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Andromeda

Richard Wagner: Tannhauser

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Details

Composer
WAGNER, RICHARD
Artist
Vinay, Ramon, Dieskau, Fischer, Greindl, Keilberth
Format
CD
Label
Andromeda
Released
Jan 28, 2014
Catalog #
ANDRCD5162
UPC
3830257451624

About



WAGNER Tannhäuser Joseph Keilberth, cond; Ramón Vinay ( Tannhäuser ); Gré Brouwenstijn ( Elisabeth ); Herta Wilfert ( Venus ); Dietrich Fischer-Dieskau ( Wolfram von Eschenbach ); Josef Greindl ( Landgraf Hermann ); Volker Horn ( Shepherd ); Josef Traxel ( Walther von der Vogelweide ); Gerhard Stolze ( Heinrich der Schreiber ); Toni Blankenheim ( Biterolf ); Theo Adam ( Reinmar von Zweter ); Bayreuth Festival O & Ch ANDROMEDA 5162, mono (3 CDs: 183:10) Live: Bayreuth 7/22/1954


I’d really like to know why so many Wagner lovers have a bee in their bonnet over Josef Keilberth. So often in others’ reviews I read that he was routine, dull, unimaginative, etc., etc., yet I’ve always liked his conducting. Even as far back as my earliest years in college, when I was absorbing the Wagner canon from old LP recordings in the library ( Lohengrin with Steber and Windgassen, Fliegende Holländer with Varnay and Uhde, etc.), I always found Keilberth’s conducting well-paced, beautifully phrased and articulated as well as urgent in dramatic scope, and so I find it here. Even as early as the Overture (the Paris version, so it connects to the Venusberg music), Keilberth sounds as if he’s on a mission, and that mission is to make Tannhäuser’s story as thrilling as is humanly possible.


The problem with this release is the sound quality of the orchestra. I don’t know whether this recording stems from an in-house tape or a broadcast, but whichever it is the orchestral sound is harsh. The strings grate, the brasses spit, and the timpani sound like someone hitting a garbage can with mallets. And yet, this is an improvement over the one previous issue I’ve heard on Melodram, which was actually worse than this: The sound was both grating and muddy. At least Andromeda was able to clarify the sound and remove most of the surface noise, and happily the poor sound only affects the loud orchestral passages (like the Overture and the beginning of act II), not the singing. It should be noted that the cover of this release claims all-new 24-bit remastering, although like so many off-brand reissues of classic broadcasts, it has no libretto.


The only somewhat weak link in the cast is Wilfert as Venus. She is just OK. Her voice is not tonally pretty or very expressive except that she yells a good deal, and as I’ve said many times, yelling is not an interpretation. She also has a weak low range, which makes her descents in the scale disappointing. (Yet later on in the scene, the voice becomes less tense and she actually sings the written trills, something many Venuses ignore.) Vinay takes a while to warm up, sounding clumsy in Tannhäuser’s more elegant lines and lacking ease in singing the turns (mordents) in “Dir töne Lob.” Yes, he was an outstanding actor, both visually (which of course we can’t see here) and vocally, and that helps in many scenes of the opera, but I’d have liked a bit more suavity in the opening scene.


Once we leave the Venusberg, however, things brighten up considerably. A quick look at the cast list explains why. We have not only seasoned veterans Greindl and Traxel as Hermann and Walther and the still-young but already-legendary Fischer-Dieskau as Wolfram, but also several singers who would, within a decade, become important artists in their own right, namely Theo Adam, Toni Blankenheim, and Gerhard Stolze. As an extra bonus we get the great Gré Brouwenstijn who, along with Cristina Deutekom, was God’s gift to the soprano world from the Netherlands during the 20th century, as Elisabeth. (I should also mention that boy soprano Horn as the Shepherd is exceptionally good.) In addition, the microphone placement, which makes the orchestra sound so harsh, seems to be perfect for the voices, which all sound right and natural. As the opera progresses, Vinay’s voice brightens and loosens up a little, which is all to the good. (While listening, I kept trying to figure out whose voice he reminded me of; the closest I could come was Bernd Weikl if Weikl sang tenor.)


