Mozart: Works for Tangent Piano and Violin

$8.49
Label
Musicaphon
Release Date
May 1, 2020
Format
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    Featuring ⌄
    • COMPOSER
      MOZART, W.A.
    • PERFORMER
      Leininger, Schau
    Product Details ⌄
    • RELEASE DATE
      May 01, 2020
    • UPC
      4012476569116
    • CATALOG NUMBER
      M56911
    • LABEL
      Musicaphon
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. I. Allegro non molto

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    2. II. Adagio

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    3. III. Menuet I-II

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    4. Prelude

      Composer: Wolfgang Amadeus Mozart

      Performer: Thomas Leininger

    5. Fugue

      Composer: Wolfgang Amadeus Mozart

      Performer: Thomas Leininger

    6. I. Allegro vivace

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    7. II. Andante sostenuto

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    8. III. Rondo: Allegro

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    9. I. Adagio

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    10. II. Allegro

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    11. III. Theme: Andantino cantabile

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    12. III. Variation 1

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    13. III. Variation 2

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    14. III. Variation 3

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    15. III. Variation 4

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    16. III. Variation 5

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    17. III. Allegretto

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    18. Thema: Allegretto

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    19. Variation 1

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    20. Variation 2

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    21. Variation 3

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    22. Variation 4

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    23. Variation 5

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger

    24. Variation 6

      Composer: Wolfgang Amadeus Mozart

      Performer: Isabel Schau, Thomas Leininger


Throughout his life, Wolfgang Amadeus Mozart repeatedly devoted himself to the genre of the accompanied piano sonata. He wrote the earliest works at the age of eight, to perform them either with his sister on the harpsichord and himself on the violin or with his father, the famous violin teacher, and sitting at the harpsichord himself. Leopold Mozart himself assured his son in a letter that he would count him among the best violin players in Europe - the composer himself preferred to see himself as a piano virtuoso and (of course) above all as a 'compositeur' who had a lot to say. The works recorded here also move within this area of tension. If the violin still plays a clearly subordinate role in the youth sonatas to the brilliant harpsichord part, which also leads in the cantabile slow movements, this distribution of roles changes over the time in favor of the violin. In the 'middle' phase of Mannheim, the renunciation of the violin would mean a painful loss, and in the later Vienna sonatas there is finally a true partnership between the two instruments with equal rights. The joyful virtuoso part is still reserved for the piano.