-
COMPOSERDETT, ROBERT NATHANIEL
-
PERFORMERClipper Erickson
My Cup Runneth Over: The Complete Piano Works of R. Nathaniel Dett
- Navona
- November 13, 2015
-
RELEASE DATENovember 13, 2015
-
UPC896931003131
-
CATALOG NUMBERNV6013
-
LABELNavona
-
NUMBER OF DISCS2
-
GENRE
-
Pt. 1, Magnolias
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
Pt. 1, The Deserted Cabin
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
Pt. 1, My Lady Love
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
Pt. 2, Mammy
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
Pt. 2, The Place Where the Rainbow Ends
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
I. Prelude. Night
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
II. His Song
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
III. Humoresque. Honey
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
IV. Barcarolle. Morning
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
IV. Dance. Juba
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
I. Incantation
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
II. Song of the Shrine
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
III. Dance of Desire
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
IV. Beyond the Dream
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
Nepenthe and the Muse
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
I. Moderato molto grazioso ma con moto
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
II. Adagio cantabile
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
III. Ritmo moderato e con sentimento – Quasi Gavotte
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
IV. Allegretto
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
I. The Daybreak Charioteer
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
II. A Bayou Garden
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
III. Mazurka. Pompons and Fans
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
IV. Legend of the Atoll
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
V. To a Closed Casement
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
VI. Noon Siesta
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
VII. Parade of the Jasmine Banners
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
No. 1, Father Abraham
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
No. 2, Desert Interlude
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
No. 3, As His Own Soul
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
No. 4, Barcarolle of Tears
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
No. 5, I Am the True Vine
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
No. 6, Martha Complained
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
No. 7, Other Sheep
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
No. 8, Madrigal Divine
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
After the Cakewalk
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
Cave of the Winds
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
-
Inspiration Waltzes
Composer: Robert Nathaniel Dett
Performer: Clipper Erickson
Featuring ⌄
Product Details ⌄
Works ⌄
From the first time Dett heard Antonín Dvo?ák’s works performed at Oberlin College, he strived to incorporate African American folk music themes in the highest forms of musical art. The piano suites embrace almost all of the composer’s creative life, from Magnolia, written soon after his graduation from Oberlin, to the Eight Bible Vignettes, written during the last two years of his life. They show a great development, variety and richness of style, and his lyrical gift; truly reflecting his struggles, triumphs, and deepening philosophical interests. Erickson’s performances on this album deliver some of the most significant music of early 20th-century America to the world, reminding us of the prominent role of African American spirituals and folk music in contemporary American art, culture, and philosophy.
-----
Review:
It’s surprising that no one until Clipper Erickson has essayed Dett’s complete piano output on disc. However, the wait was worth it, for this music is simply wonderful, while Erickson’s idiomatic, colorful, technically adroit, and caring interpretations do the repertoire full justice. The music’s consistent creativity always holds interest. This historically and musically important release not only fills a crucial catalog gap but sets reference standards. No serious aficionado of the history of American piano music can afford to miss it.
– Gramophone (Jed Distler)
- Choosing a selection results in a full page refresh.
- Press the space key then arrow keys to make a selection.
