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Mahler: Symphony No. 7 / Rattle, BRSO

BR Klassik

$19.99 Jan 17, 2025

In November 2021, even before taking up his post as chief conductor of the Bavarian Radio Symphony Orchestra, Simon Rattle began a cycle of Mahler symphonies with a performance of the Ninth (BR-KLASSIK 900205). The Sixth followed in September 2023 (BR-KLASSIK 900217), and the conductor is now tackling the composer’s Seventh Symphony. This cycle marks the beginning of a new chapter in Mahler interpretation, as Rattle is just as passionate a Mahler admirer at the helm of the orchestra as his predecessors Jansons, Maazel, and Kubelík.

Simon Rattle gained his international reputation during his 18 years as Principal Conductor of the City of Birmingham Symphony Orchestra (1980–1998), which he made world famous. In 2002 he was appointed to succeed Claudio Abbado as Chief Conductor of the Berlin Philharmonic, a position he retained until June 2018. In March 2015 the London Symphony Orchestra elected him as their new Chief Conductor for the 2017-2018 season, a position he retained until summer 2023. Simon Rattle also maintains close ties with the Los Angeles Philharmonic, Boston Symphony, and Philadelphia Orchestras, as well as the Vienna Philharmonic.

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Mahler: Symphony No. 7 / Rattle, BRSO
BR Klassik Jan 2025
CD
$19.99

Charles Koechlin: Symphony No. 1

Capriccio

$21.99 May 02, 2025

It took almost 100 years for Charles Koechlin's First Symphony to get a proper recording and over a year for Ariane Matiakh to prepare the material. After her highly praised recording of Koechlin's Seven Stars Symphony (C5449), this is a much-appreciated further foray into the largely unexplored symphonic world of this fascinating composer, a French Chameleon of sorts, who felt comfortable anywhere between Bachian counterpoint and the heights of French impressionism. The earlier Au loin, Poeme symphonique and 3 Melodies (orchestrated posthumously) round out the scintillating picture.

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Charles Koechlin: Symphony No. 1
Capriccio May 2025
CD
$21.99

Lajtha: Symphonies Nos. 5 & 6 / Pasquet, Pecs Symphony

Naxos

$19.99 May 12, 2017

Lázsló Lajtha was one of the most significant Hungarian composers of the 20th century, yet his international recognition suffered under Communist suppression and his remarkable oeuvre remains neglected. Described by the composer as "very tragic, epic, like a ballad", the Fifth Symphony is a heartfelt and forceful statement reflecting persecution and the elusive nature of hope. With its moments of nocturnal enchantment and sparkling humor, the Sixth Symphony is enriched by uniquely colorful orchedstration. These moods are also present in the wittily brilliant overture to Lajtha's ballet Lysistrata.

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Lajtha: Symphonies Nos. 5 & 6 / Pasquet, Pecs Symphony
Naxos May 2017
CD
$19.99

COLIN DAVIS: BOSTON LEGACY

ELOQUENCE AUSTRALIA

$128.99 May 22, 2026

Reissued complete for the first time, the recorded legacy of Sir Colin Davis and the Boston Symphony Orchestra on Philips, including an unsurpassed cycle of Sibelius symphonies. Each element of the tricky chemistry came off when Colin Davis made his debut with the Boston Symphony Orchestra in 1967, in concerts of Berlioz, Stravinsky and Dvorak. In search of a new Principal Conductor at the time, the BSO offered the post to Davis, but he preferred to focus his energies on the directorship of the Royal Opera in London. However, he began making regular return visits to Boston, and in 1974 became the orchestra's Principal Guest Conductor. As the most 'European'-sounding of the great American orchestras, the BSO responded with natural affinity to Davis's sense of line and cultivated warmth in canon repertoire. When he began to explore Sibelius with them, both the orchestra and audience responded with cautious curiosity which blossomed into committed enthusiasm. Philips capitalised on this affinity by recording them together in the complete symphonies and selected tone-poems between 1975 and 1980, successfully capturing the intensity of the associated concerts. While the Sibelius cycle has maintained a firm place in the catalogue, other albums in the BSO/Davis discography have fallen from prominence. They include a fizzing Mendelssohn album of the 'Italian' Symphony and excerpts from A Midsummer Night's Dream; a delectably sprung set of excerpts from Schubert's Rosamunde, and one of the first-ever versions of the 'Great' C major Symphony to include all the repeats. Davis had a long-established harmonious working relationship with Claudio Arrau, and the Chilean pianist came to Boston to record magisterial, lovingly detailed versions of the concertos by Schumann, Grieg and Tchaikovsky. While Tchaikovsky is hardly a name associated with Davis, the conductor also drew remarkable tension, energy and volume from his Boston forces in Romeo and Juliet and the 1812 Overture (complete with chorus, organ, bells and the rest). This Original Covers box from Eloquence comprises newly remastered recordings and includes a new booklet essay by Peter Quantrill, exploring the history of Colin Davis in Boston, the elements of their happy artistic chemistry and the stories behind the scenes.

