Music and Arts Programs of America
Schoenberg: Cabaret Songs, Lieder / Bryn-Julson, Oppens
$19.99
Only 3 left
Details
- Composer
- SCHOENBERG, ARNOLD
- Artist
- Ursula, Phyllis, Oppens, Bryn-Julson
- Format
- CD
- Label
- Music and Arts Programs of America
- Released
- Aug 19, 2013
- Catalog #
- MUA650
- UPC
- 017685065026
About
Phyllis Bryn-Julson has been America's foremost Lieder and oratorio singer for decades; her sensitivity to texts and intelligent singing, along with the natural beauty of her voice, have been matched by no other singer. But Schoenberg's Cabaret Songs (Brettllieder), written for a Berlin nightclub—virtually his only means of support during 1901—need a young, teasing chanteuse to express their coy, fey, often erotic sentiments. No problem: Bryn-Julson becomes that chanteuse for these 1990 recordings. She does not go as far as Marni Nixon, who mimics a childish voice in her 1970s RCA LP of these songs, going over the line into caricature. Accompanist Ursula Oppens, a great artist in her own right, seems not to share the cabaret atmosphere; her grand piano sounds as if it belonged on the concert stage, which is really the case for these songs nowadays. The differing attitudes do not compromise these fine performances. Unfortunately, this disc omits one of Schoen-berg's eight cabaret songs, Nachtwandler, because it calls for piccolo, trumpet, and snare drum as well as piano; Nixon includes it, as does Dorothy Dorrow on an Etcetera disc {Fanfare 12:3).
In the 1899 Four Songs, op. 2, Schoenberg writes in the late-Romantic style of Brahms and Wolf. Bryn-Julson's true pitch is a blessing to the ear after Susanne Lange's velvety but unreliable mezzo {Fanfare 14:3). The Book of the Hanging Gardens gets an exceptional performance; Bryn-Julson makes every word intelligible, her precise diction aided by the digital recording. Jan De-Gaetani, in another fine performance, goes in for more exotic vocal effects, at the cost of some intelligibility; perhaps the loss is also due to the analog Nonesuch recording (also Fanfare 14:3). This disc's otherwise excellent recording goes momentarily over the edge on the final word of Erhebung in op. 2, as the engineer underestimates the joint power of this voice and this piano. The close-up sound is totally appropriate for the heavy atmosphere of op. 15, and the cabaret songs are recorded with more space. The booklet includes texts of all these songs, with English translations. Those who have Jan DeGaetani's Nonesuch disc of Pierrot lunaire already possess a superb Book of the Hanging Gardens; the stronger coupling makes that disc the more generally recommendable, but there will be many who will want to hear Phyllis Bryn-Julson's views on all this music.
-- James H. North, FANFARE [1/1992]
In the 1899 Four Songs, op. 2, Schoenberg writes in the late-Romantic style of Brahms and Wolf. Bryn-Julson's true pitch is a blessing to the ear after Susanne Lange's velvety but unreliable mezzo {Fanfare 14:3). The Book of the Hanging Gardens gets an exceptional performance; Bryn-Julson makes every word intelligible, her precise diction aided by the digital recording. Jan De-Gaetani, in another fine performance, goes in for more exotic vocal effects, at the cost of some intelligibility; perhaps the loss is also due to the analog Nonesuch recording (also Fanfare 14:3). This disc's otherwise excellent recording goes momentarily over the edge on the final word of Erhebung in op. 2, as the engineer underestimates the joint power of this voice and this piano. The close-up sound is totally appropriate for the heavy atmosphere of op. 15, and the cabaret songs are recorded with more space. The booklet includes texts of all these songs, with English translations. Those who have Jan DeGaetani's Nonesuch disc of Pierrot lunaire already possess a superb Book of the Hanging Gardens; the stronger coupling makes that disc the more generally recommendable, but there will be many who will want to hear Phyllis Bryn-Julson's views on all this music.