In act II, the vocal acting reaches new heights. Seldom have I heard Elisabeth sung with such nuance and attention to detail as she is here by Brouwenstijn; listen to the way she paints the words in “Was war es dann,” for instance, and as opposed to Vinay, her vocal elegance in singing the mordents is flawless. Griendl, who could at times sing with a loose vibrato and unfocused tone (as in his studio recordings of Tristan und Isolde and Die Zauberflöte ), is in excellent voice, particularly in the low range, and his singing in “Gar viel und schön ward hier” is both powerful and well-nuanced. I found it ironic that “Blick’ ich umher,” which is supposed to be sung somewhat clumsily by Wolfram (the reason he loses the song contest to Tannhäuser), is so elegantly and beautifully vocalized by Fischer-Dieskau that it almost sounds as if he were giving a Lieder recital. Yet, all in all, the drama builds during this act more suspensefully than I’ve heard it in any other performance of the opera. It’s absolutely hair-raising.


Happily, the Prelude to act III is recorded much better than most of the other orchestral music, possibly because it is mostly played softly. The Pilgrims’ Chorus, taken by Keilberth at a quicker than normal tempo, may sound a tad glib to seasoned Wagnerians yet it still manages to sound fervent, and Brouwenstijn’s ensuing aria (“Allmächt’ge Jungfrau”) is sung with rapturous feeling. Needless to say, “O du mein holder Abendstern” is sung beautifully, but what’s interesting to me about young Fischer-Dieskau is that it was his low range that was better than later on (a situation that made his mid-1970s recording of Die Meistersinger so disappointing). Vinay’s voice, ironically, sounds even deeper than Wolfram’s (later on in his career, he returned to singing baritone and then even sang bass!), but he is locked into the character here, so his “Rome narrative” is movingly and dramatically sung with full attention to words, and his death scene is indescribably moving.


The bottom line, then, is that if you really love Tannhäuser you need to own this performance. Because of the sound quality and lack of a libretto it’s not a first choice—that plum goes to the Dernesch-Kollo-Braun-Solti stereo set on Decca—but all things being equal, the singers are recorded so well that if you simply ignore the harshness of the purely orchestral passages (particularly the loud ones), you’re in for an extraordinary treat. This was a Wieland Wagner production, and somehow or other he and Keilberth got the whole cast to perform at white heat.


