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SYMPHONIES NO. 6 & 8
MDG Jan 2015
SACD
~~$24.99~~ $18.99

Dvorak: Symphonies Nos. 3 & 4 / Chichon, Deutsche Radio Philharmonie

SWR

$20.99 Oct 14, 2016

Karel Mark Chichon leads the Deutsche Radio Philharmonie through a passionate, colorful and meticulously prepared interpretation of Dvorak's Symphonies Nos. 3 & 4. This release is the third installment of SWR Klassik's Dvorak Symphony Cycle.

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Dvorak: Symphonies Nos. 3 & 4 / Chichon, Deutsche Radio Philharmonie
SWR Oct 2016
CD
$20.99

Brahms: Symphonies Nos. 1-4 / Jordan, Vienna Symphony Orchestra

Wiener Symphoniker

$53.99 Aug 07, 2020

After the critically acclaimed recording of Beethoven's nine symphonies, the Wiener Symphoniker present now under the direction of their outgoing Music Director Philippe Jordan another cyclical recording: The Symphonies by Johannes Brahms. It had taken 14 years of preparatory work before Brahms ventured to complete his First Symphony in 1876. The four symphonies that emerged in the following decade are not only touching measurements of the human soul's landscape but also the central creative legacy of the great romantic composer. All four symphonies were recorded live in the Golden Hall of the Wiener Musikverein in autumn 2019 – a hall that arguably meets the tonal requirements of the works like no other. After all two of the four symphonies had been premiered here while the other two had been performed here for the first time in Austria. This latest production by the Wiener Symphoniker marks the end of Philippe Jordan's tenure as Music Director of the traditional Viennese orchestra but also represents the culmination of their internationally celebrated artistic collaboration. With the new publication, the Wiener Symphoniker are presenting the twenty-first release on their eponymous label founded in 2012.

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Brahms: Symphonies Nos. 1-4 / Jordan, Vienna Symphony Orchestra
Wiener Symphoniker Aug 2020
CD
$53.99

MAHLER: SYMPHONY 9 (+INTERVIEW) SYMPHONY 4

ALTO

$12.77 Dec 14, 2018

(in the year before Dr. Walter's own death.. his friend Mahler's own 9th symphony) "he unerringly builds up consistent structure, controlling tempo closely... middle movements are sharply focussed, and the finale tough and stoically strong" (3 stars) (4th) "sound has attractively vivid detail, naturally glowing... everything Reiner does sounds spontaneous... Viennese influence strong... slow movement striking intensity... Lisa della Casa in ravishing voice" (both Penguin Guide)

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MAHLER: SYMPHONY 9 (+INTERVIEW) SYMPHONY 4
ALTO Dec 2018
CD
$12.77

Mendelssohn, Felix: Symphonies Nos. 3 and 4
Nimbus Oct 1996
CD
$16.99

Martinu Symphonies Nos. 3 and 4
Supraphon Nov 2003
CD
$27.99

Wilms: Symphony No. 6, Op. 58; Overtures

CPO

$18.99 Nov 15, 2024

In 2017, Croatian conductor Ivan Repusic succeeded Ulf Schirmer as chief conductor of the Munich Radio Orchestra. In this role, he made his cpo debut in 2023 with works by the Swedish composer Gunnar de Frumerie. Now, at the helm of "his" orchestra, he is devoting himself to one of those classics that take second place to the undisputed masters of the era: Johann Wilhelm Wilms (1772-1847), who gained renown in Amsterdam as a composer, organist, and flutist. Two years younger than Beethoven, he was a devoted admirer of Joseph Haydn, whose spirit imparted a peculiar flair even to Wilms' later symphonies. The dramatic tone, which also characterizes long stretches of his overtures, never turns into something fatal and inevitable - and precisely, this balancing act gives the music of the man from Leichlingen in the Bergisch-Gladbach district it's unique charm.

