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Leokadiya Kashperova: Piano Concerto; Symphony

Capriccio

$21.99 May 15, 2026

She was Igor Stravinsky's piano teacher and studied herself with Anton Rubinstein. But to this day, her compositions have remained in the shadow of the great male masters-a fate that many women of this era share with her. Although her oeuvre is nowhere near as comprehensive as that of her composing colleagues, these few works still demonstrate incredible talent, mature skill, and a deeply romantic Russian sound language that is so typical of this time.

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Leokadiya Kashperova: Piano Concerto; Symphony
Capriccio May 2026
CD
$21.99

Mix & Match

CAPRICCIO - VIOLIN & PIANO WKS

Erato

$18.99 May 13, 2008

Capriccio - Mendelssohn, Schubert, Debussy, Etc / Renaud Capucon, Jerome Ducros, Composer: Felix Mendelssohn, Franz Schubert (Dresden), Franz Schubert, Sir Edward Elgar, Performer: Jerome Ducros, Renaud Capuçon. The notes to Renaud Capuçon and Jérôme Ducros's recital of miniatures focus on the emergence of this pair of French musicians a decade ago and the affinity they display with this repertoire. And affinity there surely seems to be. The arrangers of these pieces, Wilhelmj, Heifetz, Kreisler, Dushkin, and Píhoda themselves championed works of this kind and surely knew how to put them across. It's gratifying to add Capuçon to the list. On Wings of Song, like Schubert's Ave Maria, may be a Heifetz specialty, but Capuçon and Ducros strongly personalize them, with the violinist even providing his own arrangement of the latter. So, like La capricieuse, they display a range of persuasive dynamics and a willingness to employ a subtle palette of expressive portamentos and nuanced changes in tempo harking back to another era to make their various rhetorical points. Dynamic range seems to be one of the keys to their success: the middle section of Humoreske and the lurches of Prokofiev's "Masks" rise to an intensity to which few listeners may be accustomed, especially in an era of somewhat dutiful performances of such pieces. If a majority of them suggest triste rather than capriccio, and evoke polite rather than rowdy gatherings, the exceptions, like Dinicu's Hora staccato, provide thumping good entertainment of a more visceral kind. In fact, while Heifetz's performance may dazzle listeners with down-bow flying staccato of a brilliance never before (and never since) encountered, Capuçon's communicates hotter gypsy passion, while remaining exciting on a purely instrumental level. Still, the pervasive melancholy (for example, Capuçon has included Kreisler's Liebesleid rather than his Liebesfreud or even Caprice viennois)-exhibiting a narrower range than do similar collections by others, like Francescatti, Milstein, Heifetz, or Oistrakh, to name a few who compiled effective collections-may nudge it, despite the devotion of both performers to the kind of pieces they've chosen (including a few less familiar ones, like Strauss's "Einsamer Quelle" and the two Schumann songs), into a category that overlaps what some call "crossover." And insofar as that nudge increases it's appeal for some audiences, it's sure to decrease it for others. Still, for those who like this kind of thing, this is the kind of thing they'll like. Strongly recommended to them, but nearly as strongly recommended to others as well.

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CAPRICCIO - VIOLIN & PIANO WKS
Erato May 2008
CD
$18.99

BEETHOVEN, L. van: Violin Sonatas (Complete) (Heifetz, Bay,
IDIS Jan 2009
CD
$48.99

Miloslav Kabelac: Children's Choruses

Capriccio

$29.99 Sep 04, 2026

Music for children plays an important role in Miloslav Kabelac's artistic oeuvre. Especially in the early days after the communist coup in 1948, the composer devoted himself to this genre: 'I regard composing for children as a 'touchstone' not only for all creative abilities, but also for the human qualities of the composer. That is why I take this work as seriously and as importantly as any other". In his music, Kabelac creates powerful atmospheric images with a playful sensitivity for language, some of which is highly onomatopoeic. His serious engagement with children's works is once again evident in the fact that Kabelac repeatedly quoted motifs and melodies from children's works in larger symphonic works.

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Miloslav Kabelac: Children's Choruses
Capriccio Sep 2026
CD
$29.99

Mix & Match

Khachaturian: The Dancing Violin

Fuga Libera

$20.99 Mar 14, 2025

A meeting between violinist David Haroutunian and Karen Khachaturian, son of the legendary composer Aram Khachaturian, inspired this new recording. Following their encounter in Paris at a concert marking the 40th anniversary of Aram Khachaturian's passing, Karen entrusted David with the score of an unpublished sonata for violin and piano, written by his father in the early 1930s. Avant-garde in style and structured in two unique movements, the sonata stands as a remarkable masterpiece, both profound and accessible to a wide audience. "My discovery of this sonata sparked an intense desire to record all of Khachaturian's works for violin, as no such comprehensive recording, to my knowledge, exists," David explains. Together with pianist Xenia Maliarevitch, he set out to capture not only Khachaturian's original compositions for solo violin and violin-piano duo but also selected arrangements of his most iconic works, including excerpts from Gayaneh and the Sabre Dance arranged by Jascha Heifetz. This album also features a previously unrecorded Dance from 1925, adding to the rich legacy of Khachaturian's music.

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Khachaturian: The Dancing Violin
Fuga Libera Mar 2025
CD
$20.99

Capriccio's 40th Anniversary: Instrumental Soloists from Barto to Zimmermann

Capriccio

$35.99 ~~$47.99~~ Save 25% Aug 05, 2022

Capriccio continues to celebrate its 40th anniversary with this retrospective of some of the greatest instrumental recordings in its catalog. The keyboard mavens: Ton Koopman in Bach-Senior, the great Christine Schornsheim in Bach-Sons Concertos, and Tzimon Barto, the muscular master of the soft touch, in Brahms. Wind-aces Burkhard Glaetzner (oboe), Eckart Haupt (flute), and Reinhold Friedrich (trumpet) playing baroque and classical period masters. The trusty Petersen Quartet and the inquisitive Linos Ensemble, who have always been an essential element of the repertoire exploration that soon became Capriccio’s hallmark, and the arch-musician Tabea Zimmermann and Vladimir Spivakov representing true highlights among the high strings. A generous and tasty synopsis of what this plucky label is about!

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Capriccio's 40th Anniversary: Instrumental Soloists from Barto to Zimmermann
Capriccio Aug 2022
CD
~~$47.99~~ $35.99

Miloslav Kabelac: Symphony No. 2; Overtures

Capriccio

$21.99 Sep 05, 2025

Miloslav Kabelac ranks among the most significant Czech composers of the 20th century. Alongside Antonin Dvorak and Bohuslav Martinu, he is recognized as one of the greatest Czech symphonists, and his work represents a cornerstone of Czech musical heritage. His work encompasses nearly all musical genres except opera, but at it's core are eight symphonies, each with a unique orchestration. With the czech conductor Jakub Hrusa the ORF Radio Symphony Orchestra had a welcome expert for this recording, as he examines carefully these rich orchestrated scores of this still underrated music and composer.

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Miloslav Kabelac: Symphony No. 2; Overtures
Capriccio Sep 2025
CD
$21.99

Kapustin: Complete Chamber Works for Flute / Davis, Jarka, Lovelace, Kuenzel, Shin

Naxos

$19.99 Jan 11, 2019

Nikolai Kapustin’s music is renowned in contemporary circles for its witty and seamless fusion of jazz idioms and formal classical structures. In recent years, the composer has forged a formidable association with American flautist Immanuel Davis, who here interprets his highly sophisticated ‘Flute Sonata, Op 125’ with great virtuosity. ‘Divertissement’ explores the different jazz harmonies available from the four instruments, contrasting with the textural transparency of ‘A Little Duo.’ Flutist Immanuel Davis is a higly versatile performer who enjoys playing the entire span of the flute repertoire. He has performed as a recitalist and masterclass teacher worldwide. He has appeared as a recitalist and chamber musician at Carnegie Hall, MoMa’s Summer Garden Series, and more. Educated at the Juilliard School, Davis received both bachelor’s and master’s degrees as a student of Julius Baker. He has been flute professor at the University of Minnesota since 2001.

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Kapustin: Complete Chamber Works for Flute / Davis, Jarka, Lovelace, Kuenzel, Shin
Naxos Jan 2019
CD
$19.99

Kabalevsky: Pathetique Overture, Violin Concerto, Vesna & Colas Breugnon / Steffens, Deutsche State Philharmonic

Capriccio

$21.99 Aug 03, 2018

Many of the today-distinguished Soviet composers in the second half of the 20th century knew how to steer a middle course, enabling them to supply what was officially desirable all the while remaining faithful to themselves, writing the music they wanted to write. Kabalevsky was a Jack of all musical trades and, as a specialist for children’s music especially, cultivated a highly personal style, keeping easily within the bounds of comprehensible tonal aesthetics. His works are characterized by some of the features typical of Kabalevsky’s overall oeuvre: a cornucopia of melodious imagination, dance rhythms, above all in the fast movements, expansive slow sections and a positive, often cheerful tone. The present release presents a selection of his orchestral works alongside his violin concerto.

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Kabalevsky: Pathetique Overture, Violin Concerto, Vesna & Colas Breugnon / Steffens, Deutsche State Philharmonic
Capriccio Aug 2018
CD
$21.99

Szymanowski: Concert Overture, Sinfonia Concertante, etc. / Steffens, Deutsche Staatsphilharmonie

Capriccio

$21.99 Nov 18, 2016

Periodically someone decides the time is ripe for a re-appraisal of the music of the Ukrainian-born Polish composer Karol Szymanowski. Among his most persuasive advocates have been such eminent conductors as Pierre Boulez and Simon Rattle, both of whom have committed much Szymanowski to disc. But, for one reason or another, he remains a name known to many while his music remains largely unknown. Possibly the Etude in B flat minor for piano – one of the most deeply moving of all piano études, with its powerful echoes of Rachmaninov – will be familiar to pianists, but little else from his broad output finds its way into the consciousness of music lovers. This latest disc devoted to Szymanowski on Capriccio’s “Modern Times” series does all it can to keep Szymanowksi obscure, but the music succeeds where Capriccio fails, and I would recommend this most strongly to all of those for whom Szymanowski is merely a name that sounds like a Russian transliteration of Schumann or a spoof composer with a name derived from a cross-fertilization of Schumann and Tchaikovsky. These are not the best performances you will find, and the packaging is grim, but the music is wonderful and for those whose idea of hi-fidelity is listening to music through their computer speakers, the flat recorded sound will not unduly disturb the pleasure of an encounter with this gorgeous music.

The trouble with describing the music of an unfamiliar composer is that one reverts to comparisons with better-known ones – as if originality of voice is given only to those whose music has crossed the fickle threshold of popular taste.

With the Concert Overture which opens the disc, one can possibly be excused this, for if any music ever sounded like a Richard Strauss tone poem, this does. From its boisterous opening to its triumphal conclusion, it is a feast of Straussian gestures and ideas, a wonderful orchestral romp and a stirring musical journey. And this is what Szymanowski intended, for in 1904 when he wrote it, Richard Strauss was the dominant figure. If the booklet notes are to be believed, Szymanowski deliberately aped the style of Strauss “as a provocation to the, in his view, completely fossilized structures of Polish music”.

At this point we must break off to mention those booklet notes, tightly compressed into a distinctly unappealing booklet which seems designed to put off potential buyers. Christian Heindl’s German text is dense enough, striving to place Szymanowksi in some sort of context with Polish music at the start of the last century. But the English translation (claiming to be the work of one Ian Mansfield) is a disgrace. Seeming to have done little more than run the original German through a free online translator, and not even having made the effort to check the spelling afterwards, Mansfield comes up with such incoherent nonsense as; “he ranks as one of the many tone wolves and practically outsiders in music”, “the composer instrumented the cycle for chamber orchestra”, and “meaningful for the concert hall and fathoming it to the depths”.

Soprano Marisol Montalvo is, thankfully, infinitely more eloquent in the cycle of five songs, Slopiewnie, which bears the same opus number as Szymanowski’s great opera, King Roger but is otherwise unconnected. Exotic, sometimes harmonically brittle, sparsely orchestrated but highly effective, these are a world away from the lush world of Strauss’s orchestral songs and present a musical voice which is both distinctive and accomplished. There is nothing identifiably Polish about these settings of Polish texts by Julian Tuwim, but the booklet note suggests the musical idiom is derived from Gorals, an ethnic group which “has its area of distribution in the Polish Tatra and the Beskids, but also in parts of Slovakia”. It also observes some stylistic parallels with Stravinsky and Les Noces. Montalvo has a pure, shining vocal quality with an innately focused sense of pitch.

The major work on the disc is the Fourth Symphony, subtitled Sinfonia Concertante, but which is, to all intents and purposes, a fully-fledged piano concerto. Szymanowski wrote the work for himself to play (although he dedicated it to Artur Rubinstein) and called it a Symphony to disguise his shortcomings as a concerto soloist. Ewa Kupiec is the fleet-fingered soloist, delivering the almost Ravelian delicacy of the first movement with a refreshingly light touch supported by the kind of clear-textured orchestration which seems such a feature of Szymanowski. Even as the movement builds up to its great climax, the feeling of delicacy and suppleness Kupiec brings to the performance is never lost, and Karl-Heinz Steffens seems to have an instinctive feel for the balance which comes across even when the recording engineers have done little to assist. A gentle, fluttering second movement introduces all manner of magical orchestral effects, much in the manner of a Bartók night-music movement but built around Polish rather than Hungarian folk songs. And in the final movement it is the spirit of Polish dances which seems to dominate in music that sounds like Ravel and Bartók holding hands but is, in reality, uniquely the voice of Szymanowski – stunning orchestral writing, impeccably crafted moments of climax and repose and an exotic musical language which is utterly enthralling. Steffens maintains a wonderfully incisive rhythmic momentum which his German players throw themselves into with great gusto.

The Nocturne and Tarantella is an orchestration, made two years after Szymanowski’s death by Grzegorz Fitelberg, of a work originally written for violin and piano. It draws attention to Szymanowski’s fondness for the exotic, combining Spanish and Italian elements in a scintillating dance-like display, where only the final cadence seems indicative of a composer not quite of the very first rank, but with a voice all his own.

– MusicWeb International (Marc Rochester)

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Szymanowski: Concert Overture, Sinfonia Concertante, etc. / Steffens, Deutsche Staatsphilharmonie
Capriccio Nov 2016
CD
$21.99

Capricornus: Jauchzet dem Herrn alle Welt / Wiegrabe, Capricornus Ensemble Stuttgart

Coviello

$20.99 Sep 15, 2017

Even more than Antonio Bertali (1605-1669), Samuel Capricornus (1628-1665) belongs to composers of the 17th century, whose oeuvre is barely or only little discographically accessible. The Capricornus Ensemble Stuttgart takes care of his works and shows that the music of the Stuttgarter Hofkapellmeister (Capricornus) can easily cope with that of the Viennese Hofkapellmeister (Bertali). The Capricornus Ensemble Stuttgart is named after the Stuttgart chamber music director Samuel Capricornus. It is an international ensemble founded by the Stuttgart trumpet professor Henning Wiegrabe. The focus of the ensemble is to present treasures of the Renaissance and Baroque eras.

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Capricornus: Jauchzet dem Herrn alle Welt / Wiegrabe, Capricornus Ensemble Stuttgart
Coviello Sep 2017
CD
$20.99

Heifetz
Archipel Jan 2012
CD
$10.99

Rimsky-Korsakov: Capriccio Espagnol, Overtures / Schwarz, Seattle Symphony

Naxos

$19.99 Sep 27, 2011

Rimsky-Korsakov’s colourful Capriccio espagnol reflects a Russian fascination with distant lands, evoking sunny climes and exotic dancing in one of the composer’s most popular and uplifting scores. Steeped in the cultural nationalism of the ‘Mighty Handful’, the Overtures are linked to deeply Russian themes and tales, portraying dramatic life amongst the Tsars with brilliant orchestration and inspired use of folk or liturgical melodies. This release follows the multi-GRAMMY®-nominated and Emmy Award-winning Seattle Symphony ‘spectacular’ (MusicWeb International) recording of Sheherazade (8.572693).

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Rimsky-Korsakov: Capriccio Espagnol, Overtures / Schwarz, Seattle Symphony
Naxos Sep 2011
CD
$19.99

M. Haydn: Serenade in D Major

Capriccio

$16.99 Sep 09, 2016

Johann Michael Haydn never quite reached the fame of his older brother Joseph, but still introduced an impressive oeuvre into the classical repertoire. J. M. Haydn’s Serenade in D was composed in Salzburg in 1767. The ten movement work displays Haydn’s affinity for chamber compositions. Founded in 1986, the Virtuosi Saxoniae is made up of principal members of the Dresden Staatskapelle. The ensemble concerns itself with 18th century European music, devoting themselves to the great figures of the Hasse era.

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M. Haydn: Serenade in D Major
Capriccio Sep 2016
CD
$16.99

Dohnányi: Piano Works (Original Bösendorfer, 1910) / Gülbadamova

Capriccio

$21.99 Apr 19, 2024

Ernst von Dohnányi was interested in various inventions throughout his life, so it is not surprising that around 1909–1910 he became one of the main promoters of pianos with a semi-circular keyboard. At that time, they had long been experimenting with creating the most comfortable keyboard possible, with all its parts being at the same distance from the pianist, and being able to play it with the same body and hand position at the bottom, middle or top of the keyboard range. It seems that the Viennese Ludwig Bösendorfer started making pianos with a concave keyboard (Bogenklaviatur) only in 1910, and Dohnányi used them exclusively in the territory of the Austro-Hungarian Monarchy. After Dohnányi moved home to Budapest at the end of 1915, one of his own pianos was the short Clutsam-Bösendorfer, which is currently owned by the Budapest Museum of Music History. This CD offers the first recording of this special instrument after a long time restoration.

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Dohnányi: Piano Works (Original Bösendorfer, 1910) / Gülbadamova
Capriccio Apr 2024
CD
$21.99

Kapustin: Saxophone Chamber Music / Blumina, Bruns, Cair-Obscur Saxophone Quartet

Capriccio

$21.99 Feb 07, 2020

At first glance, it might be surprising that a pianist born in the Soviet Republic of Ukraine, who went through the classical Russian school of pianists, should compose exclusively in the idiom of jazz. But jazz was more prevalent in the Soviet Union that might be supposed. Already in the 1930s, Oleg Ludstrem began appearing with his Big Band touring in the UDSSR. Later, Nikolai Kapustin worked for many years in this orchestra as a pianist and arranger. ‘What interests me most is the fusion between classical music and jazz, and between the classical form and the jazz idiom. Here, the classical portion has more weight for me. The jazz style is merely color.’ (Nikolai Kapustin).

-----

REVIEW:

The alto sax-cello duo is the one work on this album written for a saxophone, and happily cellist Peter Bruns seems to have some experience in playing jazz time, because he plays his instrument almost like a jazz bass (or at least like a jazz cello, reminding me of Oscar Pettiford and Fred Katz). It’s a wonderfully imaginative piece, too, in which the alto sax plays almost continuous eighth-note figures while the cello prods him rhythmically, and occasionally our saxist, Christoph Enzel, puts some grit in his tone which helps to bring out the jazz connection very well. The second movement in particular (“Sonatina—Animato”) brings out some pretty nifty counterpoint while still having at least a foothold in jazz time.

In toto, then, an interesting album with good music from start to finish and some really good performances of it.

– Art Music Lounge

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Kapustin: Saxophone Chamber Music / Blumina, Bruns, Cair-Obscur Saxophone Quartet
Capriccio Feb 2020
CD
$21.99

Von Sauer & Ansorge: Piano Concertos - The Pupils of Franz L

Capriccio

$21.99 Apr 04, 2025

Emil von Sauer and Conrad Ansorge had the privilege of studying under the legendary Franz Liszt. Liszt himself never claimed to be a teacher but rather an advisor. But anyway, for both of them, these lessons with the world-famous composer and pianist influenced and increased their style and extraordinary capabilities. With this recording Capriccio presents two outstanding and unjustly forgotten piano concertos which shows the deep understanding of musical forms and structures and versatility of the Pupils of Franz Liszt.

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Von Sauer & Ansorge: Piano Concertos - The Pupils of Franz L
Capriccio Apr 2025
CD
$21.99

Martinů: The Symphonies / Meister, VRSO

Capriccio

$29.99 Oct 06, 2017

Bohuslav Martinů has suffered the fate of not enjoying the same popularity and wide appeal like Bedrich Smetana, Antonín Dvorák und Leoš Janácek on the podium. This often goes so far that his singular skill is referred to, but that the wealth of his oeuvre in all the salient genres is hardly familiar. For decades, Martinu had shied away from composing a symphony. The first one was finally to be written in the USA in 1942, followed by another one every year until 1946 (the sixth was only added to the work catalogue in 1953). For this reason, there is sometimes talk of the ‘American’ symphonies. The symphonies do mirror the events of the time, but at the same time long passages must be regarded as absolute music. Cornelius Meister is regarded as one of the finest young conductors of our day and age, and here he fantastically interprets these six symphonies with transparency, emotion, and aplomb.

REVIEWS:

It is always good to discover new recordings of Martinů’s symphonies, a sequence all the more remarkable for the short period, in which the first five symphonies were composed. Cornelius Meister, with the ORF Orchestra, provides us with a distinctive vision of Martinů’s symphonies. These performances sit very much in the Austro-German traditions of interpretation. Some moments are almost Brahmsian, phrasing is weighty, structure is emphasized.

Cornelius Meister is one of the most interesting of the younger conductors around. He has a superb rapport with his orchestra, whose playing is very fine throughout.

-- MusicWeb International

The appearance of this complete set of six symphonies on three CDs, recorded live in Vienna from 2011 to 2017, serves to reinforce the essential importance of Martinů as a 20th century orchestral composer. Although it doesn’t supplant the splendid Belohlávek Onyx set, it's nonetheless a very fine cycle. The sound is clear and lifelike, with most of the advantages of live recording, a sense of occasion and excitement and a more organic and natural arc to the performance, without too many of the disadvantages. The audience is mainly well-behaved and the applause is edited out.

-- Music for Several Instruments

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Martinů: The Symphonies / Meister, VRSO
Capriccio Oct 2017
CD
$29.99

J.E. Bach: Passionsoratorium / Max, Schlick, Cordier, Pregardien, Rheinische Kantorei

Capriccio

$22.99 Apr 24, 2012

Despite the rich tradition provided by the former genre of the Passion of Christ set to music, only two works have been able to establish temselves permanently - the two monumental Passions by Johann Sebastian Bach. The Passion Oratorio by Johann Ernst Bach, the nephew, godson and pupil of Johann Sebastian, is one of the lesser-known works. With his explicit commitment to sacred music, Johann Ernst Bach occupies an extremely isolated position among the Protestant German composers of the second half of the 18th century. Although the religious works of both Telemann and J. S.Bach were, in his opinion, "admirable masterpieces", he strongly criticized the decay of sacred music during his own generation and demanded that this be counteracted by "artistic and regular styles of composition".

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J.E. Bach: Passionsoratorium / Max, Schlick, Cordier, Pregardien, Rheinische Kantorei
Capriccio Apr 2012
CD
$22.99

Strasfogel: Franz Schreker Book; Scherzo No. 1
Capriccio Jan 2001
CD
$10.99

Rózsa: Sinfonia concertante / Bühl, Staatsphilharmonie Rheinland-Pfalz

Capriccio

$21.99 Apr 04, 2025

This release further explores the rarely performed or recorded concert music of Miklos Rozsa (of Ben Hur fame), coupling his Rhapsody for Cello in which the young composer truly found his style, his Notturno Ungherese ("a nostalgic night piece, harking back to the memories of my childhood in Hungary"), and the late Sinfonia concertante for violin and cello, a fiendishly difficult violin-cello double concerto that is among Rozsa's finest, least film-music-like concert works - and one of his most underrated. Gregor Piatigorsky and Jascha Heifetz, who instigated it's composition, never ended up playing it, but Harriet Krijgh and Nikita Boriso-Glebsky certainly do.

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Rózsa: Sinfonia concertante / Bühl, Staatsphilharmonie Rheinland-Pfalz
Capriccio Apr 2025
CD
$21.99

Rubinstein Collection Vol 7 - Albeniz, Franck / Heifetz
Sony Masterworks Mar 2001
CD
$11.98

Engelbert Humperdinck: The Miracle (Complete)

Capriccio

$29.99 Dec 05, 2025

Engelbert Humperdinck's music for the pantomime of Karl Gustav Vollmoeller's arguably most important stage work impresses with it's deeply Romantic sound and large-scale choral scenes and had so far led an unforgivable shadowy existence in the composer's oeuvre. Premiered in London in 1911, none other than Max Reinhardt adapted this work for film (1912) and staged numerous performances with hundreds of actors, singers, and dancers - finally also at the Salzburg Festival in 1925. This recording represents the first complete recording of this deeply Romantic masterpiece.

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Engelbert Humperdinck: The Miracle (Complete)
Capriccio Dec 2025
CD
$29.99

Mix & Match

Shostakovich: Jazz Suites; Ballet Suites; Concertos

Capriccio

$33.99 Jul 04, 2025

Dmitri Shostakovich is first and foremost known for his symphonies and string quartets - works that contain some humor, but even more darkness, brooding, and desolation. But there is the jaunty side of the great composer, too, and nowhere does it come to it's cheerful fore than in these works, the Jazz Suites, the Tahiti Trot, and his Ballet Suites. This set, accompanying Capriccio's boxes of Shostakovich's Symphonies, Film Music, Orchestral Songs, and Chamber Music, is rounded out with two concertos. In the playful Piano Concerto, that humorous side comes through in the many quotations of songs, own works, and Beethoven. Only the grim Violin Concerto, held back, like the 4th Symphony, for fear of retribution, offers no smile.

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Shostakovich: Jazz Suites; Ballet Suites; Concertos
Capriccio Jul 2025
CD
$33.99

Mozart: Requiem & Ave Verum - Bruckner: Motets / Marschik, Vienna Folk Opera Symphony

Capriccio

$16.99 May 05, 2017

Capriccio Encore is a series of re-releases of the most famous recordings from Capriccio's back catalogue, fully re-mastered. The legendary recordings of artists such as Sandor Végh, Ton Koopman, Sir Neville Marriner and the Vienna Boys' Choir also contain repertoire highlights that have a particularly special appeal, from the baroque to the present day. This specific Encore album features the Vienna Boys' Choir alongside the Symphonieorchester der Wiener Volksoper, performing Wolfgang Amadeus Mozart's Requiem in D minor and Ave verum corpus. Also on the album is Anton Bruckner's Motetten.

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Mozart: Requiem & Ave Verum - Bruckner: Motets / Marschik, Vienna Folk Opera Symphony
Capriccio May 2017
CD
$16.99