FANFARE: Lynn René Bayley

Tracklist 48 tracks

  1. Disc 1
  2. 1 Overture 20:23
    Track
    1
    Title
    Overture
    Duration
    20:23
    Composer
    Richard Wagner
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  3. 2 Act I: Naht euch dem Strande (Chorus) 04:32
    Track
    2
    Title
    Act I: Naht euch dem Strande (Chorus)
    Duration
    04:32
    Composer
    Richard Wagner
    Ensemble
    Bayreuther Festspielchor, Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  4. 3 Act I: Geliebter, sag, wo weilt dein Sinn? (Venus, Tannhauser) 05:03
    Track
    3
    Title
    Act I: Geliebter, sag, wo weilt dein Sinn? (Venus, Tannhauser)
    Duration
    05:03
    Composer
    Richard Wagner
    Performer
    Herta Wilfert, Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  5. 4 Act I: Dir tone Lob! Die Wunder sei'n gepriesen (Tannhauser, Venus) 02:46
    Track
    4
    Title
    Act I: Dir tone Lob! Die Wunder sei'n gepriesen (Tannhauser, Venus)
    Duration
    02:46
    Composer
    Richard Wagner
    Performer
    Ramón Vinay, Herta Wilfert
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  6. 5 Act I: Dank deiner Huld, gepriesen sei dein Lieben! (Tannhauser) 02:34
    Track
    5
    Title
    Act I: Dank deiner Huld, gepriesen sei dein Lieben! (Tannhauser)
    Duration
    02:34
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  7. 6 Act I: Geliebter, komm! Sieh dort die Grotte (Venus, Tannhauser, Chorus) 03:05
    Track
    6
    Title
    Act I: Geliebter, komm! Sieh dort die Grotte (Venus, Tannhauser, Chorus)
    Duration
    03:05
    Composer
    Richard Wagner
    Performer
    Herta Wilfert, Ramón Vinay
    Ensemble
    Bayreuther Festspielchor, Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  8. 7 Act I: Stets soll nur dir mein Lied ertonen! (Tannhauser) 03:31
    Track
    7
    Title
    Act I: Stets soll nur dir mein Lied ertonen! (Tannhauser)
    Duration
    03:31
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  9. 8 Act I: Kehrst du nicht wieder, ha! (Venus) 02:31
    Track
    8
    Title
    Act I: Kehrst du nicht wieder, ha! (Venus)
    Duration
    02:31
    Composer
    Richard Wagner
    Performer
    Herta Wilfert
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  10. 9 Act I: Frau Holda kam aus dem Berg hervor (Hirt) 04:18
    Track
    9
    Title
    Act I: Frau Holda kam aus dem Berg hervor (Hirt)
    Duration
    04:18
    Composer
    Richard Wagner
    Performer
    Volker Horn
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  11. 10 Act I: Allmacht'ger, die sei Preis! (Tannhauser) 03:47
    Track
    10
    Title
    Act I: Allmacht'ger, die sei Preis! (Tannhauser)
    Duration
    03:47
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  12. 11 Act I: Wer ist der dort in brunstigem Gebete? (Landgraf) 01:09
    Track
    11
    Title
    Act I: Wer ist der dort in brunstigem Gebete? (Landgraf)
    Duration
    01:09
    Composer
    Richard Wagner
    Performer
    Josef Greindl
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  13. 12 Act I: Gegrusst sei uns, du kuhner sanger (Wolfram) 04:10
    Track
    12
    Title
    Act I: Gegrusst sei uns, du kuhner sanger (Wolfram)
    Duration
    04:10
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  14. 13 Act I: Als du in kuhnem Sange uns bestrittest (Wolfram) 03:26
    Track
    13
    Title
    Act I: Als du in kuhnem Sange uns bestrittest (Wolfram)
    Duration
    03:26
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  15. 14 Act I: Zu ihr! Zu ih! O fuhret mich zu ihr (Tannhauser) 02:49
    Track
    14
    Title
    Act I: Zu ihr! Zu ih! O fuhret mich zu ihr (Tannhauser)
    Duration
    02:49
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  16. Disc 2
  17. 1 Act II: Dich, teure Halle, gruss ich wieder (Elisabeth) 04:50
    Track
    1
    Title
    Act II: Dich, teure Halle, gruss ich wieder (Elisabeth)
    Duration
    04:50
    Composer
    Richard Wagner
    Performer
    Gré Brouwenstijn
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  18. 2 Act II: Dort ist sie, nahe dich ihr ungestort! (Wolfram) 02:17
    Track
    2
    Title
    Act II: Dort ist sie, nahe dich ihr ungestort! (Wolfram)
    Duration
    02:17