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Wilms: Symphony No. 6, Op. 58; Overtures
CPO Nov 2024
CD
$18.99

Tchaikovsky: Symphonies Nos. 2 & 4 / Järvi, Tonhalle-Orchester Zürich

Alpha

$20.99 Apr 09, 2021

Principal Conductor and Music Director of the Tonhalle-Orchester Zürich since October 2019, Paavo Järvi continues his complete cycle of Tchaikovsky’s symphonies, following a first volume devoted to Symphony no.5 and the symphonic poem Francesca da Rimini. This second volume features Symphonies nos. 2 and 4. The Fourth, composed in 1878 and nicknamed the ‘Fate’ Symphony because of its somber coloring, which may recall the neuroses attributed to Tchaikovsky, is one of his most frequently performed. The Second Symphony, composed in 1872 and much less frequently performed in concert, is known as the ‘Little Russian’ because Tchaikovsky drew on Ukrainian folk tunes. The very first movement begins with a solo horn version of the folksong ‘Down by Mother Volga’

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Tchaikovsky: Symphonies Nos. 2 & 4 / Järvi, Tonhalle-Orchester Zürich
Alpha Apr 2021
CD
$20.99

Krecek: Stones to Bread - Symphony No. 4
ArcoDiva Jun 2010
CD
$18.99

Bacewicz: Symphonies Nos. 3 & 4 / Borowicz, WDR Sinfonieorchester Köln

CPO

$18.99 Jan 06, 2023

The symphonic oeuvre of the Polish composer Grazyna Bacewicz has never before been recorded in its entirety "from one source", so that the series beginning here represents a pioneering act. The Third Symphony for large symphony orchestra was written in early 1952 and the monumental and pathetic music shows a hitherto unknown face of the composer. One of its characteristics is the use of large instrumental blocks, although fragments also appear that hint at the lighter expressivity of the neoclassical tradition. It is a masterfully constructed work and the overt formal schemes of the Classical period are complemented by the subtle use of elements that were characteristic of music between the wars - in particular the timbres of the French tradition. Nevertheless, this work is not about setting new accents. The same applies to the Fourth Symphony. The orchestra of this work from 1953 is larger than in the previous symphony - among other things, English horn, E-flat and bass clarinet, contrabassoon and harp are now also called for. In both works, the composer achieved an excellent balance between the music of the past (form referring to tradition) and new sources of inspiration (folklore) as well as a new approach to traditional elements (rhythm). As a result, she managed to reconcile the autonomous, artistic qualities of her music with the expectations of the cultural policy of the time. We are very happy to have found congenial interpreters for this project, which sets new standards in the WDR Symphony Orchestra and the Polish conductor Lukasz Borowicz.

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Bacewicz: Symphonies Nos. 3 & 4 / Borowicz, WDR Sinfonieorchester Köln
CPO Jan 2023
CD
$18.99

Schumann: Symphonies 1-4 / Rattle, Berlin Philharmonic
Berlin Philharmoniker Aug 2015
SACD
$34.99

Beethoven: Symphonies Nos 1 & 4 / Kubelik

PENTATONE

SACD

$21.99 Sep 15, 2017

The latest release in the Remastered Classics series from PENTATONE is Rafael Kubelik’s sprited and acclaimed reading from the 1970s of Beethoven’s first and fourth symphonies, performed with the London Symphony Orchestra and the Israel Philharmonic Orchestra. Delightful, infectious and witty, Beethoven’s first symphony is a paean to the classical symphonies of Haydn and Mozart shot through with very Beethovenian touches, such as the opening Adagio which starts in the wrong key and the final movement which struggles to get started at all. These peculiarities taken with the felicity and inventiveness of his writing make this a happy and evergreen work. Overshadowed by the monumental third and the dramatic fifth symphonies, Beethoven’s cheerful and optimistic fourth has been described as a “wolf in sheep’s clothing” for its mix of engaging melodies, lurching rhythms, pungent dissonances and its vigorous orchestral writing. While structurally and harmonically more complex than the first symphony, it too is cast in the classical mould with a palpable nod to Haydn in the rousing final movement. Rafael Kubelik recorded his acclaimed cycle of Beethoven symphonies in the 1970s for Deutsche Grammophon, each with a different orchestra to dazzling effect. Although recorded in multi-channel sound, these unmissable performances have previously been available only in the conventional two-channel stereo format. Using state of the art technology which avoids the need for re-mixing, PENTATONE’s engineers have remastered the original studio tapes to bring the performances to life as originally intended: in compelling and pristine multi-channel sound. Further releases from this memorable cycle are planned this year in the Remastered Classics series: Symphonies 2 & 5 (October) and Symphonies 6, 7 & 8 (November).

