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The Music of Stephen Jaffe, Vol. 4/ Orkis, Hardy, Da Capo Chamber Players, Borromeo String Quartet

Bridge Records

$18.99 Feb 04, 2022

For the fourth volume of music by Stephen Jaffe, the composer writes that he is "searching for sounds and musical relationships to create something new, like a poetry--where listeners may discover lyrical expression and an arc of narrative." These premiere recordings of three works written between 2006 and 2009, offer a program featuring Jaffe's collaborations with the Da Capo Chamber Players, the Borromeo String Quartet, and National Symphony Orchestra members David Hardy, cello and Lambert Orkis, piano. Composer Stephen Jaffe’s music has been featured at major concerts and festivals including the Nottingham, Tanglewood, and Oregon Bach Festivals, and performed throughout the U.S., Europe, and China by ensembles including the R.A.I. of Rome, Slovenska Filharmonija, the National Symphony, the San Francisco, North Carolina and New Jersey Symphonies, Berlin’s Spectrum Concerts, London’s Lontano, and many others. Jaffe’s recent works include new chamber concertos including Migrations (Chamber Concerto No. 4) for walking violinist and mobile chamber ensemble, and Three Arcs (Chamber Concerto 5) for chamber ensemble with cameo chorus, written for the 200th anniversary of the Musical Fund Society of Philadelphia. The collaborative cantata A Forest Unfolding, composed with Eric Moe, Melinda Wagner and David Kirkland Garner, and premiered at the Portland Chamber Music Festival and New Hampshire’s Electric Earth Concerts in 2018, was inspired by recent scientific work into the rich communication and subterranean connectivity between trees -- evoked also in Richard Power’s related novel The Overstory.

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The Music of Stephen Jaffe, Vol. 4/ Orkis, Hardy, Da Capo Chamber Players, Borromeo String Quartet
Bridge Records Feb 2022
CD
$18.99

Nicolai Malko conducts the BBC Symphony Orchestra (1957-1960)

Lyrita

$32.99 Mar 11, 2016

Ukrainian-born conductor Nicolai Malko studied music in St. Petersburg. He eventually began teaching at the Moscow and Leningrad Conservatories. Malko had a sporadic relationship with the BBC, and although he was never a staff conductor, he visited, taught, and conducted occasionally from 1929 until his passing in 1962. This 4-disc set contains some of Malko’s best conducting for BBC broadcast, including works by Tchaikovsky, Shostakovich, Haydn, Mussorgsky, Bruckner, and more.

"This well-transferred collection of BBC broadcasts has to be one of the most significant "historical" orchestral releases in recent years. There are of course various commercial discs with Malko; here, though, we have the Russian-born conductor captured in full flight.

The principle novelty is The Kodaly's one-act theater piece The Spinning Room, sung in English, and thoroughly enjoyable. The remainder of the set is purely orchestral.

Minor tape imperfections and playing fluffs notwithstanding, this is a musically enriching set and our experience of the conductor is duly extended." – Gramophone

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Nicolai Malko conducts the BBC Symphony Orchestra (1957-1960)
Lyrita Mar 2016
CD
$32.99

Elgar: Symphony No 2, Enigma Variations / Solti, LPO

ICA Classics

DVD

$26.99 Feb 22, 2011

This performance of Elgar's Enigma Variations forms an historic account of the first concert Sir Georg Solti conducted as Chief conductor of the LPO in 1975. It is also the first DVD release with Solti performing Elgar's Symphony No.2. Solti, who prepared new works by listening to Elgar's own recordings, identified closely with his music. The virtuoso playing of the orchestra combined with his fresh, energetic approach make for an exciting, uplifting experience. The ICA Classics Legacy series presents a collection of historic performances by some of the world's greatest artists. These performances are released on DVD for the first time, incorporating rare archive footage that has been expertly and lovingly restored.