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COLIN DAVIS: BOSTON LEGACY
ELOQUENCE AUSTRALIA May 2026
CD
$128.99

SYMPHONY 7

SFS MEDIA

SACD

$21.99 Jun 12, 2012

This release from Michael Tilson Thomas and the San Francisco Symphony features Ludwig van Beethoven's Symphony No. 7 coupled with the Leonore Overture No. 3. One of his most stirring works and also one that he considered among his best, Beethoven's Symphony No. 7 was immensely popular from it's first playing. Recently, it's powerful second movement was used to great dramatic effect in the seminal moments of the Oscar-winning movie the King's Speech. While Beethoven wrote only one opera, he wrote multiple overtures for it, and the third of the series fully captures the joyful outcome of the story. Both recordings were taken from live in concerts held at Davies Symphony Hall in San Francisco.

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SYMPHONY 7
SFS MEDIA Jun 2012
SACD
$21.99

Weinberg: Symphony No. 17 & Suite for Orchestra / Lande, Siberian State Symphony

Naxos

$9.99 ~~$19.99~~ Save 50% Oct 14, 2016

Mieczys?aw Weinberg – whose music was virtually unknown in the West until quite recently – composed, despite the incredible difficulty of the circumstances of his life, an enormous amount of music, including seventeen string quartets and no less than twenty-six symphonies, which puts him, in sheer prolificity among twentieth century symphonists close to Myaskovsky (27), but lagging somewhat behind Havergal Brian (32). Outstanding among Weinberg’s symphonies is the trilogy made up of the seventeenth, eighteenth and nineteenth symphonies, collectively entitled On the Threshold of War. This refers to what is known in Russia as The Great Patriotic War, or, in other words, World War Two.

So here we have no.17, ‘Memory’; it is a four-movement work with what might be thought a relatively conventional profile. But the way Weinberg handles the symphonic form and his material is, in all aspects, highly personal, and it is an unquestionably powerful statement. The movements are: an opening slow movement - Adagio sostenuto - of great intensity; then a fast, furious and lengthy Allegro molto; a much shorter Allegro molto, pesante; and another long movement, marked Andante, to complete the work.

There is, as far as I can ascertain, only one other recording of this symphony, that of a 2013 concert performance by the Vienna Symphony Orchestra under Vladimir Fedoseyev. Though that is a committed performance, the sound is rather ‘raw’, and orchestral ensemble is often rough round the edges. The Siberian State Symphony Orchestra, on the Naxos recording, plays well, even if the strings do lack the bloom of a really top-class outfit. The recording is extremely well-balanced, so that wonderful moments, such as the entry of the harpsichord in the second movement, make the maximum impact. In fact, I found this the finest movement of the four; Weinberg constructs the movement so consistently from the various melodic motifs, and the scoring, particularly its use of the two keyboard instruments – piano and harpsichord – is outstandingly atmospheric. The way it eventually resolves into a searing elegy for the high strings is compelling, as is the sense of disintegration at its close.

This is certainly an impressive work, which deserves a distinguished place among the great World War Two symphonies – Vaughan Williams 6, Prokofiev 6, Shostakovich 7 and 8, Copland 3 and Honegger’s Symphonie Liturgique, to name a few of the best known. Inevitably not the most cheerful piece, and some will find it grim. I would prefer the word ‘bracing’, for Weinberg maintains the concentration and the symphonic argument strongly throughout the work’s forty-five minute duration.

