Orfeo
Wagner: Lohengrin / Bohm, Watson, Thomas, Ludwig, Wachter
$37.99
Details
- Composer
- WAGNER, RICHARD
- Artist
- Talvela, Thomas, Watson, Berry, Ludwig, Waechter, Equiluz, Sperlbauer, Lackner, Pantscheff
- Format
- CD
- Label
- Orfeo
- Released
- Jun 25, 2013
- Catalog #
- ORF-C862133D
- UPC
- 4011790862323
About

A remarkable record of a live performance, capturing a collection of Wagner greats and a few surprises.
This disc captures, unadulterated and unadorned, the opening night of a new production of Lohengrin at the Vienna Staatsoper. One glance down the cast-list will tell you that this is something special. It must have been even more special to have been in the theatre, for not only was Karl Böhm in the pit but Wieland Wagner himself was directing the staging, something illustrated generously in the accompanying booklet. The sound, recorded for broadcast by Austrian Radio, is in mono, which is undeniably regrettable, but it’s surprisingly good for its age. The only place where it brings real losses is in the chorus scenes, which are many in this opera. The natural point of comparison for this set is Kempe’s classic set, which shares the same orchestra, the same Lohengrin and the same Ortrud, and was recorded two years previously. The comparisons are fascinating.
The most interesting contrast, and the factor which impels this release, is the conducting of Karl Böhm. Where Kempe is rapt, Böhm is driven. Like his live Ring and Tristan from Bayreuth, he prefers fast tempi, and this drives the drama along at an exciting pace. You can tell that when you compare the timings: Böhm is more than 20 minutes faster than Kempe. In fact he achieves the feat of making this one of the very few Lohengrins on disc (perhaps the only one?) to fit each act complete onto a single CD. Yet Böhm never feels unduly rushed. Instead, the strength of his vision convinces the listener that this is an entirely appropriate view of the piece. Furthermore, he knows how to relax when he needs to, and he does so liberally, particularly for the Grail music. The Act 1 Prelude is markedly slower than what follows it. He broadens out the soundscape after Lohengrin’s arrival in the middle of the act, the excitement of the crowd giving way to a gently meditative first utterance from the knight.
That first utterance is, in fact, something pretty special. Jess Thomas is on top notch form here and he sounds sensational in his farewell to the swan in the first act, as in his declaration of love for Elsa. He is, perhaps, a little anonymous in the second act, but he is moving and remarkably sympathetic in the bridal chamber scene. In fernem Land, similarly slowed down by Böhm, unfolds at an unhurried pace and in one single-minded direction. He was an extraordinary swan knight for Kempe, and it’s exciting to hear him in the live context here. Claire Watson is also on her very finest form as Elsa. There is clarity and purity to her voice that, to my ears at least, comes close to making her the equal of Elisabeth Grümmer - high praise indeed. She is helpless and vulnerable in the first act but brims over with optimism at the start of the second, and her address to the breezes is a delight. Perhaps you don’t get quite the same sense of impending doom in the bridal chamber scene, but she summons up the correct sense of terror as that scene reaches its climax and she is full of pathos in her sense of loss in the final scene.
Kempe’s set gave us the finest Ortrud on disc in Christa Ludwig, and she is every bit as sensational here. If anything, the live event inspires her to give of herself with even more commitment. The dramatic temperature of the whole set rises when she enters at the start of Act 2. There is something darkly insidious in her vocal presence, and the way she seems to pour scorn on her husband is magnificently dramatic. She then inveigles her way into Elsa’s confidence with the skill of the greatest of con artists, and the power of her invocation at Entweihte Götter! is so great that it brings the house down, forcing Böhm to halt proceedings for about twenty seconds. She then chews up the scenery in the great crowd scene at the end of Act 2 and manages a wonderful groan of defeat when the swan is revealed as Gottfried at the very end of the opera. Her husband both on and off the stage, Walter Berry, isn’t quite the match for Fischer-Dieskau either in vocal beauty or in acting - he sounds overly gruff in the first act - but he rises to a climax at the start of Act 2 and is never less than a convincing stage presence. It’s a real treat having Martti Talvela as the King, his rich, fruity bass giving the part an extra level of character that it doesn’t always get. Eberhard Wächter is luxury casting as the Herald.
