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COMPOSERMUSSORGSKY SCHUBERT
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PERFORMERDaniel Hill
Schubert: Piano Sonata, D. 959 - Mussorgsky: Pictures at an Exhibition / Hill
- Willowhayne Records - Label
- July 21, 2017
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RELEASE DATEJuly 21, 2017
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UPC739340481353
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CATALOG NUMBERWHR042
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LABELWillowhayne Records - Label
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NUMBER OF DISCS1
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GENRE
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I. Allegro
Composer: Franz Schubert
Performer: Daniel Hill
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II. Andantino
Composer: Franz Schubert
Performer: Daniel Hill
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III. Scherzo: Allegro vivace
Composer: Franz Schubert
Performer: Daniel Hill
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IV. Rondo: Allegretto
Composer: Franz Schubert
Performer: Daniel Hill
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Promenade
Composer: Modest Mussorgsky
Performer: Daniel Hill
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I. Gnomus
Composer: Modest Mussorgsky
Performer: Daniel Hill
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Promenade
Composer: Modest Mussorgsky
Performer: Daniel Hill
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II. Old Castle
Composer: Modest Mussorgsky
Performer: Daniel Hill
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Promenade
Composer: Modest Mussorgsky
Performer: Daniel Hill
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III. Tuileries
Composer: Modest Mussorgsky
Performer: Daniel Hill
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IV. Bydlo
Composer: Modest Mussorgsky
Performer: Daniel Hill
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Promenade
Composer: Modest Mussorgsky
Performer: Daniel Hill
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V. Ballet of the Chickens in their Shells
Composer: Modest Mussorgsky
Performer: Daniel Hill
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VI. Samuel Goldenberg and Schmuyle
Composer: Modest Mussorgsky
Performer: Daniel Hill
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Promenade
Composer: Modest Mussorgsky
Performer: Daniel Hill
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VII. The Market-Place at Limoges
Composer: Modest Mussorgsky
Performer: Daniel Hill
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VIII. Catacombae (Sepulcrum romanum) -
Composer: Modest Mussorgsky
Performer: Daniel Hill
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VIII. Con mortuis in lingua mortua
Composer: Modest Mussorgsky
Performer: Daniel Hill
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IX. The Hut on Fowl's Legs (Baba-Yaga)
Composer: Modest Mussorgsky
Performer: Daniel Hill
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X. The Great Gate at Kiev
Composer: Modest Mussorgsky
Performer: Daniel Hill
Featuring ⌄
Product Details ⌄
Works ⌄
Although these two masterpieces are of differing styles - the Schubert (1828) being a 4 movement sonata in the Viennese classical tradition and the Mussorgsky (1874) a sequence of 15 short sections in a deliberately Russian idiom that rejects western European influence, there are parallels between them. Neither was published until after their composer’s death, the sonata in 1838 and Pictures in 1931, though an edited version by Rimsky-Korsakov had appeared in 1886. Neither work received real appreciation and understanding until the 20th century. Daniel Hill comments: “My criteria for selecting repertoire to record was twofold: firstly, that I would be playing music for which I held a deep respect, passion and conviction; and secondly, that they were pieces for which I felt I may be able to do some justice. “Both works, though largely disparate in nature, represent a kind of journey: in the vivid experience of Mussorgsky’s Pictures, this is somewhat overtly so; Schubert, on the other hand, takes us into a profoundly intimate and, at times, transcendental realm. “My hope in making this disc is that I may have found some of that elusive and precious connection between interpreter and composition.”
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