Rääts: Complete Piano Sonatas, Vol. 1

$19.99
Label
Grand Piano
Release Date
April 14, 2017
Format
Added to Cart! View cart or continue shopping.


    Featuring ⌄
    • COMPOSER
      RAATS, JAA
    • PERFORMER
      Nicolas Horvath
    Product Details ⌄
    • RELEASE DATE
      April 14, 2017
    • UPC
      747313976522
    • CATALOG NUMBER
      GP765
    • LABEL
      Grand Piano
    • NUMBER OF DISCS
      1
    • GENRE
      Chamber Music & Recitals
    Works ⌄

    1. I. —

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    2. II. —

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    3. III. —

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    4. Piano Sonata No. 10, Op. 114

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    5. I. Allegro

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    6. II. Grave

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    7. III. Allegro

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    8. I. Moderato

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    9. II. Allegro

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    10. III. Grave

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    11. IV. Energico

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    12. I. Largo

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    13. II. Allegro

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    14. III. Adagio, recitative

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    15. IV. Allegro

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    16. I. —

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    17. II. —

      Composer: Jaan Rääts

      Performer: Nicolas Horvath

    18. III. —

      Composer: Jaan Rääts

      Performer: Nicolas Horvath


Jaan Rääts has written prolifically for the piano and his ten sonatas, spanning half a century, reveal his sophisticated control of expressive gestures. The composer himself has said: "I don't like rigid systems. I like absorbing musical material, filtering it, emotionally developing it as needed. Using it as a springboard for my imagination..."