But it is demanding, which is why it was such a good idea to begin the CD with something as hugely entertaining as the little Suite for Orchestra of 1950. This is pure delight, and I’d be very surprised if this piece was not now taken up by other orchestras (this is the first recording). The opening Romance has a gorgeously lachrymose theme, first heard in the trumpet, while the Humoresque has deliciously light scoring. The spirit of Shostakovich hovers very close; Weinberg’s third movement recreates perfectly the mood of those haunted and very Russian waltzes found in both of the older composer’s Jazz Suites.

An impressive and enjoyable disc then. And one other thing; we don’t often credit the writers of booklet notes, so I wanted to mention the exemplary notes provided for this issue by Richard Whitehouse. Genuinely helpful and informative, unlike some writers who sometimes appear simply to want to blind us with their musicological ‘insights’. After all, how many of us want - or need – to know what key the music modulates to in bar 63 etcetera, etcetera?

– MusicWeb International (Gwyn Parry-Jones)

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Weinberg: Symphony No. 17 & Suite for Orchestra / Lande, Siberian State Symphony
Naxos Oct 2016
CD
~~$19.99~~ $9.99

Alfvén: Symphony No. 2
Musica Sveciae Jan 1989
CD
$18.99

Mahler: Symphony No. 2 / Bychkov, Czech Philharmonic

PENTATONE

$19.99 Apr 07, 2023

After critically-acclaimed recordings of Mahler’s Fourth and Fifth Symphony, the Czech Philharmonic and Semyon Bychkov continue their Pentatone Mahler cycle with a rendition of the composer’s Second, nicknamed “The Resurrection”. They are joined by soprano Christiane Karg, alto Elisabeth Kulman and the Prague Philharmonic Choir.

Starting with a funeral march, passing through the introspective alto song “Urlicht” and ending in choral bliss and euphoria, Mahler’s Second is a deeply spiritual and personal contemplation on the secret of life and the possibility of overcoming death. For Bychkov, the symphony “shows the life cycle in all its struggles: suffering, joy, irony, humour, love and doubt.” The Czech Philharmonic is one of the world’s most acclaimed orchestras, with a rich tradition of performing Czech masters and music from Central Europe.

Semyon Bychkov has led the greatest orchestras of the world, and is Chief Conductor and Music Director of the Czech Philharmonic as of the 2018/2019 season. Orchestra and maestro released recordings of Mahler’s Fourth and Fifth Symphony (both 2022) on Pentatone, kicking off a complete Mahler cycle. Elisabeth Kulman has participated on several Pentatone releases, while Christiane Karg makes her Pentatone debut.

REVIEW:

You marvel at the fresh depth and breadth that Bychkov and his players find within this towering work. The Russian-American conductor doesn’t labor over the funeral march, and in the shattering final movement he draws performances of exquisite balance, control and stillness. This is turning out to be one of the truly great Mahler sets.

-- The Sunday Times (U.K.)

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Mahler: Symphony No. 2 / Bychkov, Czech Philharmonic
PENTATONE Apr 2023
CD
$19.99

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Bruckner: Symphony No. 1
Challenge Classics Apr 2015
SACD
~~$20.99~~ $10.49

Anton Bruckner: Symphony No. 8 in C Minor, Version 1890

Profil

$20.99 Mar 13, 2026

This symphony is the creation of a giant, and it surpasses all of the master's other symphonies in terms of it's spiritual dimension, it's fearsomeness, and it's grandeur. It's success is almost unprecedented, despite the most ominous warnings of a variety of Cassandras, and that includes several close colleagues. The work was a complete victory of light over darkness, and the storm of enthusiasm which broke out with elemental force when the individual movements had faded away was mighty. In short, it was a triumph that a Roman emperor could not have wished for more beautifully. (Hugo Wolf)

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Anton Bruckner: Symphony No. 8 in C Minor, Version 1890
Profil Mar 2026
CD
$20.99

Mix & Match

Frederic Cliffe: Symphony No. 1; Cloud And Sunshine
Sterling Records Aug 2013
CD
$20.99

Sale

Beethoven: Symphonies Nos. 4 & 5 (Live)
Stradivarius Sep 1988
CD
~~$11.99~~ $8.99

