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COMPOSERWECKMANN, MATTHIAS
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PERFORMERHans, Davidsson
Weckman: The Complete Organ Works / Hans Davidsson
- Loft
- March 6, 2015
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RELEASE DATEMarch 06, 2015
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UPC617145106520
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CATALOG NUMBERLRCD1065
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LABELLoft
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NUMBER OF DISCS3
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GENRE
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Praeludium a 5
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Toccata in E Minor
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Fantasia Ex D in D Minor
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn Versus 1
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Versus 1
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn Versus 2
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Versus 2
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn Versus 4
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Versus 3
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Toccata in A Minor
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Variation 1. —
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Variation 2. —
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Variation 3. —
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Variation 4. —
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Primus Versus a 4
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Secundus Versus Auff 2 Clavir
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Tertius Versus Auff 2 Clavir a 4
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Quartus Versus a 3
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Primus Versus a 4
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Secundus Versus Auff 2 Clavir
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Tertius Versus a 3
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Toccata in E Minor
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Canzon in G Major
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Primus Versus a 4
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn Versus 1
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Secundus Versus Auff 2 Clavir
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Primus Versus
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Secundus Versus Auff 2 Clavir
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Tertius Versus a 3
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Canzon in C Major
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Canzon in C Minor
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Chant verse 1
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Primus Versus a 5
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Chant verse 2-4
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Secundus Versus a 4 Auff 2 Clavir
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Chant verse 5-7
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Tertius Versus
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Chant verse 8-10
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Quartus Versus
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Chant verse 11-12, "Gloria patri minor"
Composer: Matthias Weckmann
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Toccata ex D
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Fuga ex D ped Primi Toni
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse 1
Composer: Matthias Weckmann
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Primus Versus a 5 Im vollen Werck
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse 2
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Secundus Versus a 4 Choral in Cantu manualiter vel si placet pedaliter
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse 3
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Tertius Versus a 4 Voc
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Quartus Versus: Manualitem (1. Variatio)-2. Variatio-3. Variatio a 3 Voc. Canon in Hypodiaposon …
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Quintus Versus Auff 2 Clavier
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Sextus Versus a 5 Im vollen Werck
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Preambulum primi toni
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Toccata vel praeludium in D Minor
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Canzon in D Minor
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Primus Versus
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Secundus Versus Auff 2 Clavir
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Tertius Versus
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Toccata dal 12 Tuono in C Major
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Canzon Dall istesso Tuono in C Major (version for organ)
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Primus Versus a 5 Voc Im vollen Werck
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Secundus Versus Mannualiter Canon in Hyperdiapente post minimam
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Tertius Versus Auff 2 Clav.
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Quartus Versus a 3 Pedaliter Canon in subdiapason post Semininimam
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Quintus Versus a 3 Pedal(iter) Canon in disdiapente post semiminimam
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Sextus Versus Auff 2 Clavier
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Hymn verse
Composer: Matthias Weckmann
Performer: Hans Davidsson
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Septimus et ultimus Versus Coral im Tenor Manualiter et pedal
Composer: Matthias Weckmann
Performer: Hans Davidsson
Featuring ⌄
Product Details ⌄
Works ⌄
Matthew Weckman was born in Niederdorla, Germany, around 1616, and died in 1674. While familiar to many musicians, he hardly is a household name, even among serious record collectors. Hans Davidsson and Loft Recordings have left no stone unturned in an effort to expose Weckman to a wider public. This really is a labor of love. The packaging and background information are the finest I have seen in a long time. The layout is beautiful. The text is well written. There are two different inserts, either of which would have been satisfying. Davidsson wrote his dissertation on Weckman and the first insert provides highlights of his exhaustive research, and a lifetime of study and performance. This also includes descriptions of each selection on the three CDs. The second booklet gives details on organ registration employed in the 17th century by Weckman and others, and the registration used in this recording. This may sound dry but it is not.
Davidsson places Weckman in historical context: when he learned to play; the experiences that helped him learn to compose; his experiences in Denmark and other stops on his journey through life. While growing up in Dresden, he was exposed to crosscurrents that were reshaping music in Europe, including influences from Italy and England, the Netherlands, and Northern Germany. Davidsson explains how these forces and trends came together for Weckman. And in the recording, we hear the elements unfold, illuminated by Davidsson’s insights. In the process, he demonstrates why Weckman is “without doubt one of the most important musical personalities of Germany in the seventeenth century.”
The music? When I asked an organist friend about Weckman, he laughed, and gave me a one word response: “Boring.” Yes, this is not the most electric music in the world and some of it could be described as boring. But, perhaps prejudiced by the outstanding packaging and recording, I found every section transformed into an insightful window into a faraway world. Many of his organ words are based on chorales and this recording includes these chorales, expertly sung by Schola Gothia. The organ is the North German Baroque Organ, captured in beautiful sound.
I enjoyed this album immensely. It was a fascinating and surprisingly enriching experience. Perhaps more than anything else, this provided new respect for Weckman, and greater appreciation for his role in music history. The recording, like the packaging, is spectacular. Highly recommend, particularly to organists and students of music history.
FANFARE: John E. Roos
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