Vivaldi: The Paris Concertos / Sardelli, Modo Antiquo

$13.99
Label
Tactus
Release Date
November 1, 2019
Format
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    Featuring ⌄
    • COMPOSER
      VIVALDI, ANTONIO
    • PERFORMER
      Modo Antiquo, Sardelli
    Product Details ⌄
    • RELEASE DATE
      November 01, 2019
    • UPC
      8007194107135
    • CATALOG NUMBER
      TC672260
    • LABEL
      Tactus
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. I. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    2. II. Largo

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    3. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    4. I. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    5. II. Largo

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    6. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    7. I. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    8. II. Largo

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    9. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    10. I. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    11. II. Andante

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    12. III. Minuet: Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    13. I. Allegro - II. Adagio

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    14. III. Ciaccona

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    15. I. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    16. II. Adagio

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    17. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    18. I. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    19. II. Andante

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    20. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    21. I. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    22. II. Largo

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    23. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    24. I. [Allegro]

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    25. II. Adagio

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    26. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    27. I. Allegro molto

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    28. II. Adagio

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    29. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    30. I. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    31. II. Largo

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    32. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    33. I. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    34. II. Adagio

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli

    35. III. Allegro

      Composer: Antonio Vivaldi

      Ensemble: Baroque Orchestra Modo Antiquo

      Conductor: Federico Maria Sardelli


The German patrician von Uffenbach, during a visit to Venice for the carnival of 1715, at long last managed to meet with Vivaldi and order from him “10 concerti grossi”. Three days later, the composer reappeared with all of the requested music, assuring his patron that it had been expressly composed for him. Vivaldi was unquestionably a very quick composer, but he was also a barefaced and extremely capable promoter of his own talents. The collection of twelve concertos for strings, now preserved in Paris, also has all the earmarks of having been a rapidly and cleverly assembled series of previously composed works, with very little new music added. This same modus operandi would mark the genesis of op. 10 and many other collections by Vivaldi. But Vivaldi is an excellent composer, and like a great actor, he succeeds in taking on the appearance of a character by merely donning a hat or imitating a gesture. Thus he manages to outline with a few brushstrokes all of the force of a French entree in the opening of Concerto n. 5, or to fall suddenly into the most moving melancholy when his unusual Ciaccona modulates into the minor key. Even the last movement of Concerto n. 2, despite appearances, is a rare example of a menuet en rondeau camouflaged as an Italian allegro. The beginning of Concerto n. 1, although belonging to the older works, must have been chosen by Vivaldi to open the collection because it resembles a chaconne in binary meter. These, then, are the distinctive elements, obvious and yet quite effective, which render the idea of a well recognizable taste or style—the same style which informed the “Domine Fili” from the Gloria RV 589, the aria “Tornar voglio” from Arsilda, and the final chorus of Il Giustino. Federico Maria Sardelli conducts the famous baroque ensemble Modo Antiquo, in this amazing historical recording.