la douceur des attaques 02:57
- Track
- 4
- Title
- No. 4. Pour la douceur des attaques
- Duration
- 02:57
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
5 No. 5. Pour le charme du son dans un mouvement vif 02:12
- Track
- 5
- Title
- No. 5. Pour le charme du son dans un mouvement vif
- Duration
- 02:12
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
6 No. 6. Pour le style soutenu et doux en sons lies 02:44
- Track
- 6
- Title
- No. 6. Pour le style soutenu et doux en sons lies
- Duration
- 02:44
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
7 No. 7. Pour les sons lies et le charme de la sonorite 03:44
- Track
- 7
- Title
- No. 7. Pour les sons lies et le charme de la sonorite
- Duration
- 03:44
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
8 No. 8. Pour les notes en staccato et le melange de legato et staccato 03:30
- Track
- 8
- Title
- No. 8. Pour les notes en staccato et le melange de legato et staccato
- Duration
- 03:30
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
9 No. 9. Pour la longeur de la respiration et l'egalite du son 02:24
- Track
- 9
- Title
- No. 9. Pour la longeur de la respiration et l'egalite du son
- Duration
- 02:24
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
10 No. 10. Pour la qualite du son dans un style soutenu et pour les nuances 03:00
- Track
- 10
- Title
- No. 10. Pour la qualite du son dans un style soutenu et pour les nuances
- Duration
- 03:00
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
11 No. 11. Pour la solidite du rythme 00:55
- Track
- 11
- Title
- No. 11. Pour la solidite du rythme
- Duration
- 00:55
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
12 No. 12. Pour l'egalite du son et pour les nuances 05:20
- Track
- 12
- Title
- No. 12. Pour l'egalite du son et pour les nuances
- Duration
- 05:20
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
13 No. 13. Pour la legerete du son 01:53
- Track
- 13
- Title
- No. 13. Pour la legerete du son
- Duration
- 01:53
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
14 No. 14. Pour une sonorite soutenue et expressive, pour la douceur du grave et de l'aigue 02:07
- Track
- 14
- Title
- No. 14. Pour une sonorite soutenue et expressive, pour la douceur du grave et de l'aigue
- Duration
- 02:07
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
15 No. 15. Pour les accents qui doivent donner le rythme de la phrase 02:43
- Track
- 15
- Title
- No. 15. Pour les accents qui doivent donner le rythme de la phrase
- Duration
- 02:43
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
16 III. Andante presque adagio 03:11
- Track
- 16
- Title
- III. Andante presque adagio
- Duration
- 03:11
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
17 V. Adagio 04:15
- Track
- 17
- Title
- V. Adagio
- Duration
- 04:15
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
18 VII. Andante tres doux 03:26
- Track
- 18
- Title
- VII. Andante tres doux
- Duration
- 03:26
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
19 X. Andante calme et doux 03:33
- Track
- 19
- Title
- X. Andante calme et doux
- Duration
- 03:33
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
20 XII. Adagio 03:45
- Track
- 20
- Title
- XII. Adagio
- Duration
- 03:45
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
21 XIV. Andante con moto 02:51
- Track
- 21
- Title
- XIV. Andante con moto
- Duration
- 02:51
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
-
22 XV. Tres doux presque adagio 03:17
- Track
- 22
- Title
- XV. Tres doux presque adagio
- Duration
- 03:17
- Composer
- Charles Koechlin
- Ensemble
- Duo Disecheis
- Disc 3
-
1 Epitaphe de Jean Harlow, Op. 164 03:45
- Track
- 1
- Title
- Epitaphe de Jean Harlow, Op. 164
- Duration
- 03:45
- Composer
- Charles Koechlin
- Performer
- Mario Caroli, David Brutti, Filippo Farinelli
-
2 I. Monodie 01:49
- Track
- 2
- Title
- I. Monodie
- Duration
- 01:49
- Composer
- Charles Koechlin
- Ensemble
- members Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
3 II. Pastorale 04:11
- Track
- 3
- Title
- II. Pastorale
- Duration
- 04:11
- Composer
- Charles Koechlin
- Ensemble
- members Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
4 III. Intermezzo 01:51
- Track
- 4
- Title
- III. Intermezzo
- Duration
- 01:51
- Composer
- Charles Koechlin
- Ensemble
- members Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
5 IV. Fugue 01:49
- Track
- 5
- Title
- IV. Fugue
- Duration
- 01:49
- Composer
- Charles Koechlin
- Ensemble
- members Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
6 V. Serenite 03:56
- Track
- 6
- Title
- V. Serenite
- Duration
- 03:56
- Composer
- Charles Koechlin
- Ensemble
- members Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
7 VI. Fugue 01:36
- Track
- 7
- Title
- VI. Fugue
- Duration
- 01:36
- Composer
- Charles Koechlin
- Ensemble
- members Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
8 La vie s'ouvre devant toi 05:06
- Track
- 8
- Title
- La vie s'ouvre devant toi
- Duration
- 05:06
- Composer
- Charles Koechlin
- Ensemble
- members Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
9 Va librement 02:57
- Track
- 9
- Title
- Va librement
- Duration
- 02:57
- Composer
- Charles Koechlin
- Ensemble
- members Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
10 15 Preludes, Op. 209: No. 5: Andante tres calme expressif interieurement (version for wind septet) 01:16
- Track
- 10
- Title
- 15 Preludes, Op. 209: No. 5: Andante tres calme expressif interieurement (version for wind septet)
- Duration
- 01:16
- Composer
- Charles Koechlin
- Ensemble
- members Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
11 I. Andante quasi adagio 03:04
- Track
- 11
- Title
- I. Andante quasi adagio
- Duration
- 03:04
- Composer
- Charles Koechlin
- Performer
- David Brutti
- Ensemble
- Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
12 II. Andante con moto 02:10
- Track
- 12
- Title
- II. Andante con moto
- Duration
- 02:10
- Composer
- Charles Koechlin
- Performer
- David Brutti
- Ensemble
- Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
13 III. Andante assez allant 02:57
- Track
- 13
- Title
- III. Andante assez allant
- Duration
- 02:57
- Composer
- Charles Koechlin
- Performer
- David Brutti
- Ensemble
- Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
14 IV. Andante con moto 01:52
- Track
- 14
- Title
- IV. Andante con moto
- Duration
- 01:52
- Composer
- Charles Koechlin
- Performer
- David Brutti
- Ensemble
- Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
15 V. Allegro moderato 01:57
- Track
- 15
- Title
- V. Allegro moderato
- Duration
- 01:57
- Composer
- Charles Koechlin
- Performer
- David Brutti
- Ensemble
- Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
16 I. Andante tres calme 04:43
- Track
- 16
- Title
- I. Andante tres calme
- Duration
- 04:43
- Composer
- Charles Koechlin
- Performer
- David Brutti
- Ensemble
- Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
17 II. Andante con moto 01:08
- Track
- 17
- Title
- II. Andante con moto
- Duration
- 01:08
- Composer
- Charles Koechlin
- Performer
- David Brutti
- Ensemble
- Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
18 III. Presque adagio 02:48
- Track
- 18
- Title
- III. Presque adagio
- Duration
- 02:48
- Composer
- Charles Koechlin
- Performer
- David Brutti
- Ensemble
- Orchestra Citta Aperta
- Conductor
- Filippo Farinelli
-
19 IV. Final 02:39
- Track
- 19
- Title
- IV. Final
- Duration
- 02:39
- Composer
- Charles Koechlin
- Performer
- David Brutti
- Ensemble
- Orchestra Citta Aperta
- Conductor
- Filippo Farinelli