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COMPOSERRACHMANINOV, SERGEI
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PERFORMERVolodos, Levin
Rachmaninoff: Piano Concerto No 3, Etc / Volodos, Levine
- Sony Masterworks
- September 26, 2000
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RELEASE DATESeptember 26, 2000
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UPC074646438428
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CATALOG NUMBERSK64384
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LABELSony Masterworks
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NUMBER OF DISCS1
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GENRE
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I. Allegro ma non tanto
Composer: Sergei Rachmaninoff
Ensemble: Berliner Philharmoniker
Performer: Arcadi Volodos
Conductor: James Levine
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II. Intermezzo: Adagio
Composer: Sergei Rachmaninoff
Ensemble: Berliner Philharmoniker
Performer: Arcadi Volodos
Conductor: James Levine
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III. Finale: Alla breve
Composer: Sergei Rachmaninoff
Ensemble: Berliner Philharmoniker
Performer: Arcadi Volodos
Conductor: James Levine
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Cello Sonata in G Minor, Op. 19: III. Andante (arr. A. Volodos for piano)
Composer: Sergei Rachmaninoff
Performer: Arcadi Volodos
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Morceaux de fantaisie, Op. 3: No. 5. Serenade in B-Flat Minor
Composer: Sergei Rachmaninoff
Performer: Arcadi Volodos
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Morceaux de salon, Op. 10: No. 6. Romance in F Minor
Composer: Sergei Rachmaninoff
Performer: Arcadi Volodos
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13 Preludes, Op. 32: No. 6 in F Minor: Allegro appassionato
Composer: Sergei Rachmaninoff
Performer: Arcadi Volodos
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Prelude in D Minor
Composer: Sergei Rachmaninoff
Performer: Arcadi Volodos
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Études-tableaux, Op. 33: No. 9 (6) in C-Sharp Minor: Grave
Composer: Sergei Rachmaninoff
Performer: Arcadi Volodos
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This selection is available in standard CD, Super Audio CD and Mini Disc formats.
Arcadi Volodos' concerto recording debut is an involving and exciting Rachmaninov Third which is quite unlike any of the other classic accounts that come to mind. Not for him the manic intensity of Horowitz or the hell-bent impetuosity of Argerich, this particular virtuoso has his own signature gifts, a golden tone that never tarnishes under duress, a mastery of overall form that might be viewed as restraint, and then of course, the killer technique. In this last regard Volodos truly sets himself apart, for his magic is not all speed and power. One is often held breathless by his control in quiet moments, especially where the combination of dexterity and delicacy is called for, and he revels in passage work, making every note count and shine where other pianist seem to merely be moving on to get to the next big hurdle. Then, when the big hurdles of the "Rach III" arrive, Volodos dispatches them with such level command that one is truly awed. No wonder the live Berlin audience breaks into hysterics at the end. They, like you, are lucky to be alive to hear this.
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