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Beethoven: Symphonies Nos 1 & 4 / Kubelik
PENTATONE Sep 2017
SACD
$21.99

Szymanowski: Symphonies No 3 & 4 / Antoni Wit, Warsaw Philharmonic [blu-ray Audio]

Naxos AudioVisual

Blu-Ray

$16.99 Sep 27, 2011

This is an audio-only (i.e., with no video content) Blu-ray disc playable only on Blu-ray players.

Szymanowski’s Symphony No. 3 ‘Song of the Night’ creates a potent atmosphere of Persian mysticism in its rich blend of voices and exotic orchestration. His Symphony No. 4 is largely extrovert in character and has a prominent rôle for piano. Symphonies Nos. 1 and 2 can be found on NBD0021. The CD release of Symphony No. 3 was Gramophone Editor’s Choice and given 5 STARS by ClassicFM (8.570721), and Symphony No. 4 an ‘unbeatable’ 10/10 from ClassicsToday.com ( 8.570722); the complete cycle acclaimed as ‘revelatory’ (ClassicalCDReview.com).

Reviews of the CD versions of these recordings

"Antoni Wit almost always can be relied on to deliver very thoughtful, beautifully musical, even inspired results, and there's no question that he conducts these works extremely well. The performances of both symphonies have a confidence and warmth about them that bespeaks a thorough understanding of Szymanowski's richly textured idiom. The Song of the Night (a.k.a. Symphony No. 3) has many of the same qualities that made Wit's Mahler Eighth so special: terrific choral singing, a bigness of conception that never precludes physical excitement, and very natural balances between vocal and instrumental forces."
--David Hurwitz, ClassicsToday.com

"As previous issues in this series have shown, when Antoni Wit and his forces are in top form in the music of Szymanowski, they're pretty much unbeatable...The performance of the Symphonie Concertante, one of Szymanowski's greatest works, is superb. Pianist Jan Krzysztof Broja plays the solo part beautifully. He's got the chops for the big moments in the outer movements, but it's his delicacy at the start of the central andante that's most memorable. Wit, typically, directs the orchestra with remarkable clarity as well as power. The finale in particular never has sounded less "clogged" texturally, while the very natural engineering always leaves plenty of room for the sound to expand and fill the hall at those ecstatic climaxes that are such a hallmark of this composer. A splendid release!"
-- David Hurwitz, ClassicsToday.com

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Szymanowski: Symphonies No 3 & 4 / Antoni Wit, Warsaw Philharmonic [blu-ray Audio]
Naxos AudioVisual Sep 2011
Blu-Ray
$16.99

Ives: Symphonies Nos. 3 & 4; Circus Band March; Set For Thea
Vanguard Records Apr 2010
CD
$15.99

Schumann: Symphonies No 1-4 / Rattle, Berlin PO [2 CDs & 1 Blu-ray Audio]

Berlin Philharmoniker

CD + Blu-Ray

$96.99 May 01, 2014

"[M]ightily attractive for the overall quality of the performances…. [The Berlin Philharmonic] play with altogether more heft, a quality born of longstanding tradition and communal spirit. … [T]he playing is always brilliant, with blazing tremolos from the strings, distinctive colorings from the woodwinds and golden orations from the brasses." – James R. Oestreich, The New York Times

With such fresh and invigorating performances this new set conducted by Rattle breathes new life into these Schumann symphonies and is certainly the one to own. [...]

The sound engineers at the Philharmonie are to be congratulated for providing appealing, transparent, well balanced sound with all the instrumental detail wonderfully audible. These are live recordings containing virtually no extraneous noise and I notice that the applause has been removed. As one might expect there has been a lot of time and care lavished on this inaugural release of the Berliner Philharmoniker’s own label. Typical of the work this orchestra undertakes, everything is done with integrity, precision and total empathy for the music. The set is performed with impressive solidity, feeling natural and unmannered with Rattle choosing judicious pacing throughout communicating a spring-like freshness to Schumann’s romantic vision. I can see these Rattle recordings of the Schumann symphonies becoming the benchmark for many years to come such is the excellence of the Berliner Philharmoniker’s performances.