I doubt that anyone will take this as a top choice, especially not over any stereo sets, because sound quality is important in this opera. However, it’s a remarkable record of a live performance, capturing a collection of Wagner greats and a few surprises, and it will be especially interesting for anyone who knows and loves the Kempe set.
Incidentally, this whole production was double cast. The other cast that alternated with this one included the likes of James King, Gustav Neidlinger and Astrid Varnay. Having not one but two such legendary casts available for one opera in the same city seems like an extravagant dream to us nowadays, but what fun to dream it!
-- Simon Thompson, MusicWeb International
Tracklist 44 tracks
- Disc 1
-
1 Act I: Prelude 10:01
- Track
- 1
- Title
- Act I: Prelude
- Duration
- 10:01
- Composer
- Richard Wagner
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
2 Act I: Hort! Grafen, Edle, Freie von Brabant! 04:19
- Track
- 2
- Title
- Act I: Hort! Grafen, Edle, Freie von Brabant!
- Duration
- 04:19
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Eberhard Wächter, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
3 Act I: Dank, Konig, dir, dass du zu richten kamst! 06:30
- Track
- 3
- Title
- Act I: Dank, Konig, dir, dass du zu richten kamst!
- Duration
- 06:30
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Walter Berry, Eberhard Wächter, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
4 Act I: Seht ihn! Sie naht, die hart Beklagte! 03:16
- Track
- 4
- Title
- Act I: Seht ihn! Sie naht, die hart Beklagte!
- Duration
- 03:16
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Claire Watson, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
5 Act I: Einsam in truben Tagen hab' ich zu Gott gefleht 05:17
- Track
- 5
- Title
- Act I: Einsam in truben Tagen hab' ich zu Gott gefleht
- Duration
- 05:17
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Claire Watson, Walter Berry, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
6 Act I: Gott allein soll jezt in dieser Sache noch entscheiden! 01:48
- Track
- 6
- Title
- Act I: Gott allein soll jezt in dieser Sache noch entscheiden!
- Duration
- 01:48
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Claire Watson, Walter Berry, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
7 Act I: Des Ritters will ich wahren 02:04
- Track
- 7
- Title
- Act I: Des Ritters will ich wahren
- Duration
- 02:04
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Claire Watson, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
8 Act I: Wer hier in Gotteskampfe zu streiten kam 05:37
- Track
- 8
- Title
- Act I: Wer hier in Gotteskampfe zu streiten kam
- Duration
- 05:37
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Claire Watson, Walter Berry, Eberhard Wächter, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
9 Act I: Nun sei bedankt, mein lieber Schwan! 02:19
- Track
- 9
- Title
- Act I: Nun sei bedankt, mein lieber Schwan!
- Duration
- 02:19
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Claire Watson
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
10 Act I: Heil, Konig Heinrich! 07:08
- Track
- 10
- Title
- Act I: Heil, Konig Heinrich!
- Duration
- 07:08
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Claire Watson, Walter Berry
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
11 Act I: Nun hort! Euch, Volk und Edlen, mach' ich kund 04:30
- Track
- 11
- Title
- Act I: Nun hort! Euch, Volk und Edlen, mach' ich kund
- Duration
- 04:30
- Composer
- Richard Wagner
- Performer
- Jess Thomas, Walter Berry, Eberhard Wächter
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
12 Act I: Mein Herr und Gott, nun ruf ich dich 04:25
- Track
- 12
- Title
- Act I: Mein Herr und Gott, nun ruf ich dich
- Duration
- 04:25
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Claire Watson, Walter Berry, Christa Ludwig, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
13 Act I: Durch Gottes Sieg ist jetzt dein Leben mein 04:36
- Track
- 13
- Title
- Act I: Durch Gottes Sieg ist jetzt dein Leben mein
- Duration
- 04:36
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Claire Watson, Walter Berry, Christa Ludwig
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
- Disc 2
-
1 Act II: Prelude 03:25
- Track
- 1
- Title
- Act II: Prelude
- Duration
- 03:25
- Composer
- Richard Wagner
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
2 Act II: Erhebe dich, Genossin meiner Schmach! 07:40
- Track
- 2
- Title
- Act II: Erhebe dich, Genossin meiner Schmach!