Shostakovich: Symphony No. 4; Music for Hamlet

ALTO

$11.01 Jul 26, 2024

Kondrashin's Fourth was made shortly after the first performance and is altogether outstanding. It is both spontaneous and imaginative... it's intensity of feeling and refinement of detail are matched by recording quality of striking range for it's period." (Gramophone) "Of the film scores... Hamlet was made of sterner stuff. This music is close in spirit to the major works he was working on at the time, you'll find many of the same textures and sometimes even the same music here." (Gramophone)

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Shostakovich: Symphony No. 4; Music for Hamlet
ALTO Jul 2024
CD
$11.01

Mendelssohn: Symphony No 4, Etc / Johannes Wildner, Et Al
Amadis Oct 1995
CD
$16.99

SIBELIUS: SYM NO. 5 & STRAVINSKY: THE FIREBIRD

MUNCHNER PHILHARMONI

$17.49 Jul 15, 2022

The Munich Philharmonic and Sergiu Celibidache share an exceptional legacy. He started his work as principal conductor in 1979 and remained in this position for as long as 17 years. Sergiu Celibidache played an integral part in making the Munich Philharmonic what it is today: an orchestra of worldwide renown. On it's MPHIL label, the Munich Philharmonic is opening up it's vast archives, giving listeners the opportunity to enjoy one of the richest collections of recordings by legendary artists. Because of the Celibidache era and it's part in forming the core essence of the orchestra, the MPHIL label has placed a particular focus on archive recordings under the baton of Sergiu Celibidache. In spring 2022, it is a recording with Sergiu Celibidache with the Symphony No. In E-Flat Major Op. 82 by Jean Sibelius from 1988 as well as Igor Strawinsky's »The Firebird« from 1982. In Sibelius 5th Symphony, Thor swings his hammer, and the listener can feel cosmic forces at work in this music, something on which Sibelius himself commented when writing in 1914: "God opens the door for a moment and his orchestra is playing the Fifth Symphony." In this recording, Celibidache galvanizes the Munich Philharmonic in an interpretation of tremendous power and vision, Stravinsky's Firebird Suite is an opulent fairy tale. What makes this a great listening experience, is Celibidache's extraordinary understanding of the rhythmic dances that pulse throughout this score and the folkish elements that are spontaneously mastered. For the first time on the MPHIL label, this recording is being released digitally in mSpatial Dolby Atmos format: mSpatial, developed by msm-studios (Munich), transforms a vintage stereo recording into an authentic immersive (e.g. Dolby Atmos) listening experience. The procedure virtualizes the original hall acoustics of the recording venue, based on algorithms using on-site acoustic measurements. Sergiu Celibidache never accepted recordings of his concerts as real, valid music. For him, music only happened in the very moment in time when it was performed, and only for the audience present in the concert hall during that concert. The late Maestro's postulation of simultaneous time is lost forever. However, mSpatial gets the listener closer than ever to the second aspect of his credo by creating a virtual immersive acoustic in the listener's environment, which is true to the original acoustic experience in the concert hall where the performance happened.

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SIBELIUS: SYM NO. 5 & STRAVINSKY: THE FIREBIRD
MUNCHNER PHILHARMONI Jul 2022
CD
$17.49

Bruckner: Symphony No. 3 (1877); Adagio (1876)

Capriccio

$21.99 Jun 07, 2024

Anton Bruckner began the revision of his Third Symphony after completing the Fifth on 16 May 1876 and continued working on it sporadically until 28 April 1877. Then, after the Vienna Philharmonic rejected the Symphony for a third time, Bruckner's friend, Hofkapellmeister Johann Herbeck, took matters into his own hands. He arranged to conduct the work himself on the concert series of the Society for the Friends of Music [Gesellschaftskonzerte] on 16 December 1877. After Herbeck passed away unexpectedly, Bruckner was forced to conduct the symphony himself. The performance proved to be one of the worst debacles of his career. The players were rude and unreceptive, and the audience left the concert hall in droves. Despite the public fiasco, Theodor Rattig, one of the few people who stayed, offered to publish the symphony. Two other people who were there at the end, Gustav Mahler and Rudolf Krzyzanowski, prepared a piano four-hand reduction for Rattig's publication which appeared at the end of 1879. It was the first publication of a Bruckner Symphony.