– Michael Cookson, MusicWeb International

I enjoyed these performances greatly. Rattle displays a fine affinity with these scores and though the orchestra members must have played these symphonies many times there’s never the slightest suspicion of routine here: everything sounds fresh and newly discovered – though I hasten to add that there’s never a suspicion of disruptive point-making. In the Behind the Scenes feature one of the orchestra’s first konzertmeisters, Daniel Stabrawa, describes Rattle as one of the few conductors who know what Schumann really means and you sense that the orchestra has relished discovering these scores in performance with him.

This lavish production launches the orchestra’s own label in splendid style and I’m thrilled that I’ve had the chance to experience these fine performances.

– John Quinn, MusicWeb International

-----

For Simon Rattle, Robert Schumann is "the echt Romantic." And in fact, the exuberance of the period, its passion, and its melancholy can be heard with unique intensity in Schumann's music to this day. For the Berliner Philharmoniker, Schumann's symphonies have always been part of their core repertoire. The 1953 Wilhelm Furtwängler recording in particular has attained cult status. And so it only stands to reason that the Berliner Philharmoniker should launch their Berliner Philharmoniker Recordings label with a cycle of the four Schumann symphonies.

The Schumann symphonies have accompanied the orchestra throughout 2013 – in Berlin and on tour in Europe and Asia. The Berlin Tagesspiegel wrote of a "defining moment," while the Frankfurter Allgemeine Zeitung praised the "truly sensational quality." Another special feature of this recording from the Philharmonie is the decision to use the early version of the Fourth Symphony from 1841, whose appeal for Simon Rattle lies in its extra "lightness, grace, and beauty" compared to the established later version. The presentation of the product, its packaging, and the special features, go far beyond what standard CDs offer.

The linen-bound CD/Blu-ray edition includes the Schumann cycle in different formats. In addition to the traditional audio CDs, there is also a Blu-ray Disc which enables music lovers to listen to the recording in audiophile studio quality of 96kHz/24bit or as HD video. If you are looking for the recording in even higher resolution, there is an accompanying code which allows you to download a version online in up to 192kHz/24bit. An additional code grants 7 days' access to the Berliner Philharmoniker's video platform, the Digital Concert Hall. The release also includes bonus material such as behind-the-scenes videos and a comprehensive booklet with articles about the composer, his symphonies, and the Schumann tradition of the Berliner Philharmoniker.

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Schumann: Symphonies No 1-4 / Rattle, Berlin PO [2 CDs & 1 Blu-ray Audio]
Berlin Philharmoniker May 2014
CD + Blu-Ray
$96.99

BEETHOVEN: SYMPHONIES NOS. 3 EROICA 4 & 5

WARNER CLASSICS

Vinyl

$57.49 May 23, 2025

I waited a very long time to record the Beethoven symphonies, said Daniel Barenboim when this cycle was first released in 2000. "I waited for the music to mature in me - or me in it - and to find an orchestra that not only did what I asked it to do, but which really felt every detail in the music exactly as I did at the moment we were playing it. This is the greatest joy that a conductor can have." Beethoven's 9 Symphonies recorded by Daniel Barenboim and the Staatskapelle Berlin for Teldec in 1999 will be released for the first time on vinyl, in 3 separate albums.

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BEETHOVEN: SYMPHONIES NOS. 3 EROICA 4 & 5
WARNER CLASSICS May 2025
Vinyl
$57.49

Langgaard: Symphonies 4, 5 & 6 / Järvi, Danish Nrso
Chandos Jun 1992
CD
$21.99

VAUGHAN WILLIAM: SYMPHONIES NOS. 4 & 5

ALTO

$11.01 Oct 14, 2022

The [4th Symphony] is especially interesting: not previously issued; furthermore, it may well be new to the Davis discography. Vaughan Williams' Fourth Symphony receives a terrific reading... first movement full of teeming energy and the recorded sound adds to the impact... an expertly judged slow movement offers refined playing but they and Davis make the climaxes ardent. The Scherzo is really incisive... The finale explodes into life and the LSO brass is on trenchant form... Davis keeps the performance rock-steady and they achieve great clarity... hard to understand why it was never issued separately - greatly to be welcomed" (MusicWeb). [5th symphony]: "I found these performances far more communicative... Marriner conveys a greater sense of radiance and warmth and a greater awareness of the underlying forces beneath the surface (the final movement is particularly well done)" (Gramophone)