- Duration
- 07:40
- Composer
- Richard Wagner
- Performer
- Walter Berry, Christa Ludwig
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
3 Act II: Du wilde Seherin! Wie willst du doch 06:30
- Track
- 3
- Title
- Act II: Du wilde Seherin! Wie willst du doch
- Duration
- 06:30
- Composer
- Richard Wagner
- Performer
- Walter Berry, Christa Ludwig
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
4 Act II: Euch Luften, die mein Klagen 03:26
- Track
- 4
- Title
- Act II: Euch Luften, die mein Klagen
- Duration
- 03:26
- Composer
- Richard Wagner
- Performer
- Claire Watson, Walter Berry, Christa Ludwig
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
5 Act II: Elsa! … Wer ruft? 03:55
- Track
- 5
- Title
- Act II: Elsa! … Wer ruft?
- Duration
- 03:55
- Composer
- Richard Wagner
- Performer
- Claire Watson, Christa Ludwig
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
6 Act II: Entweihte Gotter, helft jetzt meiner Rache! 01:41
- Track
- 6
- Title
- Act II: Entweihte Gotter, helft jetzt meiner Rache!
- Duration
- 01:41
- Composer
- Richard Wagner
- Performer
- Christa Ludwig
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
7 Act II: Hier, zu deinen Fussen 09:24
- Track
- 7
- Title
- Act II: Hier, zu deinen Fussen
- Duration
- 09:24
- Composer
- Richard Wagner
- Performer
- Claire Watson, Walter Berry, Christa Ludwig
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
8 Interlude 02:26
- Track
- 8
- Title
- Interlude
- Duration
- 02:26
- Composer
- Richard Wagner
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
9 Act II: In Fruh'n vesammelt unds der Ruf 01:26
- Track
- 9
- Title
- Act II: In Fruh'n vesammelt unds der Ruf
- Duration
- 01:26
- Composer
- Richard Wagner
- Performer
- Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
10 Act II: Des Konigs Wort und Will' tu' ich euch kund 02:55
- Track
- 10
- Title
- Act II: Des Konigs Wort und Will' tu' ich euch kund
- Duration
- 02:55
- Composer
- Richard Wagner
- Performer
- Eberhard Wächter, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
11 Act II: Nun hort, was er durch mich euch sagen lasst 03:55
- Track
- 11
- Title
- Act II: Nun hort, was er durch mich euch sagen lasst
- Duration
- 03:55
- Composer
- Richard Wagner
- Performer
- Walter Berry, Eberhard Wächter, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
12 Act II: Gesegnet soll sie schreiten 04:48
- Track
- 12
- Title
- Act II: Gesegnet soll sie schreiten
- Duration
- 04:48
- Composer
- Richard Wagner
- Performer
- Claire Watson
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
13 Act II: Zuruck, Elsa! Nicht langer will ich dulden 05:12
- Track
- 13
- Title
- Act II: Zuruck, Elsa! Nicht langer will ich dulden
- Duration
- 05:12
- Composer
- Richard Wagner
- Performer
- Christa Ludwig
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
14 Act II: Heil! Heil dem Konig! 03:04
- Track
- 14
- Title
- Act II: Heil! Heil dem Konig!
- Duration
- 03:04
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Claire Watson, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
15 Act II: O Konig! Trugbetorte Fursten! Haltet ein! 03:10
- Track
- 15
- Title
- Act II: O Konig! Trugbetorte Fursten! Haltet ein!
