On the final disc of a complete cycle, Thomas Dausgaard and the Swedish Chamber Orchestra offer Franz Schubert's first two symphonies as well as two fillers, of which one is the rarely heard Funeral March from the unfinished opera Adrast. Both youthful symphonies betray influences of Haydn, Mozart and Beethoven; nevertheless, they contain abundant proof of Schubert's burgeoning melodic genius. The previous discs in the cycle have met with critical acclaim and distinctions, with reviewers welcoming the fresh approach towards the undisputed masterpieces and the less familiar works.