Josefine Opsahl: Atrium

$8.99
Label
Dacapo Classical
Release Date
August 5, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Josefine Opsahl
    • PERFORMER
      Josefine Opsahl
    Product Details ⌄
    • RELEASE DATE
      August 05, 2022
    • UPC
      636943659625
    • CATALOG NUMBER
      8226596
    • LABEL
      Dacapo Classical
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Prism No. 1

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    2. I. Preludium til et evigt morgengry

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    3. II. Den menneskelige stemme

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    4. III. Dyret

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    5. IV. Epilog for den lille død

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    6. Pendulum

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    7. I. Maestoso

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    8. II. Ritmico

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    9. Intimo

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    10. EVI

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    11. Part 1: Change

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    12. Part 2: Remain

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    13. I. Water

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    14. II. Wave

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    15. Rauma

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    16. Prelude

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl

    17. Prism No. 2

      Composer: Josefine Opsahl

      Performer: Josefine Opsahl


Atrium, Danish cellist and composer Josefine Opsahl's (b. 1992) debut for Dacapo Records, is a strikingly original statement, focusing on her own music. The title has two definitions: one biological, one architectural. Out of their collision, Opsahl draws a reverberating series of dualities: soft/hard, organic/manufactured, natural/cultural. These are expressed most fundamentally in her distinctive instrumental set-up of cello and live electronics, which allows her to build entire orchestras of electronically modified and duplicated cellos live and in response to her acoustic playing.