Liza Lim: Tongue of the Invisible

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Label
Wergo
Release Date
February 1, 2013
Format
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    Featuring
    • COMPOSER
      LIM, LIZA
    • ORCHESTRA / ENSEMBLE
      Ensemble Musikfabrik
    • PERFORMER
      Caine, Ebrahim, Ridder
    Product Details
    • RELEASE DATE
      February 01, 2013
    • UPC
      4010228685923
    • CATALOG NUMBER
      WER68592
    • LABEL
      Wergo
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. I. At dawn I heard the tongue of the invisible

      Composer: Liza Lim

      Ensemble: Ensemble Musikfabrik

      Performer: Omar Ebrahim, Uri Caine

      Conductor: André De Ridder

    2. II. Between the pages of the world (i)

      Composer: Liza Lim

      Ensemble: Ensemble Musikfabrik

      Performer: Uri Caine

      Conductor: André De Ridder

    3. III. This door is the mouth of love

      Composer: Liza Lim

      Ensemble: Ensemble Musikfabrik

      Performer: Omar Ebrahim, Uri Caine

      Conductor: André De Ridder

    4. IV. Between the pages of the world (ii)

      Composer: Liza Lim

      Ensemble: Ensemble Musikfabrik

      Performer: Omar Ebrahim, Uri Caine

      Conductor: André De Ridder

    5. V. The roots of the world are entwined in the wind

      Composer: Liza Lim

      Ensemble: Ensemble Musikfabrik

      Performer: Uri Caine

      Conductor: André De Ridder

    6. VI. Between the pages of the world (iii)

      Composer: Liza Lim

      Ensemble: Ensemble Musikfabrik

      Performer: Uri Caine

      Conductor: André De Ridder

    7. VII. Encircling its towers with a silver coronet of song

      Composer: Liza Lim

      Ensemble: Ensemble Musikfabrik

      Performer: Omar Ebrahim, Uri Caine

      Conductor: André De Ridder

    8. VIII. Our embraces are a banquet of revolving time

      Composer: Liza Lim

      Ensemble: Ensemble Musikfabrik

      Performer: Omar Ebrahim, Uri Caine

      Conductor: André De Ridder


Chinese Australian composer Liza Lim was inspired by the lyric poetry of the Sufi poet Hafiz for her work Tongue of the Invisible. Lim explains, "the way in which he mixes and shifts levels of meaning gives rise to complex and indeterminable frames of mind in oneself." This variety of meaning is first and foremost reflected in the juxtaposition and coexistence of precisely and meticulously composed textures and improvised elements. But the compilation of the text set to music also facilitates numerous variants and interpretations. These dialogues are superbly "narrated" here by the pianist Uri Caine, singer Omar Ebrahim and the soloists of the ensemble musikFabrik.