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Bruckner: Symphony No. 3 (1877); Adagio (1876)
Capriccio Jun 2024
CD
$21.99

Beethoven: Symphonies Nos. 5 & 7 / Manze, North German Radio Philharmonic

PENTATONE

SACD

$16.99 ~~$21.99~~ Save 20% Jan 24, 2020

After their prize-winning Mendelssohn symphonies cycle and acclaimed Mozart symphonies album, the NDR Radiophilharmonie and its chief conductor Andrew Manze now present Beethoven’s Fifth and Seventh symphonies. While Beethoven’s Fifth is arguably the most famous symphony in the history of music, the Seventh counts as one of the most rhythmically-advanced pieces of nineteenth-century music; an “apotheosis of dance”, to quote Richard Wagner. Both works display Beethoven’s mastery of and audacious approach to musical form as well as the richness of his melodic invention, and are generally praised as paragons of symphonic composition. Andrew Manze brings his experience in the field of historically informed performance to the polished symphonic sound of the NDR Radiophilharmonie, providing an ambience that fits these early nineteenth-century works like a glove.

-----

REVIEWS:

The finale of the Seventh goes faster even than the already zippy metronome mark, and is tremendously exciting. It’s also quite graceful in its way, thanks in large part to Manze’s scrupulous attention to dynamic indications and articulation. Indeed, there’s an exceptional lightness of touch in much of this Symphony – sample the spring and sparkle of the dotted rhythms in the first movement’s Vivace or the nimbleness and unexpected delicacy of the third-movement Presto.

The Fifth has similar attributes in terms of clarity, balance and rhythmic verve but is in no way ‘Beethoven light’, as some historically informed performances have been labelled.

– Gramophone

A consummate interpreter, Manze never plays fast and loose with tempos, nor with radically over-emphasised dynamics. The rigour of his period performance practice and expressive consideration brings clarity and freshness, the sound finely judged, full of breadth, never ploughing through the symphony’s vulnerable moments.

– BBC Music Magazine

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Beethoven: Symphonies Nos. 5 & 7 / Manze, North German Radio Philharmonic
PENTATONE Jan 2020
SACD
~~$21.99~~ $16.99

Gerhard: Symphony No 2, Concerto For Orchestra / Bamert

Chandos

$21.99 Feb 01, 1999

Most classical music listeners tend to shy away from music that falls into the category of "atonal". This isn't surprising. Most atonal music is horrible. There's lots of horrible tonal music too, of course, but usually you can sleep through it undisturbed, and therein lies the difference between the two. So, as with all other types of music, there's good atonal and bad atonal. Roberto Gerhard is very, very good atonal. In the first place, the fact that he operates within a very high level of dissonance doesn't mean that his music lacks emotional expression, melody, contrast, or character. Best of all, he's a spectacular orchestrator, and regardless of how difficult his music may be, it always sounds meaningful, and it falls brilliantly on the ear. This is especially true of his Concerto for Orchestra, a stunner by any standard. The Second Symphony is a tougher nut; Gerhard was in the midst of revising the piece when he died, and this recording presents the original version. Matthias Bamert and the BBC Symphony deserve a huge amount of credit for taking the time to present this difficult music with such confidence and virtuosity. A stunning disc for the musically adventurous. --David Hurwitz, ClassicsToday.com

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Gerhard: Symphony No 2, Concerto For Orchestra / Bamert
Chandos Feb 1999
CD
$21.99

American Classics - Paul Creston: Symphony No 5, Etc
Naxos Sep 2003
CD
$19.99

ALASTOR SYM POEM / LYRIC CONCERTINO / SINFONIETTA
ALTO Jun 2009
CD
$11.01

Ye: Symphony No. 5 "Chu" & The Last Paradise / Serebrier, Royal Philharmonic

BIS

$21.99 Jun 10, 2016

Xiaogang Ye (b. 1955) is one of China’s foremost contemporary composers. His compositions have gained international acclaim over his thirty year career. For this release, the Royal Philharmonic Orchestra, conducted by Jose Serebrier, performs Xiaogang Ye’s works Symphony No. 3 ‘Chu’, Op. 46, and The Last Paradise, Op. 24 for violin and orchestra. Joining the Royal Philharmonic are violinist Cho-Liang Lin and soprano Hila Plitmann.

