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COMPOSERSIBELIUS SULLIVAN
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ORCHESTRA / ENSEMBLEKansas City Symphony
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PERFORMERStern
Shakespeare's Tempest - Sullivan, Sibelius / Stern, Kansas City Symphony
- Reference Recordings
- July 7, 2008
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RELEASE DATEJuly 07, 2008
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UPC030911111526
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CATALOG NUMBERRR-115
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LABELReference Recordings
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NUMBER OF DISCS1
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GENRE
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Introduction
Composer: Arthur Sullivan
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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Prelude to Act III
Composer: Arthur Sullivan
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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Banquet Dance
Composer: Arthur Sullivan
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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Overture to Act IV
Composer: Arthur Sullivan
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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Dance of Nymphs and Reapers
Composer: Arthur Sullivan
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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Prelude to Act V
Composer: Arthur Sullivan
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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Epilogue
Composer: Arthur Sullivan
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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The Tempest, Op. 109: Prelude
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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I. Chorus of the Winds
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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II. Intermezzo
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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III. Dance of the Nymphs
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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IV. Prospero
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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V. Song I
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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V. Song II
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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VI. Miranda
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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VII. The Naiads
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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VIII. Dance Episode
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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I. The Oak Tree
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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II. Humoresque
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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III. Caliban's Song
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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IV. The Harvesters
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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V. Canon
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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VI. Scene
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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VII. Intrada -
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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VII. Berceuse
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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VIII. Ariel's Song
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
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IX. The Storm
Composer: Jean Sibelius
Ensemble: Kansas City Symphony
Conductor: Michael Stern
Featuring ⌄
Product Details ⌄
Works ⌄

Arthur Sullivan's music for The Tempest reveals the 19-year-old as a serious talent. Yes, the music owes something to Mendelssohn--the Prelude, particularly, takes a few major hints from the Fingal's Cave Overture. But the melodic inspiration is fresh, the orchestration vivid, the dance music aptly toe-tapping, and the brief postlude curiously moving in a way that actually anticipates the more reflective moments of the Sibelius that follows. Coupling these two works, one a barely known first orchestral essay, the other a late but still curiously neglected masterpiece, was a brilliant idea--a "concept" album that really makes good musical sense.
The playing order of the Sibelius also is very intelligent: Prelude (Storm), Suite No. 2, then Suite No. 1, which ends with a reprise of the Prelude's storm music. Happily, both here and in the Sullivan, the performances are as smart, atmospheric, and vibrant as the music itself. Caliban's Song and the storm episodes have impressive power, and they're stunningly recorded in vintage Reference Recordings fashion. The more lyrical moments, such as the Berceuse and the various song transcriptions, are all beautifully played by the Kansas orchestra. The wind soloists are uniformly fine (listen to the flute in The Oak Tree, from Suite No. 1), and the harp, so important to the music's "magic" elements, is wonderfully present without ever sounding spotlit. Only "Miranda" from Suite No. 2 sounds a touch edgy in the violins, the tempo slightly rushed. This and any other minor quibbles certainly aren't enough to prevent me from recommending this new release in the strongest possible terms. It's a winner in all respects.
--David Hurwitz, ClassicsToday.com
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