-- James H. North, FANFARE [1/1992]
Tracklist 26 tracks
-
1 No. 6. Galathea 02:42
- Track
- 1
- Title
- No. 6. Galathea
- Duration
- 02:42
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
2 No. 7. Gigerlette 02:02
- Track
- 2
- Title
- No. 7. Gigerlette
- Duration
- 02:02
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
3 No. 1. Der genugsame Liebhaber 02:33
- Track
- 3
- Title
- No. 1. Der genugsame Liebhaber
- Duration
- 02:33
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
4 No. 2. Einfaltiges Lied 01:52
- Track
- 4
- Title
- No. 2. Einfaltiges Lied
- Duration
- 01:52
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
5 No. 5. Mahnung 03:37
- Track
- 5
- Title
- No. 5. Mahnung
- Duration
- 03:37
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
6 No. 4. Jedem des Seine 04:05
- Track
- 6
- Title
- No. 4. Jedem des Seine
- Duration
- 04:05
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
7 No. 8. Seit ich so viele Weiber sah 02:56
- Track
- 7
- Title
- No. 8. Seit ich so viele Weiber sah
- Duration
- 02:56
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
8 No. 1. Erwartung 03:58
- Track
- 8
- Title
- No. 1. Erwartung
- Duration
- 03:58
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
9 No. 2. Schenk mir deinen goldenen Kamm 03:13
- Track
- 9
- Title
- No. 2. Schenk mir deinen goldenen Kamm
- Duration
- 03:13
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
10 No. 3. Erhebung 00:57
- Track
- 10
- Title
- No. 3. Erhebung
- Duration
- 00:57
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
11 No. 4. Waldsonne 02:39
- Track
- 11
- Title
- No. 4. Waldsonne
- Duration
- 02:39
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
12 I. Unterm Schutz von dichten Blattergrunden 02:36
- Track
- 12
- Title
- I. Unterm Schutz von dichten Blattergrunden
- Duration
- 02:36
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
13 II. Hain in diesen Paradiesen 01:28
- Track
- 13
- Title
- II. Hain in diesen Paradiesen
- Duration
- 01:28
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
14 III. Als Neuling trat ich ein in dein Gehege 01:39
- Track
- 14
- Title
- III. Als Neuling trat ich ein in dein Gehege
- Duration
- 01:39
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
15 IV. Da meine Lippen reglos sind und brennen 01:47
- Track
- 15
- Title
- IV. Da meine Lippen reglos sind und brennen
- Duration
- 01:47
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
16 V. Saget mir, auf welchem Pfade 01:21
- Track
- 16
- Title
- V. Saget mir, auf welchem Pfade
- Duration
- 01:21
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
17 VI. Jedem Werke bin ich furder tot 01:06
- Track
- 17
- Title
- VI. Jedem Werke bin ich furder tot
- Duration
- 01:06
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
18 VII. Angst und Hoffen wechselnd mich beklemmen 01:08
- Track
- 18
- Title
- VII. Angst und Hoffen wechselnd mich beklemmen
- Duration
- 01:08
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
19 VIII. Wenn ich heut nicht deinen Leib beruhre 00:48
- Track
- 19
- Title
- VIII. Wenn ich heut nicht deinen Leib beruhre
- Duration
- 00:48
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
20 IX. Streng ist uns das Gluck und sprode 01:45
- Track
- 20
- Title
- IX. Streng ist uns das Gluck und sprode
- Duration
- 01:45
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
21 X. Das schöne Beet betracht ich mir im Harren 02:13
- Track
- 21
- Title
- X. Das schöne Beet betracht ich mir im Harren
- Duration
- 02:13
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
22 XI. Als wir hinter dem bebluhmten Tore 02:41
- Track
- 22
- Title
- XI. Als wir hinter dem bebluhmten Tore
- Duration
- 02:41
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
23 XII. Wenn sich bei heiliger Ruh in tiefen Matten 02:11
- Track
- 23
- Title
- XII. Wenn sich bei heiliger Ruh in tiefen Matten
- Duration
- 02:11
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
24 XIII. Du lehnest wider eine Silberweide 01:45
- Track
- 24
- Title
- XIII. Du lehnest wider eine Silberweide
- Duration
- 01:45
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
25 XIV. Sprich nicht immer von dem Laub 00:41
- Track
- 25
- Title
- XIV. Sprich nicht immer von dem Laub
- Duration
- 00:41
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens
-
26 XV. Wir bevolkerten die abend dustern Lauben 04:43
- Track
- 26
- Title
- XV. Wir bevolkerten die abend dustern Lauben
- Duration
- 04:43
- Composer
- Arnold Schoenberg
- Performer
- Phyllis Bryn-Julson, Ursula Oppens