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VAUGHAN WILLIAM: SYMPHONIES NOS. 4 & 5
ALTO Oct 2022
CD
$11.01

Rubbra: Symphonies Nos. 2 & 4 / BBC Symphony

SOMM Recordings

$20.99 Feb 16, 2018

History is re-claimed with two significant archive recordings, newly restored and re-mastered, by the BBC Symphony Orchestra of a master British symphonist in his early prime on Somm Céleste. The first recorded appearance of Edmund Rubbra conducting the wartime premiere of his own Fourth Symphony (taken from an off-air recording of the live broadcast) is coupled with a live 1954 BBC radio broadcast – considered “quite stupendous” by the composer – of the Second Symphony conducted by the work’s dedicatee, Sir Adrian Boult. The Second Symphony boasts a language that is utterly original, the entirety of its four-movement arc spun out from the long-breathed noble theme at its opening. So enamoured of the Second was Boult he later chose it as one of his Desert Island Discs when he appeared on the iconic BBC Radio 4 programme. Recently conscripted, Rubbra was dressed in full military uniform when he conducted the premiere of his Fourth Symphony during the 1942 Proms season at the Royal Albert Hall. At once epic and intimate, powerful and poetic, it has, claims his one-time pupil Robert Layton “one of the most beautiful openings not just in Rubbra but in all English music” and a stirring finale of triumphant dimensions that has been likened to Bruckner. Rubbra’s own introduction to the symphony – first broadcast by BBC Radio five days before its premiere in This Week at the Proms – offers a revealing glimpse into the heart of a mighty and moving symphony.

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Rubbra: Symphonies Nos. 2 & 4 / BBC Symphony
SOMM Recordings Feb 2018
CD
$20.99

Diamond: Symphonies Nos. 2 & 4 / Schwartz, Seattle Symphony

Naxos

$19.99 Jun 01, 2004

REVIEW:

Gerard Schwarz's David Diamond symphony recordings originally appeared on the Delos label in the early 1990s. They remain impressive (though unfortunately still rare) documents of this composer's uniquely engaging music. In contrast to Symphony No. 1's ebullient opening, Diamond's Second begins with a wistful Adagio funebre, one of the work's longer and more profound movements, another being the beautiful Andante expressivo (with its evocative string and woodwind writing). The harmonic and melodic style occasionally recalls Copland, who comes most immediately to mind in the brass and bass drum play of the scherzo. However, the finale brings that unique blend of folksy Americana and classical rigor that marks much of Diamond's work.

Symphony No. 4's finale uses a similar rhythmic structure and even shares the same key as the Second, but otherwise the two works are quite different. Diamond compacts a lot of material into three brief movements. The musical language is less overtly tuneful than in No. 2, but the composer's expanded harmonic and textural palette ensures ever-captivating sounds, just as his sense of dramatic contrast and well-timed climaxes provide substantial emotional impact throughout. Schwarz conducts both scores with keen sensitivity, while the Seattle Symphony (particularly the brass in No. 4) relishes the challenge of this then-unfamiliar music. The low-level recordings require a volume boost to register fully, and they retain some shallowness, but not enough to detract from full enjoyment of the performances.

--Victor Carr Jr, ClassicsToday.com

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Diamond: Symphonies Nos. 2 & 4 / Schwartz, Seattle Symphony
Naxos Jun 2004
CD
$19.99

Expanded Edition - Beethoven: Symphony No 5, Etc / Walter

Sony Masterworks

$11.98 Sep 30, 2003

Columbia Symphony Orchestra/Bruno Walter. Sony Classical SMK 64460 [Symphonies Nos. 1 and 2, with Coriolan Overture]; 64461 [Nos. 3 (Eroica) and 8]; 64462 [Nos. 4 and 6 (Pastorale)]; 64463 [Nos. 5 and 7]; and 64464 [No. 9]