Edward Elgar:
Symphony No. 2 in E flat major, Op. 63
Variations on an Original Theme, Op. 36, "Enigma"

London Philharmonic Orchestra
Georg Solti, conductor

Recorded at the Royal Festival Hall, London, 13 February 1975
(Symphony No. 2), and 25 September 1979 (Enigma)

Picture format: NTSC 4:3
Sound format: LPCM Mono
Region code: 0 (worldwide)
Menu language: English
Running time: 84 mins
No. of DVDs: 1

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Elgar: Symphony No 2, Enigma Variations / Solti, LPO
ICA Classics Feb 2011
DVD
$26.99

Pavlova: Symphony No 5, Elegy For Piano And String Orchestra

Naxos

$13.99 ~~$19.99~~ Save 30% Apr 24, 2007

PAVLOVA Symphony No 5. Elegy for Piano and Strings • Vladimir Ziva, cond; Andrei Korobeinikov (pn); Moscow Tchaikovsky RS0 • NAXOS 8.570369 (52:04)

Alla Pavlova is a Russian-trained composer and musicologist who has lived in New York since 1990. Recordings of her previous four symphonies, as well as the suite from her ballet, Sulamith have been released by Naxos, some reviewed in these pages (see, for instance, Fanfare 29:6, pp. 174–175). This disc combines her most recent symphony with a shorter work, originally conceived as film music.

In the notes accompanying the CD, Pavlova describes her symphony, written in 2005–06, as having a “spiritual program.” The first movement expresses her personal feelings about life; the second is a meditation on a white lotus flower; the third suggests a startled return to the mundane; the fourth is a prayer; and the fifth is a realization that life is a path toward God. The crux of the musical argument in this 47-minute work is largely delegated to the strings. With the exception of occasional solos, the winds play a largely supportive and ornamental role. Horns are the only brass instruments employed and the percussion writing is discreet. The second and third movements feature extended violin solos of great sensual beauty, superbly performed here by Mikhail Shestakov.

Pavlova’s musical language is firmly grounded in tonality with, not surprisingly, certain unmistakable Russian characteristics, especially in terms of melodic inflection. Her sensitive and beautiful orchestration evokes a sense of vastness reminiscent of Sibelius or late Mahler. Nevertheless, Pavlova speaks with an original voice. She draws in the listener with the gentlest of means—no demands, nothing flashy or jarring. Her harmonic syntax would be perfectly suitable within a symphony written at the turn of the 20th century, or even earlier. Her rhythmical procedures are the subtlest imaginable, yet there’s always a strong sense of forward momentum. From the first hearing this music unfolds perfectly comprehensibly, if never predictably. But despite its disarming accessibility, this music strikes me as far from simplistic. The symphony’s dream-like textures, achieved with the utmost economy of means, traverse a vast terrain of emotional states. Pavlova’s compelling discourse, direct and unaffected, ends up being quite moving, even if it’s difficult to explain exactly why.

Rounding out the disc is Pavlova’s Elegy for piano and orchestra, which originated as title music for a 1998 film, The American Healys . Andrei Korobeinikov is the capable pianist in this most unobtrusive of obbligato parts.

The recording was made in June 2006 in a studio of the Russian State TV & Radio Company and seems to capture all the sonorous delicacy of Pavlova’s music perfectly. The excellent Vladimir Ziva conducts the Tchaikovsky SO of Moscow Radio with great sympathy and conviction. An excellent recording of unconventional and curiously fascinating music. Recommended.

FANFARE: Patrick Rucker

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Pavlova: Symphony No 5, Elegy For Piano And String Orchestra
Naxos Apr 2007
CD
~~$19.99~~ $13.99

Rachmaninoff: Concertos Nos. 1 & 4 / Simon, Slatkin, St. Louis Symphony

Vox

$19.99 Dec 15, 2023

Learn more about Elite Recordings and the revival of their VOX Classics albums on the Naxos Classical Spotlight Podcast!

Abbey Simon and Leonard Slatkin’s much-admired set of Rachmaninoff’s works for piano and orchestra makes a welcome return to the catalogue with this release of Piano Concertos Nos. 1 and 4 plus the Paganini Rhapsody. These classic performances originally issued on the Vox label in the late 1970s were produced by Marc Aubort and Joanna Nickrenz whose recordings are considered by audiophiles to be amongst the finest available. Piano Concertos Nos. 2 and 3 with Simon and Slatkin are available on VOX-NX-3014CD.