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  19. 3 Act II: Was war es dann, das euch zuruckgefuhrt (Elisabeth) 04:29
    Track
    3
    Title
    Act II: Was war es dann, das euch zuruckgefuhrt (Elisabeth)
    Duration
    04:29
    Composer
    Richard Wagner
    Performer
    Gré Brouwenstijn
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  20. 4 Act II: Den Gott der Liebe sollst du preisen (Tannhauser) 02:56
    Track
    4
    Title
    Act II: Den Gott der Liebe sollst du preisen (Tannhauser)
    Duration
    02:56
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  21. 5 Act II: Dich treff ich hier, in dieser Halle (Landgraf) 03:26
    Track
    5
    Title
    Act II: Dich treff ich hier, in dieser Halle (Landgraf)
    Duration
    03:26
    Composer
    Richard Wagner
    Performer
    Josef Greindl
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  22. 6 Act II: Freudig begrussen wir die edle Halle (Chorus) 07:24
    Track
    6
    Title
    Act II: Freudig begrussen wir die edle Halle (Chorus)
    Duration
    07:24
    Composer
    Richard Wagner
    Ensemble
    Bayreuther Festspielchor, Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  23. 7 Act II: Gar viel und schon ward hier (Landgraf) 05:52
    Track
    7
    Title
    Act II: Gar viel und schon ward hier (Landgraf)
    Duration
    05:52
    Composer
    Richard Wagner
    Performer
    Josef Greindl
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  24. 8 Act II: Blick ich umher in diesem edlen Kreise (Wolfram) 05:05
    Track
    8
    Title
    Act II: Blick ich umher in diesem edlen Kreise (Wolfram)
    Duration
    05:05
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  25. 9 Act II: Auch ich darf mich so glucklich nennen (Tannhauser) 01:25
    Track
    9
    Title
    Act II: Auch ich darf mich so glucklich nennen (Tannhauser)
    Duration
    01:25
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  26. 10 Act II: Den Bronnen, den uns Wolfram nannte (Walther) 02:09
    Track
    10
    Title
    Act II: Den Bronnen, den uns Wolfram nannte (Walther)
    Duration
    02:09
    Composer
    Richard Wagner
    Performer
    Josef Traxel
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  27. 11 Act II: O Walther, der du also sangest (Tannhauser) 01:24
    Track
    11
    Title
    Act II: O Walther, der du also sangest (Tannhauser)
    Duration
    01:24
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  28. 12 Act II: Heraus zum Kampfe mit uns allen! (Biterolf) 01:22
    Track
    12
    Title
    Act II: Heraus zum Kampfe mit uns allen! (Biterolf)
    Duration
    01:22
    Composer
    Richard Wagner
    Performer
    Toni Blankenheim
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  29. 13 Act II: Ha, Tor'ger prahler biterolf! (Tannhauser) 00:40
    Track
    13
    Title
    Act II: Ha, Tor'ger prahler biterolf! (Tannhauser)
    Duration
    00:40
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  30. 14 Act II: O Himmel! Lass dich jetzt erflehen (Wolfram) 01:17
    Track
    14
    Title
    Act II: O Himmel! Lass dich jetzt erflehen (Wolfram)
    Duration
    01:17
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  31. 15 Act II: Dir, Gottin der Liebe, soll Lied ertonen (Tannhauser) 01:03
    Track
    15
    Title
    Act II: Dir, Gottin der Liebe, soll Lied ertonen (Tannhauser)
    Duration
    01:03
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  32. 16 Act II: Ihr habt's gehort! Sein Frevler Mund (Chorus) 01:44
    Track
    16
    Title
    Act II: Ihr habt's gehort! Sein Frevler Mund (Chorus)
    Duration
    01:44
    Composer
    Richard Wagner
    Ensemble
    Bayreuther Festspielchor, Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  33. 17 Act II: Zuruck von ihm! Nicht ihr seid seine Richter! (Elisabeth) 04:22
    Track
    17
    Title
    Act II: Zuruck von ihm! Nicht ihr seid seine Richter! (Elisabeth)
    Duration
    04:22
    Composer
    Richard Wagner
    Performer
    Gré Brouwenstijn
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  34. 18 Act II: Weh! Weh, mir Unglucksel' gem! (Tannhauser) 05:50
    Track
    18
    Title
    Act II: Weh! Weh, mir Unglucksel' gem! (Tannhauser)
    Duration
    05:50
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  35. 19 Act II: Ein furchtbares Verbrechen ward begangen (Landgraf) 02:03