Walter recorded the Beethoven symphonies in stereo for Columbia in 1958-59, taping No. 9 in New York and Nos. 1-8 in Los Angeles with orchestras of freelance and studio musicians who rose magnificently to the occasion. Walter was in his eighties, but that didn’t stop him from grabbing these works by the throat; there is no mincing around, no effusive lingering over phrases, no ponderous trudging either. The even-numbered symphonies are sunny and outgoing, full of the warmth the conductor exuded during his Indian-summer years in the studio. Yet the drama of the odd-numbered works is not slighted. Walter’s account of the Fifth, for example, is an intensely expressive one in which lyricism and thrust are in perfect balance, an evocation of stormy Romanticism at its best. The recordings have held up extremely well; the sound on these 20-bit CDs is spacious yet detailed, with amazing presence and solidity. – Ted Libbey, author of The NPR Guide to Building a Classical CD Collection, reviewing Bruno Walter's recordings of Beethoven's Symphonies Nos. 1 and 2, with Coriolan Overture]; 64461 [Nos. 3 (Eroica) and 8]; 64462 [Nos. 4 and 6 (Pastorale)]; 64463 [Nos. 5 - reissued as Sony 93012, and 7]; and 64464 [No. 9].

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Expanded Edition - Beethoven: Symphony No 5, Etc / Walter
Sony Masterworks Sep 2003
CD
$11.98

Weimarer Klassik, Vol. 4 / Weder, Thuringian Symphony Orchestra

Ars Produktion

$20.99 Nov 20, 2020

The fourth episode of the "Weimar Classic" is dedicated to Franz Carl Adelbert Eberwein's "Entreactes and Songs to Goethe's Wife". It's a world premiere recording and is presented by the chamber choir of the Hochschule für Musik "Franz Liszt" Weimar under the direction of Jürgen Puschbeck. They are accompanied by a number of speakers and singers, including Hans Burkia in the role of Faust. Franz Carl Adalbert Eberwein (10 November 1786 - 2 March 1868) was a German composer and violinist. He was born in Weimar, Germany and learned music under the consultation of his father. He was good friends with Johann Wolfgang von Goethe, and put music to many of his works, such as Faust and to Proserpina.

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Weimarer Klassik, Vol. 4 / Weder, Thuringian Symphony Orchestra
Ars Produktion Nov 2020
CD
$20.99

SIBELIUS: TONE POEMS, SYMPHONIES 4 & 5

WARNER CLASSICS

SACD

$20.39 ~~$23.99~~ Save 15% Sep 25, 2026

Fourth release in the Warner Classics series of Herbert von Karajan Hybrid SACDs with a new HD 192/24 remastering from the original tapes. "Karajan is a great master," wrote Jean Sibelius in 1955, while the conductor said that Sibelius "is a composer who cannot really be compared to anyone else". Gramophone added in 1981: "No living conductor has done more for the music of Sibelius than Herbert von Karajan." In the tone poems and the two symphonies in this collection, Karajan explores with the magnificent Berlin Philharmonic the music's mysteries, unfolds it's structures and releases it's exhilarating power.

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Sale

SIBELIUS: TONE POEMS, SYMPHONIES 4 & 5
WARNER CLASSICS Sep 2026
SACD
~~$23.99~~ $20.39

Shostakovich: Chamber Symphony Op. 110a "in Memory Of The Victims Of Fascism And War"
Sony Masterworks May 2010
CD
$17.99

Schubert: The Complete Symphonies (4 CD Set)

Challenge Classics

$24.99 Aug 16, 2024

We at Challenge Classics are proud to present the complete edition of Schubert's symphonies in the interpretation offered by Jan Willem de Vriend conducting the Residentie Orkest Den Haag. - Even among experts, these symphonies were regarded as second-rate copies of the great Viennese classics. de Vriend's exceptionally fresh and pulsating interpretation, however, decisively corrects the old prejudices and points to Schubert's own emerging symphonic concept (Crescendo - DE - on CC 72739, vol.1 I soon became accustomed to the sheer brio of de Vriend's approach, which included striking variations in volume, decisive accents and many lickety-split finales... combination of delicacy, decisiveness and drive (Fanfare - USA - on CC 72802, vol.2) ... The feeling is of musical values leading at every point. (BBC Music Magazine - UK - on CC 72863, vol.3) The enchanting opening theme of Symphony No. 5 sets what will be the preponderant tone, vigorous and elegant, and that agreeably bracing idiom is maintained throughout both symphonies. (BBC Music Magazine - UK - on CC 72803, vol.4)

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Schubert: The Complete Symphonies (4 CD Set)
Challenge Classics Aug 2024
CD
$24.99