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Rachmaninoff: Concertos Nos. 1 & 4 / Simon, Slatkin, St. Louis Symphony
Vox Dec 2023
CD
$19.99

OTELLO
VIDEO ARTISTS INT'L Oct 2007
DVD
$37.49

LE SACRE DU PRINTEMPS

VINYL PASSION

Vinyl

$28.99 Jul 25, 2025

The Rite of Spring: Scenes from Pagan Russia in Two Parts. It was Igor Stravinsky who dragged classical music, kicking and screaming, into the twentieth century. Sure, his contemporaries had paved the way. No longer was the Romantic melody-rich work the dominant force. The new way was about orchestral colors and tone painting. But it was Stravinsky who broke altogether with the Romantic past and created Modernism. It was almost as if all the old rules had not just been bent but completely destroyed. In the modern world, anything goes. Stravinsky made a name for himself at a very early age. In his twenties, his work, Fireworks brought him to the attention of Serge Diaghilev, director of the Ballet Russes, who commissioned from Stravinsky a ballet based on the Firebird legend. It was a huge success and Diaghilev commissioned two more. The results were Petrouchka and The Rite of Spring. The story of the premier of The Rite of Spring is famous. The audience was first treated to Les Sylphides, a ballet based on the music of Chopin. The Rite of Spring was to follow. No doubt lulled into a pleasant, dreamy state by the earlier work, and expecting something similarly pastoral with the Rite, named after all about the most pleasant of seasons, they were in for a rude shock. A clue comes from it's subtitle: Scenes from Pagan Russia. It opened with a bassoon bleating way higher than any bassoon was ever supposed to go and then descended into 30 minutes of barbarism and pagan ritual sacrifice. The music was jarring, dissonant, difficult. The huge percussion sections pounded out primitive rhythms, and Nijinsky's provocative choreography challenged the audience's sensibilities. This version was recorded at the Ballroom of the St. George Hotel, Brooklyn, NY, January 5 & 6, 1960 with The Columbia Symphony Orchestra. TRACKLIST: SIDE A: Premier Tableau : L'adoration de la Terre Part 1 - Adoration Of The Earth 1. Introduction 2. Augures Printaniers - Danses Des Adolescentes 3. Jeu Du Rapt 4. Rondes Printanieres 5. Jeu Des Cites Rivales 6. Cortege Du Sage 7. Le Sage 8. Danse de la Terre SIDE B: Second Tableau: Le Sacrifice Part 2 - The Sacrifice 1. Introduction 2. Cercles Mysterieux Des Adolescentes 3. Glorification de L'elue 4. Evocation Des Ancetres 5. Action Rituelle Des Ancetres 6. Danse Sacrale (L'elue)

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LE SACRE DU PRINTEMPS
VINYL PASSION Jul 2025
Vinyl
$28.99

SYMPHONY NO. 1
Urania Records Jan 2005
CD
$18.99

Silvestrov: Ode to a Nightingale - Symphony No. 7 - Piano Concertino / Galatenko, Bezborodko, Lyndon-Gee, Lithuanian National Symphony Orchestra

Naxos

$19.99 Aug 14, 2020

Valentin Silvestrov’s elusive post-modern style is rich in nostalgia for the lost music of a barely remembered past filled with beauty and spiritual aspiration. Ode to a Nightingale is a masterly response to Keats’ unsentimental reflection on human mortality, contrasting with the beauty and affecting intimacy of the Cantata No. 4 and the resonant emotional world of its companion piece, the Concertino. Starkness set against elegiac melancholy are the shared features of Moments of Poetry and Music and the Seventh Symphony – an embodiment of Silvestrov’s dual musical nature of anguish and tenderness. Valentine Silvestrov’s music has become widely acclaimed and appreciated through numerous recordings, and he has been dubbed ‘one of the greatest composers of our time’ by the likes of Alfred Schnittke and Arvo Part. Naxos and Grand Piano have added to his catalogue with significant releases and ‘beautiful, sensitive performances that make a strong impression even though they never raise their voices.’ (Fanfare)