    Track
    19
    Title
    Act II: Ein furchtbares Verbrechen ward begangen (Landgraf)
    Duration
    02:03
    Composer
    Richard Wagner
    Performer
    Josef Greindl
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  36. 20 Act II: Versammelt sind aus meinem Landen (Landgraf) 05:08
    Track
    20
    Title
    Act II: Versammelt sind aus meinem Landen (Landgraf)
    Duration
    05:08
    Composer
    Richard Wagner
    Performer
    Josef Greindl
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  37. Disc 3
  38. 1 Act III: Prelude 08:27
    Track
    1
    Title
    Act III: Prelude
    Duration
    08:27
    Composer
    Richard Wagner
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  39. 2 Act III: Wohl wusst' ich hier sie im Gebet zu finden (Wolfram) 06:41
    Track
    2
    Title
    Act III: Wohl wusst' ich hier sie im Gebet zu finden (Wolfram)
    Duration
    06:41
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  40. 3 Act III: Er kehret nicht zuruck! (Elisabeth, Wolfram) 00:50
    Track
    3
    Title
    Act III: Er kehret nicht zuruck! (Elisabeth, Wolfram)
    Duration
    00:50
    Composer
    Richard Wagner
    Performer
    Gré Brouwenstijn, Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  41. 4 Act III: Allmacht'ge Jungfrau! Hor mein Flehen! (Elisabeth) 06:44
    Track
    4
    Title
    Act III: Allmacht'ge Jungfrau! Hor mein Flehen! (Elisabeth)
    Duration
    06:44
    Composer
    Richard Wagner
    Performer
    Gré Brouwenstijn
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  42. 5 Act III: Elisabeth, durft'ich dich nicht geleiten? (Wolfram) 02:39
    Track
    5
    Title
    Act III: Elisabeth, durft'ich dich nicht geleiten? (Wolfram)
    Duration
    02:39
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  43. 6 Act III: Wie Todesahnung, Dammerung deckt die Lande (Wolfram) 01:48
    Track
    6
    Title
    Act III: Wie Todesahnung, Dammerung deckt die Lande (Wolfram)
    Duration
    01:48
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  44. 7 Act III: O du mein holder Abendstern (Wolfram) 03:13
    Track
    7
    Title
    Act III: O du mein holder Abendstern (Wolfram)
    Duration
    03:13
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  45. 8 Act III: Ich horte Harfenschlag, wie klang er traurig! (Tannhauser) 04:09
    Track
    8
    Title
    Act III: Ich horte Harfenschlag, wie klang er traurig! (Tannhauser)
    Duration
    04:09
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  46. 9 Act III: Hor' an, Wolfram, hrr' an! (Tannhauser, Wolfram) 03:43
    Track
    9
    Title
    Act III: Hor' an, Wolfram, hrr' an! (Tannhauser, Wolfram)
    Duration
    03:43
    Composer
    Richard Wagner
    Performer
    Ramón Vinay, Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  47. 10 Act III: Nach Rom gelangt' ich so (Tannhauser) 04:21
    Track
    10
    Title
    Act III: Nach Rom gelangt' ich so (Tannhauser)
    Duration
    04:21
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  48. 11 Act III: Da sank ich in Vernichtung (Tannhauser) 03:30
    Track
    11
    Title
    Act III: Da sank ich in Vernichtung (Tannhauser)
    Duration
    03:30
    Composer
    Richard Wagner
    Performer
    Ramón Vinay
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  49. 12 Act III: Willkommen, ungetreuer Mann! (Venus) 04:16
    Track
    12
    Title
    Act III: Willkommen, ungetreuer Mann! (Venus)
    Duration
    04:16
    Composer
    Richard Wagner
    Performer
    Herta Wilfert
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  50. 13 Act III: Ein engel bat fur dich auf erden (Wolfram) 02:52
    Track
    13
    Title
    Act III: Ein engel bat fur dich auf erden (Wolfram)
    Duration
    02:52
    Composer
    Richard Wagner
    Performer
    Dietrich Fischer-Dieskau
    Ensemble
    Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth
  51. 14 Act III: Heil! Heil! Der Gnade Wunder Heil! (Chorus) 03:11
    Track
    14
    Title
    Act III: Heil! Heil! Der Gnade Wunder Heil! (Chorus)
    Duration
    03:11
    Composer
    Richard Wagner
    Ensemble
    Bayreuther Festspielchor, Bayreuther Festspielorchester
    Conductor
    Joseph Keilberth