Naxos
R. Strauss: Ariadne auf Naxos / Falletta, Buffalo Philharmonic
$9.99
Details
- Composer
- STRAUSS, RICHARD
- Artist
- Falletta
- Format
- CD
- Label
- Naxos
- Released
- Feb 10, 2017
- Catalog #
- 8573460
- UPC
- 747313346073
About
Listen to the Naxos Podcast to learn more about this release
I sure hope the folks in Buffalo know what a prize they have in JoAnn Falletta. Her Naxos discography has few peers in terms of imaginative programming and quality of results. The city couldn’t ask for a more positive or alluring cultural calling card, and the present release offers a case in point. There have been many fine recordings of Le Bourgeois Gentilhomme, but this one stands with the best: for clarity, elegance, distinguished solo work (superb oboe, William Preucil’s solo violin), you name it. Although scored for a chamber orchestra, it’s amazing how congested and fussy so many performances sound. Not here. Just listen to the opening processional of “The Dinner,” with its bold horns and transparent textures. Great stuff.
However, the real item of interest is the “Symphony-Suite” arranged by D. Wilson Ochoa from Ariadne auf Naxos, the original companion work to Le Bourgeois Gentilhomme. Arranging suites from Strauss’ operas is a trend that can only be encouraged. Strauss did it himself, of course, but mostly without much enthusiasm or imagination. So here’s a case where the intervention of more caring hands is clearly called for.
This suite, forty minutes in all, contains three chunks from the prologue and four from the opera itself. It is gorgeous. Even those who know the opera well may be surprised at how much lovely material slips by without notice in stage performances, such as the “Intermezzo” music on the second to last track here (sound clip). You do get some of the more famous bits (“Es gibt ein Reich,” for example, and the closing scene), but it really is astonishing how much care Strauss lavished on sections that flit by as mere accompaniment–never mind the thematic interest that they contain. Here, thanks to Falletta and the folks in Buffalo, in this luminously played and recorded performance, we can savor them afresh. So what are you waiting for? Go for it.
- ClassicsToday
I sure hope the folks in Buffalo know what a prize they have in JoAnn Falletta. Her Naxos discography has few peers in terms of imaginative programming and quality of results. The city couldn’t ask for a more positive or alluring cultural calling card, and the present release offers a case in point. There have been many fine recordings of Le Bourgeois Gentilhomme, but this one stands with the best: for clarity, elegance, distinguished solo work (superb oboe, William Preucil’s solo violin), you name it. Although scored for a chamber orchestra, it’s amazing how congested and fussy so many performances sound. Not here. Just listen to the opening processional of “The Dinner,” with its bold horns and transparent textures. Great stuff.
However, the real item of interest is the “Symphony-Suite” arranged by D. Wilson Ochoa from Ariadne auf Naxos, the original companion work to Le Bourgeois Gentilhomme. Arranging suites from Strauss’ operas is a trend that can only be encouraged. Strauss did it himself, of course, but mostly without much enthusiasm or imagination. So here’s a case where the intervention of more caring hands is clearly called for.
This suite, forty minutes in all, contains three chunks from the prologue and four from the opera itself. It is gorgeous. Even those who know the opera well may be surprised at how much lovely material slips by without notice in stage performances, such as the “Intermezzo” music on the second to last track here (sound clip). You do get some of the more famous bits (“Es gibt ein Reich,” for example, and the closing scene), but it really is astonishing how much care Strauss lavished on sections that flit by as mere accompaniment–never mind the thematic interest that they contain. Here, thanks to Falletta and the folks in Buffalo, in this luminously played and recorded performance, we can savor them afresh. So what are you waiting for? Go for it.
- ClassicsToday
Tracklist 16 tracks
-
1 I. Act I: Ouvertüre - Auftritt des Jourdain 04:08
- Track
- 1
- Title
- I. Act I: Ouvertüre - Auftritt des Jourdain
- Duration
- 04:08
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
2 II. Menuett 01:43
- Track
- 2
- Title
- II. Menuett
- Duration
- 01:43
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
3 III. Der Fechtmeister 01:50
- Track
- 3
- Title
- III. Der Fechtmeister
- Duration
- 01:50
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
4 IV. Auftritt und Tanz der Schneider 05:22
- Track
- 4
- Title
- IV. Auftritt und Tanz der Schneider
- Duration
- 05:22
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
5 V. Das Menuett des Lully 02:12
- Track
- 5
- Title
- V. Das Menuett des Lully
- Duration
- 02:12
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
6 VI. Courante 02:49
- Track
- 6
- Title
- VI. Courante
- Duration
- 02:49
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
7 VII. Auftritt des Cléonte 04:12
- Track
- 7
- Title
- VII. Auftritt des Cléonte
- Duration
- 04:12
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
8 VIII. Act II: Prelude (Intermezzo) 03:23
- Track
- 8
- Title
- VIII. Act II: Prelude (Intermezzo)
- Duration
- 03:23
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
9 IX. Das Diner: Tafelmusik und Tanz des Küchenjungen 10:39
- Track
- 9
- Title
- IX. Das Diner: Tafelmusik und Tanz des Küchenjungen
- Duration
- 10:39
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
10 I. Prologue (Overture to the Prologue) 05:13
- Track
- 10
- Title
- I. Prologue (Overture to the Prologue)
- Duration
- 05:13
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
11 II. Duet: Ein Augenblick ist wenig, ein Blick is viel 03:54
- Track
- 11
- Title
- II. Duet: Ein Augenblick ist wenig, ein Blick is viel
- Duration
- 03:54
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
12 III. Waltz: Eine Störrische zu trösten 06:11
- Track
- 12
- Title
- III. Waltz: Eine Störrische zu trösten
- Duration
- 06:11
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
13 IV. Overture, "The Opera Overture" - Ein Schönes War 04:47
- Track
- 13
- Title
- IV. Overture, "The Opera Overture" - Ein Schönes War
- Duration
- 04:47
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
14 V. Aria: Es gibt ein Reich 06:21
- Track
- 14
- Title
- V. Aria: Es gibt ein Reich
- Duration
- 06:21
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
15 VI. Interlude 04:21
- Track
- 15
- Title
- VI. Interlude
- Duration
- 04:21
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta
-
16 VII. Finale: Gibt es kein Hinüber? 08:30
- Track
- 16
- Title
- VII. Finale: Gibt es kein Hinüber?
- Duration
- 08:30
- Composer
- Richard Strauss
- Ensemble
- Buffalo Philharmonic Orchestra
- Conductor
- JoAnn Falletta