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Silvestrov: Ode to a Nightingale - Symphony No. 7 - Piano Concertino / Galatenko, Bezborodko, Lyndon-Gee, Lithuanian National Symphony Orchestra
Naxos Aug 2020
CD
$19.99

SYMPHONY NO. 5
RCO LIVE HOLLAND Nov 2008
SACD
$21.99

Tabakov: Complete Symphonies, Vol. 4

Toccata

$20.99 Jul 05, 2019

The music of the Bulgarian composer-conductor Emil Tabakov (b. 1947) explores the darker side of the human spirit in epic scores as austere as they are powerful. His mighty Fifth Symphony, a work almost an hour in length, is obsessive and violent, with the two outer movements, wild kaleidoscopes of whirling colors and driving energy, framing a tragic slow movement and a sardonic march. The much earlier Double-Bass Concerto, which sits downstream from Shostakovich, shows the same grim sense of humor in the teeth of the dancing indifference of fate. A critic once wrote of Tabakov's music: "In his concert music as well as in his symphonies, Emil Tabakov insists on selection and dynamics, on the large-scale development of a small in volume, but focused, thematic material. Tabakov's music is the music of movement, it rarely carries us into spaces of contemplation or frozen calm; it's movement forward in time is determined by the composer's magnificent technique with which he works the material, turning it into music and theses and antitheses, of culminations and lows."

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Tabakov: Complete Symphonies, Vol. 4
Toccata Jul 2019
CD
$20.99

SYMPHONIES 2 & 3

LPO

$15.99 Oct 05, 2018

For collectors of Tchaikovsky Symphonies these recordings of Symphonies Nos. 2 and 3, taken from the Complete Tchaikovsky Symphonies box set are available as a separate release for the first time on the LPO label and along with this re-release of the Manfred Symphony join previous releases of the numbered symphonies as a complete set. Principal Conductor Vladimir Jurowski is a renowned conductor of Tchaikovsky. The previous release of Symphonies Nos. 4 and 5 was a Gramophone recording of the month, number 19 in the Sunday Times 100 best records of the year, a Classic FM album of the week, and one of the Arts Desk's Top Classical albums of 2012. Jurowski's Tchaikovsky has been praised for it's nuance, musical empathy and intelligent phrasing.

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SYMPHONIES 2 & 3
LPO Oct 2018
CD
$15.99

RACHMANINOFF: PIANO CONCERTOS 1-4; PAGANINI

HYPERION

Vinyl

$66.49 Jun 19, 2026

Stephen Hough's four Rachmaninov Piano Concertos have long been viewed as reference recordings of this iconic repertoire, the standard by which others must be judged. Bolstered by the Dallas Symphony Orchestra under Andrew Litton, Hough made a conscious return to the fast and lean performance tradition of the composer himself, avoiding the sentimental 'Hollywood' approach that had become so prevalent, for this triumphantly successful, awards-lavished Rachmaninov cycle. A 3LP set.

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RACHMANINOFF: PIANO CONCERTOS 1-4; PAGANINI
HYPERION Jun 2026
Vinyl
$66.49

SYMPHONY NO 6
RCO LIVE HOLLAND Jun 2006
SACD
$25.99

Ives: Symphony No 3, Etc / Slatkin, St Louis So

RCA

$17.99 May 30, 2008

This is a splendid set of Ives classics with two novelties. It says something forhis stature these days that this is the fifth recording of Three Places in New England in the current British catalogue. The opening march is slightly disappointing in Slatkin's over measured treatment, but there are plenty of fireworks (literally, since it depicts a Fourth of July outing) in ''Putnam's Camp'' and real intensity in the sound of hymn-singing across the river which is built into ''The Housatonic at Stockbridge''.