- Duration
- 03:10
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Walter Berry
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
16 Act II: Nicht dir, der so vergass der Ehren 06:04
- Track
- 16
- Title
- Act II: Nicht dir, der so vergass der Ehren
- Duration
- 06:04
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Claire Watson, Walter Berry, Christa Ludwig
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
17 Act II: Mein Held, entgegne kuhn dem Ungetreuen 01:45
- Track
- 17
- Title
- Act II: Mein Held, entgegne kuhn dem Ungetreuen
- Duration
- 01:45
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Claire Watson, Walter Berry
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
18 Act II: Elsa, erhebe dich! 05:17
- Track
- 18
- Title
- Act II: Elsa, erhebe dich!
- Duration
- 05:17
- Composer
- Richard Wagner
- Performer
- Jess Thomas, Claire Watson
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
- Disc 3
-
1 Act III: Prelude 03:05
- Track
- 1
- Title
- Act III: Prelude
- Duration
- 03:05
- Composer
- Richard Wagner
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
2 Act III: Treulich gefuhrt, ziehet dahin (Wedding March) 04:23
- Track
- 2
- Title
- Act III: Treulich gefuhrt, ziehet dahin (Wedding March)
- Duration
- 04:23
- Composer
- Richard Wagner
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
3 Act III: Das susse Lied verhallt; wir sind allein 06:38
- Track
- 3
- Title
- Act III: Das susse Lied verhallt; wir sind allein
- Duration
- 06:38
- Composer
- Richard Wagner
- Performer
- Jess Thomas, Claire Watson
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
4 Act III: Atmest du nicht mit mir die sussen Dufte? 04:31
- Track
- 4
- Title
- Act III: Atmest du nicht mit mir die sussen Dufte?
- Duration
- 04:31
- Composer
- Richard Wagner
- Performer
- Jess Thomas, Claire Watson
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
5 Act III: Hochstes Vertrau'n hast du mir schon zu danken 03:44
- Track
- 5
- Title
- Act III: Hochstes Vertrau'n hast du mir schon zu danken
- Duration
- 03:44
- Composer
- Richard Wagner
- Performer
- Jess Thomas, Claire Watson
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
6 Act III: Hilf Gott, was muss ich horen! 03:18
- Track
- 6
- Title
- Act III: Hilf Gott, was muss ich horen!
- Duration
- 03:18
- Composer
- Richard Wagner
- Performer
- Jess Thomas, Claire Watson
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
7 Act III: Weh, nun ist all undser gluck dahin! 04:32
- Track
- 7
- Title
- Act III: Weh, nun ist all undser gluck dahin!
- Duration
- 04:32
- Composer
- Richard Wagner
- Performer
- Jess Thomas, Claire Watson
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
8 Act III: Verwandlung 03:16
- Track
- 8
- Title
- Act III: Verwandlung
- Duration
- 03:16
- Composer
- Richard Wagner
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
9 Act III: Habt Dank, ihr Lieben von Brabant! 04:08
- Track
- 9
- Title
- Act III: Habt Dank, ihr Lieben von Brabant!
- Duration
- 04:08
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
10 Act III: Mein Herr und Konig 04:28
- Track
- 10
- Title
- Act III: Mein Herr und Konig
- Duration
- 04:28
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Kurt Equiluz, Fritz Sperlbauer, Herbert Lackner, Ljubomir Pantscheff
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
11 Act III: In fernem Land, unnahbar eu'ren Schritten 06:40
- Track
- 11
- Title
- Act III: In fernem Land, unnahbar eu'ren Schritten
- Duration
- 06:40
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Claire Watson
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
12 Act III: Mein lieber Schwan! 03:47
- Track
- 12
- Title
- Act III: Mein lieber Schwan!
- Duration
- 03:47
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
13 Act III: Fahr' heim! Du stolzer Helde! 03:59
- Track
- 13
- Title
- Act III: Fahr' heim! Du stolzer Helde!
- Duration
- 03:59
- Composer
- Richard Wagner
- Performer
- Martti Talvela, Jess Thomas, Claire Watson, Christa Ludwig
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm