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The Who's Tommy: The Original Cast Recording

Sony Masterworks

$16.98 Apr 24, 2012

The Who's rock opera about a deaf, dumb & blind boy who eventually assumes the role of a messianic leader, Tommy, debuted on Broadway in 1993. It won five Tony Awards. The soundtrack was produced by Sir George Martin & stars Michael Cerveris (Evita, Sweeney Todd, Assassins) & Alice Ripley (Next to Normal) along with Norm Lewis (Porgy & Bess) & Sherie Renee Scott (Everyday Rapture, Women on the Verge).

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The Who's Tommy: The Original Cast Recording
Sony Masterworks Apr 2012
CD
$16.98

Prokofiev: Romeo And Juliet (Highlights) / Mogrelia, Ukraine National Symphony

Naxos

$13.99 ~~$19.99~~ Save 30% Aug 28, 2012

“Living people can dance, the dying cannot”, Prokofiev wrote to explain the problems he faced when writing music for the ballet Romeo and Juliet. His original score was rejected as ‘undanceable’ by the Bolshoy Theatre and his initial scheme for a happy ending for the lovers was, fortunately, vetoed. The revised score, however, proved a masterpiece of expressive beauty and drama, with melting love music and huge bravura, and it remains one of the most loved ballet scores of the twentieth century.

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Prokofiev: Romeo And Juliet (Highlights) / Mogrelia, Ukraine National Symphony
Naxos Aug 2012
CD
~~$19.99~~ $13.99

Wagner: Orchestral Highlights / Ormandy, Philadelphia Orchestra
RCA Jul 2007
CD
$17.99

Handel: Messiah Highlights / Bach Collegium Japan
BIS Aug 2005
CD
$18.99

Basic 100 Vol 21 - Handel: Messiah Highlights / Beecham
Sony Masterworks Oct 1993
CD
$11.98

HIGHLIGHTS FROM ANDREW LLOYD WEBBER'S CINDERELLA
VERVE Jul 2021
Vinyl
$33.49

Melodies Passageres - Barber: Songs / De Pledge, Jeffers

Quartz Music

$18.99 Jan 01, 2012

Barber's aunt was the most celebrated contralto of the day, and her husband Sidney Homer wrote a number of highly successful songs. Barber explained that "writing songs just seemed a natural thing to do." Barber had a fine baritone voice, studying singing as well as composition and piano at the Curtis Institute in Philadelphia. Throughout his career, Barber's instinct for vocal shaping would inform his output; half of his published compositions are vocal, and even his instrumental works frequently possess a lyrical, cantabile quality. Furthermore, Barber's partner, Gian Carlo Menotti (1911-2007), was also a skilful composer of vocal music, and the pair undeniably influenced one another. In 1964, Menotti argued: "There is a certain indolence towards the use of the voice today, a tendency to treat the voice instrumentally, as if composers feared that its texture is too expressive, too human". This emotive humanity is not something Barber himself shied away from; on the contrary, as both composer and lyricist he was able to cut to the heart of a subject with both concision and beauty. Gweneth-Ann Jeffers is among the best of today's young British singers. She is noted for her commanding voice and vivid personality. She has already been heard in an exceptionally wide range of repertoire including leading roles for Welsh National Opera and Oper Köln as well as concert engagements in Britain, Europe, Australia and Japan. In the 07/08 season, she made several role débuts: Gutrune in Götterdämmerung at the BBC Proms with Donald Runnicles; the title roles in Tosca at the Teatro São Carlos in Lisbon and the title role in Porgy and Bess for the Basel Chamber Orchestra and the Macedonian Philharmonic. She also performed Messiaen's Harawi as part of the Southbank Centre's composer centenary celebrations 'From the Canyons to the Stars' and at the 2008 BBC Proms.

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Melodies Passageres - Barber: Songs / De Pledge, Jeffers
Quartz Music Jan 2012
CD
$18.99

INTERACTION

ORIGIN RECORDS

$21.07 Nov 15, 2019

Creating sublime musical structures over the last five decades, where risk-taking, rhythmic rapport, and giving of oneself to the music are the essence, legendary bassist David Friesen's music continues to reach new pinnacles of profound expression. On disc one, his long-touring, closely knit trio with saxophonist Joe Manis and drummer Charlie Doggett went into a Portland studio to record 13 new works by Friesen. Disc Two, with Manis and Australia-based drummer, Reuben Bradley, is a bristling live performance from Vienna's Porgy & Bess jazz club during their Spring 2019 European tour. Thriving on selfless awareness and their uncanny compatibility, the trio's joyful interactions offer surprise, beauty, and depth at every turn.

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INTERACTION
ORIGIN RECORDS Nov 2019
CD
$21.07

Opera Highlights - STRAUSS, R. / VERDI, G. / MUSSORGSKY, M.P
Ars Produktion Sep 2008
CD
$37.99

Dvorak's Prophecy - Film 3 - The Souls of Black Folk & the Vexed Fate of Black Classical Music [DVD]

Naxos

DVD

$6.49 ~~$12.99~~ Save 50% Jan 28, 2022

“The Souls of Black Folk and the Vexed Fate of Black Classical Music”
Written and produced by Joseph Horowitz
Visual presentation by Peter Bogdanoff
Film three in the six-film Naxos series:
“Dvorak’s Prophecy: A New Narrative for American Classical Music”

If George Gershwin’s Porgy and Bess – the highest creative achievement in American classical music – embodies a glorious (and controversial) fulfillment of Dvořák’s prophecy, there also exists a buried lineage of exceptional compositions by Black composers following in Dvořák’s wake. Coming first was his assistant Harry Burleigh, whose seminal settings of “Deep River” are – as our film illustrates – as much compositions as transcriptions. Burleigh’s initiative was sealed by singers like Paul Robeson and Marian Anderson. But William Levi Dawson’s oracular Negro Folk Symphony, though triumphantly premiered by Leopold Stokowski and his Philadelphia Orchestra in 1934, gathered dust – and Dawson was never to create the symphonic catalogue he seemed destined to undertake. Commentators include George Shirley, the most legendary name in present-day Black classical music, also Kevin Deas, music historians Gwynne Kuhner Brown and Michael Cooper, and conductor Michael Morgan. This film includes performances by pianist Benjamin Pasternack, The Fort Smith Symphony conducted by John Jeter, The Vienna Radio Symphony conducted by Arthur Fagen and Kevin Deas recorded in live performance.

“The disconnection between the rich history of Black American music and the classical music we typically hear has proved impoverishing. Because of our current conversation about race we now observe a seemingly desperate effort to make up for lost time, to present Black faces in the concert hall. I think that's only fair. But if it's going to become a permanent new way of thinking, there has to be new understanding. Dvořák's Prophecy is on time, it's a bull's-eye. We have been left unprepared for the current cultural moment. Joe Horowitz's book explains how we got there. . . . Dvořák's Prophecy proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.” –from George Shirley's Foreword to Dvořák's Prophecy

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Dvorak's Prophecy - Film 3 - The Souls of Black Folk & the Vexed Fate of Black Classical Music [DVD]
Naxos Jan 2022
DVD
~~$12.99~~ $6.49

Jascha Heifetz: Favorite Recital Pieces & Encores

Sony Masterworks

$24.98 Jul 10, 2015

Drawn from the worldwide holdings of Sony Classical Music and re-mastered in 24bit High Resolution Audio, these smart, desirable and collectible EU (Germany) pressed import multi-disc editions, replete with legendary artists, offer many of the finest, most sought-after recordings in the classical discography. The slender, shelf-friendly box frontages feature large, prominently displayed photos of the edition’s featured artist, work listings at the back, with the CDs themselves housed in protective sleeves that divulge the recording specifics for each performance. Violin legend Jascha Heifetz “represented a potent manifestation of musical integrity combined with tonal and intonational purity, technical discipline, virtuosity and intellectual honesty,” declared Gramophone in a 1994 assessment of his achievement, “whether in unaccompanied Bach … or in the countless miniatures that he infused with a wealth of wit and feeling.” Now Sony Classical has compiled a special 5-CD box of Heifetz playing his “Favourite Encore and Recital Pieces”. It includes sonatas by Beethoven (the “Kreutzer”), Franck, Saint-Saëns and Richard Strauss, as well as Schubert’s C major Fantasy and movements from Bach’s E major Partita and his D minor Chaconne – plus the great violinist’s own captivating transcriptions of miniatures: selections from Porgy and Bess, Carnival of the Animals and pieces by Debussy, Ravel, Prokofiev, Falla and Walton.

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Jascha Heifetz: Favorite Recital Pieces & Encores
Sony Masterworks Jul 2015
CD
$24.98

ELLA & LOUIS

NUMBER ONE ESSENTIAL

Vinyl

$22.99 Apr 24, 2026

Louis Armstrong's career began nearly 15 years before Ella Fitzgerald's. In fact, Louis was one of Ella's first musical idols. Although both Ella and Louis had probably met and performed together previously, they wouldn't be heard on record together until January 18, 1946, when they waxed a single 78 rpm disc coupling "The Frim Fram Sauce" with "You Won't Be Satisfied". They wouldn't record a lot together until 1956, when producer Norman Granz reunited them for three memorable albums: Ella & Louis (presented here), it's sequel Ella & Louis Again and the selection of tunes from George Gershwin's folk opera Porgy & Bess. The results: some of the most fascinating jazz music ever produced. THE COMPLETE LP - 180-GRAM VIRGIN VINYL - LIMITED EDITION

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ELLA & LOUIS
NUMBER ONE ESSENTIAL Apr 2026
Vinyl
$22.99

Mix & Match

The Piano Music Of Earl Wild / Xiayin Wang

Chandos

$21.99 Nov 16, 2010

EarlWild, the legendary piano virtuoso, who died on 23 January 2010 aged ninety-four, was fondly known as the Peter Pan of pianists on account of his perennial youthfulness and stamina when tackling the great romantic blockbuster concertos that formed the centrepiece of his repertoire. Throughout his life, Wild composed a large quantity of music, from television scores to ballet music, but mainly piano transcriptions of other composers' works, which he imbued with his own distinct voice. Famous for a unique style that encompassed many influences, both classical and popular, he will be remembered as one of the great interpreters of Liszt, Rachmaninoff, and, perhaps most significantly, George Gershwin. This CD comprises Earl Wild's arrangements of well-known Gershwin tunes, as well as the Piano Sonata, an original composition from 2000, which carries strong imprints of jazz, blues, rag, and American folk music, while still remaining firmly rooted in the classical form. Wild's Grand Fantasy on 'Porgy and Bess' explores well-known songs presented in a free-flowing way that ultimately produces the feel of a single work. Simply to list the songs as they are heard would be misleading, as they drift in and out, receiving different treatments. For example, phrases from 'Summertime' are used throughout the piece in transitions from one section to another, and 'I got plenty o' nuttin'' is presented as a complex and lively march while 'There's a boat dat's leavin' soon for New York' brings the work to a flashing conclusion. In contrast to the Grand Fantasy, which uses several of Gershwin's melodies within one single span, the Seven Virtuoso Études does exactly the opposite. Here seven Gershwin songs are treated separately, each showcasing challenging piano techniques and thus placing great virtuosic demands on the performer. 'The man I love' makes extensive use of difficult polyrhythm, and demanding scales and arpeggios govern 'Embraceable you' while 'Somebody loves me' uses legato to evoke a colourful but dreamy mood. The works on this disc are performed by the young American pianist Xiayin Wang who with her consummate technical brilliance and fine musicianship has already achieved a high level of recognition for her commanding performances in such venues as New York's Carnegie Hall and Lincoln Center. Very active on the concert platform, she was the featured performer at the conference of the League of American Orchestras in June. She has been championed by one of New York's great musical patrons, Bill Schwartz.

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The Piano Music Of Earl Wild / Xiayin Wang
Chandos Nov 2010
CD
$21.99

Handel: The Messiah - Highlights / Scholars Baroque Ensemble

Naxos

$9.99 ~~$19.99~~ Save 50% Jul 10, 1995

Messiah was written with Handel's usual speed in 1741 for performance in Dublin, some of it rehearsed briefly by inadequate singers in Chester, as he made his way to Holyhead to embark for the voyage. The first performance was given at the New Music Hall in Fish-amble Street, Dublin, on 13th April, 1742, in aid of charity. The first London performance took place in Lent 1743 at Covent Garden, but the work failed to please, in part because of reservations that some held about the suitability of such a sacred subject for a theatre. Messiah only achieved it's lasting success after performances in 1750 in aid of the Foundling Hospital, established ten years earlier by Captain Thomas Coram. At his death in 1759 Handel left a fair copy of the score and all parts to the Hospital, an institution that continued to benefit from annual performances of the work. The Scholars Baroque Ensemble: The scholars Baroque Ensemble was founded in 1987 by David van Asch with the idea of complementing the "a-capella" work of the vocal ensemble The Scholars. This group, consisting also of the soprano Kym Amps, counter tenor Angus Davidson and tenor Robin Doveton, has had worldwide success during the last twenty years. The members of THE Scholars Baroque Ensemble are all specialists in the field of Baroque music and play original instruments (or copies) using contemporary techniques, singers and players work together without a director to produce their own versions of great masterpieces such as the St. John Passion by Bach, the 1610 Vespers by Monteverdi, Dido and Aeneas and The Fairy Queen by Purcell, the Messiah and Acis and Galatea by Handel, all of which are being released by Naxos. Concert performances by the ensemble have been highly praised by critics and audiences alike.

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Handel: The Messiah - Highlights / Scholars Baroque Ensemble
Naxos Jul 1995
CD
~~$19.99~~ $9.99

Our American Roots

Delos

$18.99 May 28, 2013

In “Our American Roots” Feldman applies his talent and skill to an all-American program of music for cello and piano—to include a pair of rarely heard cello sonatas by Barber and Walker. The remainder of the program consists of arrangements of musical Americana: arias from Gershwin’s Porgy and Bess and his Preludes, and two movements from Copland’s Billy the Kid.

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Our American Roots
Delos May 2013
CD
$18.99

BABYLON HOTEL

EUROARTS

$16.42 Dec 27, 2024

Experience the iconic music from movies and series such as Babylon Berlin, The Great Gatsby and Burlesque with the Danish National Symphony Orchestra, Danish Radio Big Band and guests. The Babylon Hotel is the concert where the upper class meets the underworld in a melting pot of euphoria and extravagance, nostalgia and pleasure with a carefree sinfulness only seen in the exuberant nightlife of the 1920s around the world. This concert evening takes you through the fictional Babylon Hotel, where the doors are opened to a world of music from movies like The Great Gatsby, Babylon, Burlesque, the TV series House of Dreams and Babylon Berlin and the operas Porgy and Bess and Mahagonny - and much more.

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BABYLON HOTEL
EUROARTS Dec 2024
CD
$16.42

PORGY & BESS
IMPORTS Apr 2014
CD
$11.99

PORGY & BESS

WARNER CLASSICS

DVD

$20.99 Jul 03, 2001

One of the few productions of "Porgy and Bess" to on video, this 1993 release is directed by the acclaimed stage director Trevor Nunn. With a stellar cast of performers including Willard White, Cynthia Haymon and Gregg Baker, Nunn injects new life into the classic Gershwin opera. The London Philharmonic and the Glyndebourne Chorus add wonderful accompaniment to this historic black musical. The romance and beauty of this tender story, it's dramatic development, and the sheer vitality of the characters come alive in this exciting visual production. (1993) Running time: 184 minutes.

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PORGY & BESS
WARNER CLASSICS Jul 2001
DVD
$20.99

Symphonic Brass - Verdi, Bizet, Gershwin, Et Al

Naxos

$19.99 Nov 20, 2007

I can see significant interest and many converts to brass band music being generated by this disc from the Black Dyke Band.

This Naxos release consists of eleven popular works in arrangements for brass band. I hope that it heralds a continuing Brass Band Classics series. Here the term ‘arrangement’ is used in its broadest sense, not differentiating between those scores that strive to stay faithful to the original in the way of a transcription and those that make freer use of the material. Eight different arrangers, mainly celebrated figures in the brass band movement, have been at work here. Notable is Alan Fernie, a Royal Academy of Music student who is represented by four separate pieces.

The compass of brass band music has been significantly augmented by this activity. In addition to original brass band works it was in the 1930s that the fashion developed for making popular works of the standard repertoire available for brass bands to play. Around the mid-twentieth-century the popularly of banding was given the strongest possible advocacy when distinguished conductors, knights, Malcolm Sargent; Adrian Boult and John Barbirolli all directed concerts of massed brass bands.

The performers here are the Black Dyke Band, formerly the Black Dyke Mills Band, under their Principal Conductor and Director of Music, Nicholas Childs. Arguably the best known brass band on the world stage the Black Dyke Band has been voted ‘Champion Band of Great Britain’ on twenty occasions as well as receiving a large number of other prestigious awards. From Queensbury, Bradford the Black Dyke Band were founded over one hundred and fifty years ago in a town where a tradition of brass band music can be traced back to 1816.

Instantly recognisable to virtually all listeners is the opening work, the magnificent Grand March from Verdi’s opera Aida. This stunning arrangement by Alan Fernie seems especially suited to the martial, fanfare-like quality of the considerable brass elements that Verdi designed in his score. Black Dyke impress and entertain and the solo passage between 2:01-2:41 is especially effective.

Brahms composed his Academic Festival Overture (1880) to thank the University of Breslau for conferring on him an honorary doctorate. The composer caused a stir amongst the University hierarchy by including several popular melodies from student drinking songs and this 1936 brass arrangement by Denis Wright highlights them to great effect.

Bizet is represented by three scores. The first is Goff Richards’s brass arrangement of Au fond du temple saint (Deep inside the sacred temple) universally known as the Pearl Fisher Duet from the 1863 opera The Pearl Fishers. I was bowled over by the beautiful rich timbre of Black Dyke’s two euphonium soloists David Thornton and John French in this splendid Pearl Fisher Duet that has been polled more than once as the nation's favourite tune.

Bizet’s 1875 opera Carmen is an acknowledged masterpiece. Here Alan Fernie has arranged five popular extracts into a well designed and contrasting suite for brass containing the essence of Spain. I especially enjoyed the confident swagger given to the portrayal of the bullfighter’s life by Black Dyke in the colourful Toreador’s Song.

Howard Lorriman has made a brass arrangement of the Farandole from the Second Suite from Bizet’s 1872 incidental music to Alphonse Daudet’s play L'arlesienne (The Woman from Arles). The Farandole, a lively traditional Provençal chain dance, is represented here by proud and effervescent music that Black Dyke develop into a thrilling and almost frenzied conclusion.

Stephen Roberts in 1996 produced an arrangement of Jupiter, the Bringer of Jollity from Holst’s most popular work. The perpetually heard central melody was subsequently arranged to the words “I vow to thee, my country.” Ably supported by the impeccable quality of ensemble the arrangement sounds especially effective in its brass guise.

A perennial favourite: the ubiquitous Nimrod from Elgar’s Variations on an Original Theme, ‘Enigma’ (1899) is the ninth variation and a musical representation of his friend A.J. Jaeger; the publishing manager at Novello. This performance of Eric Ball’s 1983 version of this easygoing and cheerful variation sounds highly impressive with an agreeable glow.

Achieving recognition as a stand-alone work the Prelude and Fugue: The Spitfire is extracted from Walton’s 1942 film score The First of the Few. It starred Leslie Howard who also directed. This marvellously played Alan Fernie arrangement just loses too much orchestral colour from Walton’s original.

Gershwin based his folk opera Porgy and Bess (1934-35) on Porgy the novel by DuBose Heyward. This successful arrangement by Alan Fernie uses four popular songs from the opera: the brash It ain't necessarily so; the joyous I got plenty o' nuttin'; the tender and poignant Bess, you is my woman now and the uplifting hymn I'm on my way.

Prolific arranger Dutchman Klaas van der Woude has prepared for brass the Hymn to the Fallen from John Williams’s score to Steven Spielberg’s 1998 film Saving Private Ryan. The Hymn to the Fallen is the highlight of the score and serves as a fitting requiem to all the soldiers who gave their lives during the World War II, Normandy landings in 1944. Superbly played by Black Dyke the heart-rending arrangement is defined by the distinctive plea of the fanfare-like theme that opens the piece.

The release concludes with Tchaikovsky’s celebrated 1812 Overture (1880) in a version by Robert Childs; the brother of Nicholas Childs the conductor. The myriad moods are superbly captured in this adroit arrangement. The build-up to the powerful and triumphant conclusion is especially successful.

Throughout this exciting release the outstanding feature is the security of ensemble. The excellence of the vivid and well balanced sound from Morley Town Hall together with the helpful essay from Roy Newsome contributes to the desirability of the disc.

With the wide appeal of these popular scores and the exceptional standard of the performances from the Black Dyke Band I can see significant interest and many subsequent converts to brass band music being generated by this disc. I sincerely hope that this is the first of many volumes from Naxos of Symphonic Brass.

-- Michael Cookson, MusicWeb International

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Symphonic Brass - Verdi, Bizet, Gershwin, Et Al
Naxos Nov 2007
CD
$19.99

Gershwin: Rhapsody In Blue; Strike Up The Band Overture; Promenade / Falletta [blu-ray Audio]

Naxos AudioVisual

Blu-Ray

$16.99 Jun 25, 2013

This is an audio-only (i.e., with no video content) Blu-ray disc playable only on Blu-ray players.

Also available on standard CD

George Gershwin fired up the New York music scene with his mélange of alluring tunes and refinement of the jazz vibe. His Strike up the Band Overture opened a flashy broadway hit and, inspired by a train ride, the composer heard his masterpiece Rhapsody in Blue as a “musical kaleidoscope of America”. Promenade was reconstructed from a 1937 film score, and Catfish Row was Gershwin’s concert suite from the opera Porgy and Bess. Acclaimed as a “bold, gutsy performance with plenty of pizzazz” and with “impressive brilliance and depth”, JoAnn Falletta’s previous Gershwin volume can be found on 8.559705 or Blu-ray NBD0025.

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Gershwin: Rhapsody In Blue; Strike Up The Band Overture; Promenade / Falletta [blu-ray Audio]
Naxos AudioVisual Jun 2013
Blu-Ray
$16.99

GERSHWIN RHAPSODY

DECCA

$14.62 Feb 23, 2024

Gershwin Rhapsody - Jean-Yves Thibaudet & Michael Feinstein / Commemorating the 1924 premiere of Rhapsody in Blue, pianist Jean-Yves Thibaudet collabs with Michael Feinstein, the 'one-man encyclopaedia of the Great American Songbook' to celebrate the magic of Gershwin. Gershwin Rhapsody sees best-loved Gershwin melodies sit alongside world premiere recordings of 4 rediscovered Gershwin songs: 'Graceful and Elegant', 'Dance of the Waves', 'Sutton Place' and 'Under the Cinnamon Tree'. The album also includes a medley based on Rhapsody in Blue comprising a selection of piano duos, solos and Feinstein vocals featuring the music of George & Ira Gershwin. The two also perform a Gershwin-esque setting of Vincent Youman's classic tune, 'Tea for Two' and the programme rounds off with 'Jasbo Brown Blues' from Porgy & Bess. Michael Feinstein and Jean-Yves Thibaudet extensively toured this programme around the US under the title 'Who Could Ask For Anything More?' including a date at Carnegie Hall on December 13th.

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GERSHWIN RHAPSODY
DECCA Feb 2024
CD
$14.62