It is good to have The Unanswered Question and Central Park in the Dark where they belong—together. The separate layers of activity in both pieces, with the strings static and the other instrumental textures dynamically changing, create the quintessential Ives experience in the simplest form. The spacing is carefully engineered in this recording and the detail at all levels is clear.

I have compared the Tilson Thomas recording of the Third Symphony unfavourably with that by Sir Neville Marriner. Slatkin, in this third recording in the British catalogue, now has the edge on both of them, with an affectionate treatment of this hymn-saturated score. Tilson Thomas used a new edition. I think Slatkin does too, and there are extras in the strings at the end of the second movement which I have never heard before.

The two novelties are both early, from the 1890s. The March is all infectious razzle-dazzle and the Fugue in four keys is experimental for its period but smoothly contrived and haunting in its ending. They complete a well planned and competitive Ives release.

-- Peter Dickinson, Gramophone [4/1993]

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Ives: Symphony No 3, Etc / Slatkin, St Louis So
RCA May 2008
CD
$17.99

Wordsworth: Orchestral Music, Vol. 1 / Gibbons, Liepaja Symphony

Toccata

$20.99 Jun 01, 2018

The music of London-born William Wordsworth (1908–88) – a great-great-grandson of the poet’s brother Christopher – lies downstream from that of Vaughan Williams and Sibelius; like that of his contemporary Edmund Rubbra, Wordsworth’s music unfolds spontaneously, as a natural process, with a sense of grandeur perhaps enhanced by his move to the Scottish Highlands in 1961. Three of the four works recorded here display the sober dignity of the instinctive symphonist; the Variations on a Scottish Theme reveal a sly sense of humor behind the serious countenance. John Gibbons has conducted most of the major British orchestras. He has been Principal Conductor of Worthing Symphony Orchestra- the professional orchestra of West Sussex- with which he has given many world premieres of neglected works. He studied music at Queens’ College, Cambridge, the Royal Academy of Music and the Royal College of Music, winning numerous awards as conductor, pianist and accompanist. He is also a Fellow of the Royal Society of Arts, vice chairman of the British Music Society, and choral director at Clifton Cathedral. His own music has been performed in various abbeys and cathedrals as well as on the South Bank, London.

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Wordsworth: Orchestral Music, Vol. 1 / Gibbons, Liepaja Symphony
Toccata Jun 2018
CD
$20.99

SYMPHONY NO.9
Sony Masterworks Jan 2005
SACD
$11.98

SYMPHONY NO. 6
MDG Sep 2007
CD
$23.99

SYMPHONY NO. 6
MDG Sep 2007
CD
$24.99

Glazunov: Raymonda / Anissimov, Moscow Symphony Orchestra

Naxos

$29.99 Mar 18, 1996

Alexander Anissimov was a conductor unfamiliar to me (some may have heard his much-praised Tchaikovsky Cherevichki at Wexford). He keeps the Moscow Symphony Orchestra on their toes: the strings are keener of articulation than their Bolshoi or Kirov counterparts while balances and dynamics are all observed in an end result of greater sophistication than you might expect from this source (with handsome sound to match). Anissimov excels in the grand symphonic unfolding of the first two numbers and the two Entr’actes, over which he takes more time and care than Fedotov [conducting Kirov].

-- Gramophone [8/1996]

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Glazunov: Raymonda / Anissimov, Moscow Symphony Orchestra
Naxos Mar 1996
CD
$29.99