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Ye: Symphony No. 5 "Chu" & The Last Paradise / Serebrier, Royal Philharmonic
BIS Jun 2016
CD
$21.99

Tchaikovsky: Symphonies 4, 5, 6 / Rafael Kubelik, Vienna Philharmonic

Urania Records

$32.99 Jan 15, 2021

Tchaikovsky's Symphonies are strangely not included in Kubelik's discography. This Album proposes a rare live recording with the same quality as that of a studio. Kubelík was the sixth of the eight sons of the distinguished Czech violinist Jan Kubelík and the Hungarian-born Countess Marianne Csaky-Szell. Between 1921 and 1929 he studied the orchestral repertoire daily by playing four-hand piano arrangements with his uncle František Kubelík, prompting this comment from his father in 1926: ‘He could realise great things. He is eleven, plays splendidly violin, piano, sight-reading scores and has a good knowledge of the orchestra. Some time ago he had a look to one of my orchestral works and asked me to add a horn to a particular part: he was right!’ He entered the Prague Conservatory in 1929 where for the next four years he studied piano, violin and composition. The present release showcases Kubelik with the Weiner Philharmonic, as they perform Tchaikovsky’s Symphonies Nos. 4, 5, and 6, as well as Romeo and Juliet. The original recordings were made in 1960 and 1955.

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Tchaikovsky: Symphonies 4, 5, 6 / Rafael Kubelik, Vienna Philharmonic
Urania Records Jan 2021
CD
$32.99

Gardner: Piano Concerto, Symphony No 1, Etc / Donohoe
Naxos Sep 2007
CD
$19.99

Bruckner: Symphony No 7 / Young, Hamburg Philharmonic

Oehms Classics

SACD

$19.99 Apr 14, 2015

The celebrated Bruckner cycle by the Hamburg Philharmonic under Simone Young saw its completion during the 2014–15 season. On 30 August 2014, this mature, practiced Brucknerian orchestra recorded Bruckner’s radiant Seventh Symphony in the Laeiszhalle, heard live on this CD. With the beauty of its themes and its moving homage to Bruckner‘s great, intimidating model, Wagner, this Symphony - ranking among the composer’s finest orchestral statements - offers a particularly impressive listening experience.

REVIEWS:

The most apposite word I can apply to Simone Young's approach to Bruckner is 'fluidity.' She allows the lyrical melodies of the first two movements to unfold naturally and with a good sense of structural cohesion.

-- BBC Music Magazine

I enjoyed this performance very much. I also liked the sound on this SACD which has presence and definition. There’s a good front-to-back perspective and all sections of the orchestra have been well served by the engineers. In particular the brass, so important in Bruckner’s sound-world, register very satisfyingly yet never excessively.

-- MusicWeb International

This is one of those performances where you feel from the opening phrases that everything is just right. The music soars, yet has all the heft and depth one could want. Orchestral balances are excellent… Above all, the spirit of Bruckner, often felt in the concert hall but so elusive in recordings, is present. This is a glorious Bruckner Seventh.

-- Fanfare

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Bruckner: Symphony No 7 / Young, Hamburg Philharmonic
Oehms Classics Apr 2015
SACD
$19.99

H. Andriessen: Symphonic Works, Vol. 4 / Porcelijn, Netherlands Symphony

CPO

$18.99 Jun 23, 2017

Today Hendrik Andriessen is primarily known as the composer of some magnificent works for the organ, a few choral works mainly performed by amateur choirs, and some masses for the Roman Catholic service. In reality, Andriessen was for many decades a driving force in the Netherlands, as a versatile composer, a performing musician, a much loved teacher, the author of articles and books on music, the director of the Conservatories of Ultrecht and The Hague, and finally as a professor of musicology at the Catholic Univeristy in Nijmegen. Within a time span of some seventy years he has written a large oeuvre of instrumental and vocal works, from symphonies to songs, from masses to operas, from chamber music to organ works. The Netherlands Symphony Orchestra is the symphonic orchestra of the Province of Overijssel. This orchestra from Enschede performs with passionate dedication and virtuosity, and its broad, varied, and always exciting programs have earned it a firm place in this region and beyond. With its employmen tof historical instruments instead of modern ones in the performance of classical works, the ensemble has distinguished itself both in its immediate environment, throughout the Netherlands, and in foreign countries as a unique cultural ambassador on behalf of the Province of Overijssel.

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H. Andriessen: Symphonic Works, Vol. 4 / Porcelijn, Netherlands Symphony
CPO Jun 2017
CD
$18.99