SYMPHONY NO. 9
MDG Sep 2011
CD
$32.99

PROKOFIEV: SYMPHONY NO. 5
RCO LIVE HOLLAND Apr 2016
SACD
$21.99

SYMPHONY IN G MINOR

ZARATHUSTRA MUSIC

Vinyl

$31.99 Sep 01, 2017

Zarathustra Music is proud to present the world premiere recording of Elliot Goldenthal's 'Symphony in G# Minor' performed by Pacific Symphony under conductor Carl St. Clair. Composer, conductor, and orchestra previously collaborated 20 years before when Pacific Symphony commissioned and recorded Goldenthal's highly acclaimed 'Fire, Water, Paper - A Vietnam Oratorio. ' For the occasion of the orchestra's American Composers Festival 2014, Goldenthal composed his 25 minute symphony, in the obscure yet autobiographical key of G# Minor, especially for the occasion. The work premiered immediately after the composer's 60th birthday in May 2014 and represents Goldenthal's first large-scale concert work since Fire, Water, Paper. In the past 20 years, Goldenthal has garnered three Academy Award nominations (Interview with a Vampire, Michael Collins) and won and Oscar and Golden Globe for his score to Frida. In 2007, Goldenthal was finalist for the Pulitzer Prize in Music for his opera Grendel which premiered at Los Angeles Opera and Lincoln Center Festival. In 2013 composed his String Quartet No. 1 'The Stone Cutters' as well as music for Julie Taymor's stage production of 'A Midsummer Night's Dream' that opened a new theater in Goldenthal's hometown of Brooklyn, NY. In 2013 the Joffrey ballet produced his large-scale three-act ballet Othello at the 4, 000 seat Auditorium Theater in Chicago, and in 2015 the American Ballet Theater revives Othello for it's fourth time at the Metropolitan Opera House. Meanwhile, downtown the composer is providing 'Music & Soundscapes' for the new one-woman show Grounded starring Anne Hathaway at the Public Theater. Goldenthal remains one of the most highly acclaimed and dynamic composers working today.

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SYMPHONY IN G MINOR
ZARATHUSTRA MUSIC Sep 2017
Vinyl
$31.99

Mahler: Symphony No. 3

BR Klassik

$29.99 Apr 05, 2024

To celebrate the 75th anniversary of the Bavarian Radio Symphony Orchestra (BRSO) in 2024, the BR-KLASSIK label is releasing previously unreleased recordings of concerts worth listening to, available on CD and as a stream.

Gustav Mahler's Third Symphony remains today one of the greatest and most powerful creations of the Late Romantic period. The immense symphony, longer and more monumental than others, incorporates texts from the collection of poems by Clemens Brentano and Achim von Arnim entitled “Des Knaben Wunderhorn”. Composed over a period of four years from 1892 to 1896, with particular focus during the summers of 1895 and 1896 spent at the Attersee in Austria, it was premiered in its entirety on June 9, 1902, at the 38th “Tonkünstler Festival” in Krefeld. Mahler conducted the Städtische Kapelle Krefeld and Cologne’s Gürzenich Orchestra at this momentous event, which garnered great acclaim from his contemporaries. Between 1902 and 1907, the composer conducted his Third Symphony a further 15 times.

Among the symphony's six powerful movements, the slow fourth movement necessitates not only a large orchestra but also a mezzo-soprano solo for a setting of the “Midnight Song” (“O Man! Take heed!”) from Friedrich Nietzsche's poetical-philosophical work "Thus Spoke Zarathustra." In the cheerful fifth movement, the mezzo-soprano soloist is joined by a children’s choir and a female chorus for the song "Es sungen drei Engel" from "Des Knaben Wunderhorn." The symphony presents a significant challenge for all its performers, and this concert recording from December 2010 features a prestigious lineup: Mariss Jansons conducting the Chor and Symphonieorchester des Bayerischen Rundfunks, with the Tölzer Knabenchor, and solo parts sung by Nathalie Stutzmann.

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Mahler: Symphony No. 3
BR Klassik Apr 2024
CD
$29.99

Bruckner: Symphony No. 9

Halle

$27.99 May 02, 2025

Taken from a rapturously received and critically acclaimed performance at The Bridgewater Hall (with The Times' 5* review describing a 'splendid night' and hailing the magnificent sound of the 'blazing Halle) this recording will prove essential for those wishing to hear the work in the intended four movement form. The recording is accompanied by a booklet containing a personal introduction from Kahchun Wong and a note from Dr. John A. Phillips, surveying the material Bruckner left for the Finale and detailing the work done on reconstructing it for performance.

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Bruckner: Symphony No. 9
Halle May 2025
CD
$27.99